Directed by
| Edgar Wright | ||
Cast (in credits order)
Produced by
| Amit Dey | ... | executive producer |
| Kate Griffiths | ... | archive producer |
| George Hencken | ... | producer |
| Serena Kennedy | ... | line producer |
| Nira Park | ... | producer |
| Laura Richardson | ... | producer |
| Leo Thompson | ... | associate producer |
Cinematography by
| Jake Polonsky | ||
Editing by
| Paul Trewartha | ||
Art Direction by
| Ves Philippi | ||
Makeup Department
| Chloe Edwards | ... | makeup artist |
| Vyvy Tran | ... | hair stylist / makeup artist |
Production Management
| Rachael Havercroft | ... | post-production supervisor |
| Lena Mesiano | ... | production supervisor |
| Devan Vimal | ... | post-production producer |
Sound Department
| Gerard Abeille | ... | sound recordist |
| Jamie Allen | ... | sound editor |
| Nigel Heath | ... | re-recording mixer |
| Rob Mayes | ... | sound recordist - japan unit |
| Reza Moosavi | ... | production sound mixer |
| Benjamin Quiles | ... | sound mixer |
| Brad Rees | ... | mix technician |
Visual Effects by
| Robin Doelly | ... | visual effects |
Camera and Electrical Department
| Kevin Scott Anderson | ... | assistant camera |
| Vincent James Carnevale | ... | first assistant camera |
| Azu Ekwukoma | ... | digital imaging technician |
| Gabe Elder | ... | camera operator |
| Brendan Gilliam | ... | camera operator |
| Tom Gineyts | ... | assistant camera: belgium unit |
| B Kelley | ... | Dit |
| Tom Lane | ... | first assistant camera |
| Alexander Le Bas | ... | digital imaging technician |
| Jacques Lorch | ... | assistant camera / camera operator (studio segments) |
| Shaun Mone | ... | gaffer |
| Marc Swadel | ... | cinematographer - japan unit |
| Alexander VanHeisch | ... | digital imaging technician (as Alexander Vanheisch) |
| Garath Whyte | ... | b camera operator |
| Mary Wing To | ... | camera operator - japan unit |
Animation Department
| Anita Bruvere | ... | animator (stop-motion segments) |
| Gemma Byrne | ... | model & puppet maker (stop-motion segments) |
| George Carman | ... | animator (stop-motion segments) |
| Adam Cook | ... | motion control technician (stop-motion segment) |
| Jon Davey | ... | cinematographer (stop-motion segments) |
| Timon Dowdeswell | ... | animator (stop-motion segments) |
| Sam Gainsborough | ... | animator (stop-motion segments) |
| Quentin Haberham | ... | animator (stop-motion segments) |
| Martyna Koleniec | ... | animator (stop-motion segments) |
| Thomas Matthew | ... | animator (stop-motion segments) |
| Greg McLeod | ... | animator |
| Arnau Gòdia Montesinos | ... | animator (stop-motion segments) |
| Carla Mooney | ... | Animation Producer (stop-motion segments) |
| Delwyn Mooney | ... | Animation Producer (stop-motion segments) |
| Jake Teale | ... | model & puppet maker (stop-motion segments) |
| Ferriol Tugues | ... | digital compositor (stop-motion segments) |
| Joseph Wallace | ... | animations created & designed by (stop-motion segments) / cinematographer (stop-motion segments) |
| Becky Weston | ... | model & puppet maker (stop-motion segments) |
Editorial Department
| Sam Chynoweth | ... | color workflow supervisor |
| Johnathan Wei Dickinson | ... | digital intermediate editor |
| Paul Ensby | ... | colourist |
| Dave Harvey | ... | assembly editor |
| Andy Laas | ... | conform editor |
| Joe Mannion | ... | assistant editor |
| Ian Mosedale | ... | digital intermediate technical supervisor |
| Caroline Richards | ... | additional editor |
| Robert Siddall | ... | head of engineering |
| Nick J. Webb | ... | additional editor |
| Tobias Zaldua | ... | additional editor |
Location Management
| Laura Avila Tacsan | ... | location manager |
Music Department
| Natalie Hayden | ... | executive in charge of music |
| Gary Welch | ... | music supervisor |
Additional Crew
| Georgie Monica Ball | ... | assist (stop-motion segment) |
| Violet Cloutman | ... | assist (stop-motion segment) |
| Molly Denton | ... | production assistant (stop-motion segments) |
| Liane Escorza | ... | production coordinator |
| Peter Facer | ... | Archive footage Video Beat |
| Sarah Janalli | ... | production coordinator |
| Emmi Joutsi | ... | consultant |
| Zoe Lewis | ... | assist (stop-motion segment) |
| Tess McNally-Watson | ... | archive researcher |
| Tam O'Malley | ... | logger |
| Antonia Shaw | ... | assist (stop-motion segment) |
| Marta Smyk | ... | assist (stop-motion segment) |
Thanks
| Naida Albright | ... | special thanks |
| Tatiana Bouchain | ... | special thanks |
| Thomas Clawson | ... | thanks |
| Daryl Easlea | ... | thanks |
| Tony Etz | ... | special thanks |
| Andy Friendly | ... | thanks |
| James Gay-Rees | ... | special thanks |
| Charles Gillibert | ... | special thanks |
| Jennifer Kuwabara | ... | special thanks |
| Jarred Land | ... | special thanks |
| William Orbit | ... | special thanks |
| Raija Pösö | ... | thanks |
| Emma Ray | ... | special thanks |
| George Rumsey | ... | special thanks |
| Morgan Strong | ... | thanks |
| Kris Trexler | ... | thanks |
| Hugh Whittaker | ... | special thanks |
