A boy who grew up in a native Sicilian Village returns home as a famous director after receiving news about the death of an old friend. Told in a flashback, Salvatore reminiscences about his childhood and his relationship with Alfredo, a projectionist at Cinema Paradiso. Under the fatherly influence of Alfredo, Salvatore fell in love with film making, with the duo spending many hours discussing about films and Alfredo painstakingly teaching Salvatore the skills that became a stepping stone for the young boy into the world of film making. The film brings the audience through the changes in cinema and the dying trade of traditional film making, editing and screening. It also explores a young boy's dream of leaving his little town to foray into the world outside.Written by
The character played by Brigitte Fossey was included in the first theatrical version of the film (155 minutes, released in November 1988) but then dropped in the shorter re-release (124 minutes, May 1989), which was shown internationally. Her scenes were eventually reinstated in the extended version (173 minutes). See more »
When the (adolescent) Salvatore is leaving home on the train, we see Alfredo getting up out of the seat on the platform. The next time we see him, he's seated again, and getting up again. See more »
Maria Di Vita - Older:
[on the phone]
Maria Di Vita - Older:
Yes, Salvatore di Vita. You mean you don't know him, Miss? That's right, and I'm his mother. I've been calling from Sicily, all day long. I understand, he's not there.
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The 170 minute version was made available on limited release at U.S. theaters in 2002. See more »
A breath of fresh air blowing away the cobwebs of Hollywood "blah" films.
I have seen this film at least a dozen times and each time I am carried away to a small village in Italy, where the dreams of a small boy come true and we can join his spellbinding journey. The Italian language (it is subtitled) adds to the film's beauty and music, the characters are so real you can almost smell them. I am absorbed into "Paradiso" each time I watch it, so that when it is over, I am shocked into the realisation that I haven't actually been anywhere except right there, in my theatre seat. I am not a huge "art house" film fan or indeed enjoy subtitled films (it is hard on the old eyes!) but "Paradiso" is a gem and is worth seeing again and again.
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