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The World Is Not Enough (1999)

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James Bond uncovers a nuclear plot when he protects an oil heiress from her former kidnapper, an international terrorist who can't feel pain.

Director:

Michael Apted

Writers:

Neal Purvis (story), Robert Wade (story) | 3 more credits »
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Popularity
1,705 ( 55)
7 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Pierce Brosnan ... James Bond
Sophie Marceau ... Elektra King
Robert Carlyle ... Renard
Denise Richards ... Dr. Christmas Jones
Robbie Coltrane ... Valentin Zukovsky
Judi Dench ... M
Desmond Llewelyn ... Q
John Cleese ... R
Maria Grazia Cucinotta ... Cigar Girl
Samantha Bond ... Miss Moneypenny
Michael Kitchen ... Bill Tanner
Colin Salmon ... Charles Robinson
Goldie Goldie ... Bullion
David Calder ... Sir Robert King
Serena Scott Thomas ... Dr. Molly Warmflash
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Storyline

James Bond is back. An oil tycoon is murdered in MI6 and Bond is sent to protect his daughter. Renard, who has a bullet lodged in his brain from a previous agent, is secretly planning the destruction of a pipeline. Bond gains a hand from a research scientist, Dr. Christmas Jones who witnesses the action which happens when Bond meets up with Renard, but Bond becomes suspicious about Elektra King, especially when Bond's boss, M goes missing. Bond must work quickly to prevent Renard from destroying Europe. Written by simon

Plot Summary | Plot Synopsis

Taglines:

Danger. Suspense. Excitement. There must be when he's around. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of action violence, some sexuality and innuendo | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Russian | Spanish

Release Date:

19 November 1999 (USA) See more »

Also Known As:

Bond 19 See more »

Filming Locations:

Kazakhstan See more »

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Box Office

Budget:

$135,000,000 (estimated)

Opening Weekend USA:

$35,519,007, 21 November 1999, Wide Release

Gross USA:

$126,943,684

Cumulative Worldwide Gross:

$361,832,400, 4 March 2013
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Press screenings)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The film was also selected for the first round of nominations for the Academy Award for Best Visual Effects, but failed to win. See more »

Goofs

When the pipeline explodes it is clear during the explosion that it is mostly fire coming from the pipeline. There is no spray of earth or other debris. But afterwards Bond and Christmas are walking through a huge crater. Where (and when) did the earth get displaced, if it was not thrown up in the actual explosion? See more »

Quotes

[first lines]
Lachaise: So good of you to come see me, Mr. Bond, particularly on such short notice.
James Bond: If you can't trust a Swiss banker, what's the world come to?
See more »

Crazy Credits

"JAMES BOND WILL RETURN" See more »

Connections

Referenced in Modern Marvels: James Bond Gadgets (2002) See more »

Soundtracks

The World is not Enough
Music by David Arnold
Lyrics by Don Black
Performed by Garbage
See more »

Frequently Asked Questions

See more »

User Reviews

Remember when Bond films were good?
21 August 2000 | by RowsdowerSee all my reviews

A lot of people have already commented intelligently here on the general suckitude of this movie. I would just add a few thoughts.

It's true that the recent Bond films are choking on the formula. But it's not the idea of a formulaic Bond film that's at fault here. Indeed, the Bond formula is the most established, specific, franchised formula in film history, complete with obligatory plot twists, locale changes and even obligatory dialogue in mandatory scenes. But that's not the problem. The problem is that the inbred idiots in the Broccoli family who own the Bond franchise and who have final script and creative authority, choose (I think deliberately) to give us Bond films of the lowest common denominator, trying to maximize bottom line profit by making the films as dumb and over the top as possible. They choose to remain faithful only to those aspects of the formula that would seem to guarantee commercial success. Those formula points are:

1) Action set pieces that are determined to one-up all previous Bond action set pieces in terms of craziness, speed, and death-defying stunts, but to the point where they lose all credibility.

For example, Pierce's speedboat chase in TWINE, or his motorcycle leap off the cliff into the plane cockpit in Goldeneye are so ridiculous that you have to laugh at them. I just shook my head in disbelief when I saw that speedboat chase, which was way over-the-top to begin with, morph into a hot air balloon stunt, I could almost hear the Broccoli family having a round table discussion, saying "Hey, then we could move the action into a balloon! Huh? Isn't that nuts! Who wouldn't love to see Bond in a hot-air balloon!" By contrast, just about any car or boat chase from the Connery era is much simpler, more plausible, and ultimately more fun to watch on repeat viewings because it won't dissolve into farce.

2. A beautiful woman with a funny name.

Hey, I love Bond girls as much as anyone else. And the funny names are great. But didn't they use to act better? And have more to do? And be sophisticated? Denise Richards seems to be best suited for a poster. She's a respected nuclear physicist like I'm an Olympic figure skater.

3. Updating the Bond "look" to reflect whatever is currently on top of the charts.

The mangled version of the Bond theme was disgusting. Giving him a German car because BMWs are cool is stupid. He's a Brit for Gods sake. Bond is cool because he's COOL. He has actual Mojo. It's not the brand of Vodka he swills, or who designed his suit. Leave well enough alone.

Basically, this franchise is headed down the toilet. It's circling the bowl as we speak. They'll always make money, but the experience is changing. These days, going to a Bond film is like going to a Circus. You're going so you can Ooh and Aah at something, not to watch a coherent movie with things like characters and plot.

Remember when these films were spy movies first, action movies later? Remember the whole train sequence in From Russia With Love, where Bond plays a game of wits with the evil spy? Remember the great chemistry with Connery and Honor Blackman in Goldfinger? Remember how Connery or Moore could make a line classic just with great delivery, instead of having "great" one-liners scripted in advance?

In short, remember when these movies were good?


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