Cinema Paradiso (1988)

A filmmaker recalls his childhood when falling in love with the pictures at the cinema of his home village and forms a deep friendship with the cinema's projectionist.

Director:

Giuseppe Tornatore

Writers:

Giuseppe Tornatore (story), Giuseppe Tornatore (screenplay)

Stars:

Philippe Noiret, Enzo Cannavale, Antonella Attili

Top Rated Movies #54 | Won 1 Oscar. Another 24 wins & 31 nominations.

Cast

Cast overview, first billed only:
Antonella Attili	...	Maria Di Vita - Younger
Enzo Cannavale	...	Spaccafico
Isa Danieli	...	Anna
Leo Gullotta	...	Usher
Marco Leonardi	...	Salvatore 'Totò' Di Vita - Teenager
Pupella Maggio	...	Maria Di Vita - Older
Agnese Nano	...	Elena Mendola
Leopoldo Trieste	...	Father Adelfio
Salvatore Cascio	...	Salvatore 'Totò' Di Vita - Child
Tano Cimarosa	...	Blacksmith
Nicola Di Pinto	...	Village Idiot
Roberta Lena	...	Lia
Nino Terzo	...	Peppino's Father
Jacques Perrin	...	Salvatore 'Totò' Di Vita - Adult
Philippe Noiret	...	Alfredo

Storyline

A boy who grew up in a native Sicilian Village returns home as a famous director after receiving news about the death of an old friend. Told in a flashback, Salvatore reminiscences about his childhood and his relationship with Alfredo, a projectionist at Cinema Paradiso. Under the fatherly influence of Alfredo, Salvatore fell in love with film making, with the duo spending many hours discussing about films and Alfredo painstakingly teaching Salvatore the skills that became a stepping stone for the young boy into the world of film making. The film brings the audience through the changes in cinema and the dying trade of traditional film making, editing and screening. It also explores a young boy's dream of leaving his little town to foray into the world outside.

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Plot Keywords:

cinema | flashback | film projectionist | coming of age | movie theatre | 

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Taglines:

A celebration of youth, friendship, and the everlasting magic of the movies.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for some sexuality

Details

Official Sites:

Asmik Ace [Japan] Official Facebook

Country:

Italy France

Language:

Italian

Release Date:

23 February 1990 (USA)

Also Known As:

Cinema Paradiso: The New Version

Filming Locations:

Bagheria, Palermo, Sicily, Italy

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$25,899, 14 June 2002, Limited Release

Gross USA:

$11,990,401

Company Credits

Production Co:

Cristaldifilm, Les Films Ariane, Rai 3

Technical Specs

Runtime:

155 min 175 min (director's cut) 123 min (international)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Giuseppe Tornatore's intention was that this movie should serve as an obituary for traditional movie theatres (like the one on the film) and the movie industry in general. After the movie's success he never mentioned this again.

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Goofs

As a boy he shot 8mm movies. As an adult he watched the same movies in 16mm.

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Quotes

[first lines]
Maria Di Vita - Older: [in Italian]
[on the phone]
Maria Di Vita - Older: Yes, Salvatore di Vita. You mean you don't know him, Miss? That's right, and I'm his mother. I've been calling from Sicily, all day long. I understand, he's not there.

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Alternate Versions

The footage shown during the end credits has been slightly re-cut for the US DVD version. Most notably, the shot of the adult Elena has been removed.

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Connections

Referenced in Don't Say No Until I Finish Talking: The Story of Richard D. Zanuck (2013)

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Soundtracks

From American Sex Appeal to the First Fellini
Written by Ennio Morricone

User Reviews

As Good as Movies Get

Movies can wield a strange power over those who sit in the darkened seats of a theatre. The truly great ones manipulate your perception of reality, suspend your disbelief, and ultimately either alter or affirm your view on life. NUOVO CINEMA PARADISO is just such a movie. It is the near-perfect melding of direction, acting, script, sound track, and cinematography. Phillipe Noiret and Salvatore Cascio give the kind of performances usually associated with much more recognizable actors. The supporting cast looks like they could all be full-blooded Sicilians. The location shots add depth and realism to the entire production. Ennio Morricone's music is simply the most appropriate and emotive I have ever had the pleasure to hear in a theatre. Tornatore's script and direction are a joy, a breath of fresh air.

I will not spoil this story by repeating it, nor will I give away the ending, although it matters not a whit. I could disclose fully everything in this movie, and in seeing it, all my words would evaporate. There is nothing like the experience of sitting through it, becoming engulfed by it, and in the end, being changed.