A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.
- Director
- Writers
- Julius J. Epstein(screenplay)
- Philip G. Epstein(screenplay)
- Howard Koch(screenplay)
- Stars
Top credits
- Director
- Writers
- Julius J. Epstein(screenplay)
- Philip G. Epstein(screenplay)
- Howard Koch(screenplay)
- Stars
- Won 3 Oscars
- 10 wins & 9 nominations total
S.Z. Sakall
- Carl
- (as S.K. Sakall)
Madeleine Lebeau
- Yvonne
- (as Madeleine LeBeau)
Abdullah Abbas
- Arab
- (uncredited)
Enrique Acosta
- Guest at Rick's
- (uncredited)
Ed Agresti
- Bar Patron
- (uncredited)
Arnet Amos
- French Soldier
- (uncredited)
- …
- Director
- Writers
- Julius J. Epstein(screenplay)
- Philip G. Epstein(screenplay)
- Howard Koch(screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMany of the actors who played the Nazis were in fact German Jews who had escaped from Nazi Germany.
- GoofsWhen Rick and Sam get on the train after standing in the rain, their coats are completely dry.
- Alternate versionsAs late as 1974, the references to an extra-marital affair were banned in Ireland. The Irish cut got rid of two important sequences. First, after Ilsa tells Rick that she had left him after finding out that Viktor was still alive, the embraces and dialogue that followed were cut. Second, the emotional dialogue at the end of the film from Ilsa's line "You're saying that only to make me go" to Rick's line "What I've got to do, you haven't any part of". This led to Irish audiences' being bemused by the relationship between Rick and Ilsa, and often interpreting Rick's final speech beginning "I'm no good at being noble" as a reflection on the debilitating effects of war.
- ConnectionsEdited into Yksityisetsivät: The Secret of Adam Cain (1959)
- SoundtracksLa Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Arranged by Max Steiner
Played during the opening credits
Sung by Madeleine Lebeau and others at Rick's
Variations played often in the score
Review
Featured review
A Classic Worth Remembering
While there's not anything new to be said about "Casablanca", it's good to see one of the classics still getting some attention. By most standards it is at least very good, and there are good reasons why so many still remember it so fondly. Not everyone who watches it today shares the opinion that it is a classic, but it's still good to see fans of modern movies giving it a try for themselves.
The cast is one of its main strengths, not just Bogart and Bergman but also the fine supporting cast. Rains, Greenstreet, Lorre, and the others are indispensable to the atmosphere and the story, and each has some very good moments. It does have its imperfections, but it was not expected to be a classic or blockbuster - everything you read about the production suggests that it was made in a rather slap-dash fashion, under constraints that would have wrecked most other films. It's not hard to see the little ways that this affected the finished product, such as the times when the plot strains credibility a bit, or the characters seem to behave somewhat oddly. (In particular, it might have been even more satisfying if Bergman's character had been a little stronger - Ilsa is charming, but that's entirely thanks to what Bergman does with her; the character herself as written seems somewhat shallow.)
But it turned out anyway to be an excellent combination of actors, characters, and story, a combination that more than makes up for everything else. Different viewers probably remember and enjoy "Casablanca" for different reasons, because it seemingly has a little of everything. While perhaps not perfect, it is well worth remembering and watching.
The cast is one of its main strengths, not just Bogart and Bergman but also the fine supporting cast. Rains, Greenstreet, Lorre, and the others are indispensable to the atmosphere and the story, and each has some very good moments. It does have its imperfections, but it was not expected to be a classic or blockbuster - everything you read about the production suggests that it was made in a rather slap-dash fashion, under constraints that would have wrecked most other films. It's not hard to see the little ways that this affected the finished product, such as the times when the plot strains credibility a bit, or the characters seem to behave somewhat oddly. (In particular, it might have been even more satisfying if Bergman's character had been a little stronger - Ilsa is charming, but that's entirely thanks to what Bergman does with her; the character herself as written seems somewhat shallow.)
But it turned out anyway to be an excellent combination of actors, characters, and story, a combination that more than makes up for everything else. Different viewers probably remember and enjoy "Casablanca" for different reasons, because it seemingly has a little of everything. While perhaps not perfect, it is well worth remembering and watching.
helpful•9826
- Snow Leopard
- Dec 6, 2001
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Everybody Comes to Rick's
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $950,000 (estimated)
- Gross US & Canada
- $4,219,709
- Opening weekend US & Canada
- $181,494
- Apr 12, 1992
- Gross worldwide
- $4,498,051
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 1.37 : 1
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