Cinema Paradiso (1988)

A filmmaker recalls his childhood when falling in love with the pictures at the cinema of his home village and forms a deep friendship with the cinema's projectionist.

Director:

Giuseppe Tornatore

Writers:

Giuseppe Tornatore (story), Giuseppe Tornatore (screenplay)

Stars:

Philippe Noiret, Enzo Cannavale, Antonella Attili

Top Rated Movies #54 | Won 1 Oscar. Another 24 wins & 31 nominations.

Cast

Cast overview, first billed only:
Antonella Attili	...	Maria Di Vita - Younger
Enzo Cannavale	...	Spaccafico
Isa Danieli	...	Anna
Leo Gullotta	...	Usher
Marco Leonardi	...	Salvatore 'Totò' Di Vita - Teenager
Pupella Maggio	...	Maria Di Vita - Older
Agnese Nano	...	Elena Mendola
Leopoldo Trieste	...	Father Adelfio
Salvatore Cascio	...	Salvatore 'Totò' Di Vita - Child
Tano Cimarosa	...	Blacksmith
Nicola Di Pinto	...	Village Idiot
Roberta Lena	...	Lia
Nino Terzo	...	Peppino's Father
Jacques Perrin	...	Salvatore 'Totò' Di Vita - Adult
Philippe Noiret	...	Alfredo

Storyline

A boy who grew up in a native Sicilian Village returns home as a famous director after receiving news about the death of an old friend. Told in a flashback, Salvatore reminiscences about his childhood and his relationship with Alfredo, a projectionist at Cinema Paradiso. Under the fatherly influence of Alfredo, Salvatore fell in love with film making, with the duo spending many hours discussing about films and Alfredo painstakingly teaching Salvatore the skills that became a stepping stone for the young boy into the world of film making. The film brings the audience through the changes in cinema and the dying trade of traditional film making, editing and screening. It also explores a young boy's dream of leaving his little town to foray into the world outside.

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Plot Keywords:

cinema | flashback | film projectionist | coming of age | movie theatre | 

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Taglines:

A celebration of youth, friendship, and the everlasting magic of the movies.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for some sexuality

Details

Official Sites:

Asmik Ace [Japan] Official Facebook

Country:

Italy France

Language:

Italian

Release Date:

23 February 1990 (USA)

Also Known As:

Cinema Paradiso: The New Version

Filming Locations:

Bagheria, Palermo, Sicily, Italy

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$25,899, 14 June 2002, Limited Release

Gross USA:

$11,990,401

Company Credits

Production Co:

Cristaldifilm, Les Films Ariane, Rai 3

Technical Specs

Runtime:

155 min 175 min (director's cut) 123 min (international)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

The character played by Brigitte Fossey was included in the first theatrical version of the film (155 minutes, released in November 1988) but then dropped in the shorter re-release (124 minutes, May 1989), which was shown internationally. Her scenes were eventually reinstated in the extended version (173 minutes).

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Goofs

When the (adolescent) Salvatore is leaving home on the train, we see Alfredo getting up out of the seat on the platform. The next time we see him, he's seated again, and getting up again.

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Quotes

[first lines]
Maria Di Vita - Older: [in Italian]
[on the phone]
Maria Di Vita - Older: Yes, Salvatore di Vita. You mean you don't know him, Miss? That's right, and I'm his mother. I've been calling from Sicily, all day long. I understand, he's not there.

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Alternate Versions

The 170 minute version was made available on limited release at U.S. theaters in 2002.

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Connections

Referenced in Eight Days a Week (1997)

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Soundtracks

Toto and Alfredo
Written by Ennio Morricone

User Reviews

A breath of fresh air blowing away the cobwebs of Hollywood "blah" films.

I have seen this film at least a dozen times and each time I am carried away to a small village in Italy, where the dreams of a small boy come true and we can join his spellbinding journey. The Italian language (it is subtitled) adds to the film's beauty and music, the characters are so real you can almost smell them. I am absorbed into "Paradiso" each time I watch it, so that when it is over, I am shocked into the realisation that I haven't actually been anywhere except right there, in my theatre seat. I am not a huge "art house" film fan or indeed enjoy subtitled films (it is hard on the old eyes!) but "Paradiso" is a gem and is worth seeing again and again.