Casablanca (1942)

A cynical American expatriate struggles to decide whether or not he should help his former lover and her fugitive husband escape French Morocco.

Director:

Michael Curtiz

Writers:

Julius J. Epstein (screenplay), Philip G. Epstein (screenplay)

Stars:

Humphrey Bogart, Ingrid Bergman, Paul Henreid

Top Rated Movies #49 | Won 3 Oscars. Another 5 wins & 9 nominations.

Cast

Complete credited cast:
Humphrey Bogart	...	Rick Blaine
Ingrid Bergman	...	Ilsa Lund
Paul Henreid	...	Victor Laszlo
Claude Rains	...	Captain Louis Renault
Conrad Veidt	...	Major Heinrich Strasser
Sydney Greenstreet	...	Signor Ferrari
Peter Lorre	...	Ugarte
S.Z. Sakall	...	Carl (as S.K. Sakall)
Madeleine Lebeau	...	Yvonne (as Madeleine LeBeau)
Dooley Wilson	...	Sam
Joy Page	...	Annina Brandel
John Qualen	...	Berger
Leonid Kinskey	...	Sascha
Curt Bois	...	Pickpocket

Storyline

The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make.

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Plot Keywords:

nazi | anti nazi | casablanca morocco | french morocco | 1940s | 

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Taglines:

Where Love Cuts as Deep as a Dagger!

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Genres:

Drama | Romance | War

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Motion Picture Rating (MPAA)

Rated PG for mild violence

Details

Official Sites:

Official Facebook

Country:

USA

Language:

English French German Italian

Release Date:

23 January 1943 (USA)

Also Known As:

Everybody Comes to Rick's

Filming Locations:

Hotel Monte Vista, Flagstaff, Arizona, USA

Box Office

Budget:

$950,000 (estimated)

Opening Weekend USA:

$181,494, 12 April 1992

Gross USA:

$4,108,411

Cumulative Worldwide Gross:

$4,374,761

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

102 min 82 min (cut)

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

On December 7, 1941, Japan attacked Pearl Harbor and the United States entered the Second World War. The next day a Warner Brothers reader began to evaluate the unproduced play "Everybody Comes To Rick's" as a possible movie. It was perfect timing as studios raced to get patriotic pictures into production. Two weeks later, Warners' executive in charge of production Hal B. Wallis decided to make the film, changed the title to mirror the exotic romanticism of the studio's hit Algiers (1938), and announced it as a done deal before contracts were signed (authors Murray Burnett and Joan Alison received a record $20,000 for the rights to an unproduced play).

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Goofs

When Yvonne is kicked out of Rick's in the first scene there, the comments she shouts as she walks outside don't match her lip movement at all.

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Quotes

[first lines]
Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...]

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Alternate Versions

A colorized version was shown on Australian TV and was released on VHS in the United States.

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Connections

Referenced in Tales from the Warner Bros. Lot (2013)

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Soundtracks

Piano Improvisation
(uncredited)
Music by Frank Perkins
Performed by Dooley Wilson after trying to talk Rick into leaving (piano dubbed by Jean Vincent Plummer)

User Reviews

Of all the classics in all the films in all the world, this is the best!

This is a film that MUST belong in every video collection in the U.S. is not in the world. The stories about it's making are legendary from the constant rewrites to the apocrypha of casting stories.

What is amazing to me, and the reason I believe it holds audiences almost spellbound in successive viewings, is the connection with the horrors of World War II was almost every single cast member. Sidney Greenstreet had lost a son in combat, and a number of the cast members fled Europe to escape the ravages of a Hitler regime. Even the evil Nazi character Major Strasser (played with relish by Conrad Veidt) had left Nazi Germany to escape almost sure internment and possible death in a concentration camp. Here was a man who was a legend in German film history as the murdering somnambulist (a possible warning about the Nazi soldiers to come?) and because of the vicious anti-Semitism and racism of the Germany of the '30s and '40s, we in America and in Hollywood were given a great gift.

Everyone in this film is fabulous, but it is the chemistry of Rick (Bogart) and Ilsa (Bergman) been truly holds the film together. When I saw this film almost frame by frame in the limited book series of classic films that were produced in the late 1960s, I was stunned by the subtlety of facial expressions that conveyed so much of Rick Blaine's character by a marvelous actor Humphrey Bogart. There is a reason why he was named the actor of the century.

While every person in the film becomes a real flesh and blood presence, the story of Rick and Ilsa is the center of this cinema feast.

I must confess that I have seen this picture so many times that I can recite every single line in the movie to the consternation of my wife who can't watch it with me anymore.

The line that sticks out the most for me, and which against cheers from New Yorkers whenever it plays in the theater. It is when Bogart says to the Nazis seated at his table, "There are parts of New York I wouldn't advise you to invade." And what makes this line so memorable is that Humphrey Bogart did indeed star in another motion picture for Warner Brothers where that very thing formed the basis for the script. That movie was "All Through The Night." I love this movie too, and I'm not even a New Yorker.

There have been many attempts to revisit "Casablanca," but only the original makes you really feel what it was like to live through "The Good War" in a faraway place like Casablanca in French Morocco.

Even though such trickery as midget airport workers, fog machines and cardboard cutout airplanes were utilized, this film convinces through its beautiful story with many layers, and characters that are so well realized.

If you've never seen this movie before, shame on you and see it immediately. If you only seen it once, I believe you will come back to it more than once. This is just about the most perfect film ever made and it is a miracle that that is so considering that there were so many hands in the pie. (Excuse me for my mixing my metaphors. It's late, and I get emotional just thinking about this classic film masterpiece.)

Play it again and again and again and again, Sam.