Casablanca (1942)

A cynical American expatriate struggles to decide whether or not he should help his former lover and her fugitive husband escape French Morocco.

Director:

Michael Curtiz

Writers:

Julius J. Epstein (screenplay), Philip G. Epstein (screenplay)

Stars:

Humphrey Bogart, Ingrid Bergman, Paul Henreid

Top Rated Movies #35 | Won 3 Oscars. Another 5 wins & 9 nominations.

Cast

Complete credited cast:
Humphrey Bogart	...	Rick Blaine
Ingrid Bergman	...	Ilsa Lund
Paul Henreid	...	Victor Laszlo
Claude Rains	...	Captain Louis Renault
Conrad Veidt	...	Major Heinrich Strasser
Sydney Greenstreet	...	Signor Ferrari
Peter Lorre	...	Ugarte
S.Z. Sakall	...	Carl (as S.K. Sakall)
Madeleine Lebeau	...	Yvonne (as Madeleine LeBeau)
Dooley Wilson	...	Sam
Joy Page	...	Annina Brandel
John Qualen	...	Berger
Leonid Kinskey	...	Sascha
Curt Bois	...	Pickpocket

Storyline

The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make.

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Plot Keywords:

nazi | anti nazi | casablanca morocco | french morocco | 1940s | 

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Taglines:

Where Love Cuts as Deep as a Dagger!

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Genres:

Drama | Romance | War

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Motion Picture Rating (MPAA)

Rated PG for mild violence

Details

Official Sites:

Official Facebook

Country:

USA

Language:

English French German Italian

Release Date:

23 January 1943 (USA)

Also Known As:

Everybody Comes to Rick's

Filming Locations:

Hotel Monte Vista, Flagstaff, Arizona, USA

Box Office

Budget:

$950,000 (estimated)

Opening Weekend USA:

$181,494, 12 April 1992, Limited Release

Gross USA:

$1,024,560, 16 November 2017

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

102 min 82 min (cut)

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Humphrey Bogart had to wear platform shoes to play alongside Ingrid Bergman and compensate for the height disparity.

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Goofs

When Major Strasser talks with Rick about Laszlo, he leans his elbows on the table and crosses his fingers. In the next shot he is raising his right hand to join his left. And after, between cuts, he appears with both arms leaning on the table.

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Quotes

[first lines]
Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...]

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Alternate Versions

At the time of release, the film was banned in Germany because the story was considered to be anti-Nazi propaganda by the wartime censors. After the end of World War II, the picture was finally released in Germany but with around 20 minutes of footage cut (all scenes with Major Strasser and all references to Nazism). Other scenes were dubbed so that they had a totally different meaning (Victor Laszlo became Victor Larsen, an atomic physicist). In the 70s the film was redubbed by the ZDF, this time in its uncut form.

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Connections

Referenced in Mr. Belvedere: The Teacher (1986)

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Soundtracks

Baby Face
(1926) (uncredited)
Music by Harry Akst
Performed by Dooley Wilson when Renault tells Rick that there's going to be an arrest (piano dubbed by Jean Vincent Plummer)

User Reviews

"I should never have switched from scotch to martinis."

The Petrified Forest convinced the world Bogart was a bad guy. And for years he shocked and awed the audience with roles fitting that image. The Maltese Falcon showed a new kind hero, one with an edge. Bogart, with all the right things to say and seemingly never losing his cool. Then came Casablanca and the ages. The man's – man comes with a heart. Arguably, three of his best pictures. All showing a change in a man's character and the depths of what acting is supposed to be. Maybe it was Warner Bros all along. Maybe Bogart was simply Bogart.

What can I say about this film that hasn't been said in over 60 years since its release. Is it a great film? Yes. Is it a showcase for Bogart? If not, than what else. Was Bogart the coolest guy to ever live? Absolutely. Casablanca is a different kind of love story, more likely to infect rather than effect.

She almost makes me believe it every time. When she says, "You're very kind." Bergman was more than just beautiful. And with Paul Henreid, Claude Rains, Conrad Veidt and Peter Lorre, cinema magic was created. But to me, Bogart was the greatest actor of all time. It's hard for me to believe he died almost 50 years ago. Every time I watch his films, it's like they were made yesterday. And that's why he is timeless. I'm still trying to figure him out.

"I should never have switched from scotch to martinis." Is said to be Bogart's last words. A legend, indeed.