A Phoenix secretary embezzles forty thousand dollars from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.
A criminal pleads insanity after getting into trouble again and once in the mental institution rebels against the oppressive nurse and rallies up the scared patients.
Director:
Milos Forman
Stars:
Jack Nicholson,
Louise Fletcher,
Will Sampson
In German-occupied Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazi Germans.
A young FBI cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.
Director:
Jonathan Demme
Stars:
Jodie Foster,
Anthony Hopkins,
Lawrence A. Bonney
The story of Henry Hill and his life in the mob, covering his relationship with his wife Karen Hill and his mob partners Jimmy Conway and Tommy DeVito in the Italian-American crime syndicate.
The early life and career of Vito Corleone in 1920s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate.
In 1936, archaeologist and adventurer Indiana Jones is hired by the U.S. government to find the Ark of the Covenant before Adolf Hitler's Nazis can obtain its awesome powers.
During the Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Colonel who has set himself up as a god among a local tribe.
When an open-minded Jewish librarian and his son become victims of the Holocaust, he uses a perfect mixture of will, humor, and imagination to protect his son from the dangers around their camp.
Director:
Roberto Benigni
Stars:
Roberto Benigni,
Nicoletta Braschi,
Giorgio Cantarini
The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make.Written by
Kyle Perez
The film had six quotes on the American Film Institute's list of top movie quotes, more than any other movie on the list. The quotes with their ranks are: (5) Here's looking at you, kid. (20) Louis, I think this is the beginning of a beautiful friendship. (28) Play it, Sam. Play 'As Time Goes By.' (32) Round up the usual suspects. (43) We'll always have Paris; and (67) Of all the gin joints in all the towns in all the world, she walks into mine.
Gone with the Wind (1939) and The Wizard of Oz (1939) came in tied for second place, with three quotes apiece (including the #1 quote for Gone With the Wind). See more »
Goofs
Throughout the movie, Sam is seen playing an upright piano, but the sound is clearly that of a grand piano. See more »
Quotes
[first lines]
Narrator:
With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...] See more »
Alternate Versions
At the time of release, the film was banned in Germany because the story was considered to be anti-Nazi propaganda by the wartime censors. After the end of World War II, the picture was finally released in Germany but with around 20 minutes of footage cut (all scenes with Major Strasser and all references to Nazism). Other scenes were dubbed so that they had a totally different meaning (Victor Laszlo became Victor Larsen, an atomic physicist). In the 70s the film was redubbed by the ZDF, this time in its uncut form. See more »
The Very Thought of You
(1934) (uncredited)
Music by Ray Noble
Played when Ferrari offers to buy Rick's and when Rick sends Yvonne home
Also played when Sascha kisses Rick after Rick's good deed See more »
This is a film that MUST belong in every video collection in the U.S. is not in the world. The stories about it's making are legendary from the constant rewrites to the apocrypha of casting stories.
What is amazing to me, and the reason I believe it holds audiences almost spellbound in successive viewings, is the connection with the horrors of World War II was almost every single cast member. Sidney Greenstreet had lost a son in combat, and a number of the cast members fled Europe to escape the ravages of a Hitler regime. Even the evil Nazi character Major Strasser (played with relish by Conrad Veidt) had left Nazi Germany to escape almost sure internment and possible death in a concentration camp. Here was a man who was a legend in German film history as the murdering somnambulist (a possible warning about the Nazi soldiers to come?) and because of the vicious anti-Semitism and racism of the Germany of the '30s and '40s, we in America and in Hollywood were given a great gift.
Everyone in this film is fabulous, but it is the chemistry of Rick (Bogart) and Ilsa (Bergman) been truly holds the film together. When I saw this film almost frame by frame in the limited book series of classic films that were produced in the late 1960s, I was stunned by the subtlety of facial expressions that conveyed so much of Rick Blaine's character by a marvelous actor Humphrey Bogart. There is a reason why he was named the actor of the century.
While every person in the film becomes a real flesh and blood presence, the story of Rick and Ilsa is the center of this cinema feast.
I must confess that I have seen this picture so many times that I can recite every single line in the movie to the consternation of my wife who can't watch it with me anymore.
The line that sticks out the most for me, and which against cheers from New Yorkers whenever it plays in the theater. It is when Bogart says to the Nazis seated at his table, "There are parts of New York I wouldn't advise you to invade." And what makes this line so memorable is that Humphrey Bogart did indeed star in another motion picture for Warner Brothers where that very thing formed the basis for the script. That movie was "All Through The Night." I love this movie too, and I'm not even a New Yorker.
There have been many attempts to revisit "Casablanca," but only the original makes you really feel what it was like to live through "The Good War" in a faraway place like Casablanca in French Morocco.
Even though such trickery as midget airport workers, fog machines and cardboard cutout airplanes were utilized, this film convinces through its beautiful story with many layers, and characters that are so well realized.
If you've never seen this movie before, shame on you and see it immediately. If you only seen it once, I believe you will come back to it more than once. This is just about the most perfect film ever made and it is a miracle that that is so considering that there were so many hands in the pie. (Excuse me for my mixing my metaphors. It's late, and I get emotional just thinking about this classic film masterpiece.)
Play it again and again and again and again, Sam.
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This is a film that MUST belong in every video collection in the U.S. is not in the world. The stories about it's making are legendary from the constant rewrites to the apocrypha of casting stories.
What is amazing to me, and the reason I believe it holds audiences almost spellbound in successive viewings, is the connection with the horrors of World War II was almost every single cast member. Sidney Greenstreet had lost a son in combat, and a number of the cast members fled Europe to escape the ravages of a Hitler regime. Even the evil Nazi character Major Strasser (played with relish by Conrad Veidt) had left Nazi Germany to escape almost sure internment and possible death in a concentration camp. Here was a man who was a legend in German film history as the murdering somnambulist (a possible warning about the Nazi soldiers to come?) and because of the vicious anti-Semitism and racism of the Germany of the '30s and '40s, we in America and in Hollywood were given a great gift.
Everyone in this film is fabulous, but it is the chemistry of Rick (Bogart) and Ilsa (Bergman) been truly holds the film together. When I saw this film almost frame by frame in the limited book series of classic films that were produced in the late 1960s, I was stunned by the subtlety of facial expressions that conveyed so much of Rick Blaine's character by a marvelous actor Humphrey Bogart. There is a reason why he was named the actor of the century.
While every person in the film becomes a real flesh and blood presence, the story of Rick and Ilsa is the center of this cinema feast.
I must confess that I have seen this picture so many times that I can recite every single line in the movie to the consternation of my wife who can't watch it with me anymore.
The line that sticks out the most for me, and which against cheers from New Yorkers whenever it plays in the theater. It is when Bogart says to the Nazis seated at his table, "There are parts of New York I wouldn't advise you to invade." And what makes this line so memorable is that Humphrey Bogart did indeed star in another motion picture for Warner Brothers where that very thing formed the basis for the script. That movie was "All Through The Night." I love this movie too, and I'm not even a New Yorker.
There have been many attempts to revisit "Casablanca," but only the original makes you really feel what it was like to live through "The Good War" in a faraway place like Casablanca in French Morocco.
Even though such trickery as midget airport workers, fog machines and cardboard cutout airplanes were utilized, this film convinces through its beautiful story with many layers, and characters that are so well realized.
If you've never seen this movie before, shame on you and see it immediately. If you only seen it once, I believe you will come back to it more than once. This is just about the most perfect film ever made and it is a miracle that that is so considering that there were so many hands in the pie. (Excuse me for my mixing my metaphors. It's late, and I get emotional just thinking about this classic film masterpiece.)
Play it again and again and again and again, Sam.