The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make. Written by
Warner Bros. had intended to use the "Horst-Wessel-Lied", the anthem of the Nazi party, during the "battle of the anthems" sequence, but the copyright was controlled by a German company, and Warners dropped that anthem for the 1840s song "Die Wacht Am Rhein" (about a vow to defend the Rhineland from a French invasion) rather than violate the rights (which would have prompted the German copyright holder on the song to prohibit the movie from being shown in any country not at war with Germany). See more »
When the bartender spins Rick around on his chair and kisses him on both cheeks, saying, "Boss, you've done a beautiful thing," Rick smacks him on the back and replies, "Get away from me, you crazy Russian." We hear the sound of the smack quite a while after Rick hits the bartender. See more »
With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
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The Very Thought of You
Music by Ray Noble
Played when Ferrari offers to buy Rick's and when Rick sends Yvonne home
Also played when Sascha kisses Rick after Rick's good deed See more »
As time goes by, it's still one of the all-time greats...
While my personal Bogey favorite is still his Sam Spade in 'The Maltese Falcon', his cynical nightclub owner, Rick, in 'Casablanca', is also a standout. Rather than some "off the cuff" comments, I'll quote instead from my article on Claude Rains (from March 2000 issue of CLASSIC IMAGES) that pretty well sums up the film:
"It was 1943's 'Casablanca', bustling with melodramatic wartime intrigue, that really put him (Claude Rains) in the forefront as one of the screen's smoothest character actors, almost--but not quite--stealing the film from Humphrey Bogart and Ingrid Bergman, as the uniformed Captain Louis Renault who investigates the goings-on at Rick's notorious cafe.
Nobody associated with the film guessed that it would become a screen classic, least of all its director, Michael Curtiz, the prolific WB director to whom it was just another assignment. It went on to win the Oscar for Best Film of 1943 with an award for Curtiz' taut direction.
Oddly enough, the film's memorable airport ending was written and conceived just shortly before filming wrapped up, with neither Bergman nor Bogart knowing whether or not she would leave him for husband Paul Henried. Wartime audiences loved the film. Sydney Greenstreet, Conrad Veidt, Victor Francen and Peter Lorre all gave sterling performances and Rains was again nominated for Best Supporting actor."
And by the way, I disagree with a former comment indicating the black and white photography of this film was primitive as compared to today's. Incredible nonsense!! As a matter of fact, the film's black and white cinematography was nominated for an Oscar!
Ingrid Bergman was at the peak of her radiant beauty in this one--and Bogey was firing on all six cylinders. Great chemistry!
As time goes by, we still have 'Casablanca'...
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