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Directed by Oliver Stone (and co-directed by Rob Wilson), the 90-minute political portrait “Lula” covers a vast amount of historical and contemporary ground. However, despite its handful of rousing moments, the documentary — about Brazil’s current pro-worker president, Lula da Silva — comes from a limited perspective that prevents a fuller examination of the man, his myth and the people who believe in him.
The film is constantly torn between holding U.S. policy to account for decades of interference on South American governments and coming at Lula’s story primarily from a U.S. perspective. Stone, whose sit-down interview with Lula forms the movie’s narrative launchpad, is a mildly inquisitive and happily reverential on-screen interviewer — he clearly admires Lula, perhaps to a fault — but his blinkered understanding of his own subject matter shackles the movie to surface-level readings of Brazilian politics and of the various left-wing Latin American labor...
The film is constantly torn between holding U.S. policy to account for decades of interference on South American governments and coming at Lula’s story primarily from a U.S. perspective. Stone, whose sit-down interview with Lula forms the movie’s narrative launchpad, is a mildly inquisitive and happily reverential on-screen interviewer — he clearly admires Lula, perhaps to a fault — but his blinkered understanding of his own subject matter shackles the movie to surface-level readings of Brazilian politics and of the various left-wing Latin American labor...
- 5/27/2024
- by Siddhant Adlakha
- Variety Film + TV
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Brainy political lightning rod Oliver Stone isn’t making feature films anymore. Sure, he’d love to add a 21st to his 20 films to date; he just can’t find backers. His alternate route, like many other directors today, from fellow Cannes entrant Ron Howard (“Jim Henson: Idea Man”) to Martin Scorsese, is documentaries.
Stone has churned out a career total of ten, including recent 2021 Cannes entry “JFK Revisited” (Showtime) and 2022 eco-doc “Nuclear” (Abramorama). His latest, “Lula,” marks a move to the left from his much-criticized recent portraits of dictators such as Cuba’s Fidel Castro (HBO’s “Comandante”) and Russia’s Vladimir Putin (Showtime’s four-part “The Putin Interviews”).
Since his start as a filmmaker in the 1970s, the Yale-grad-turned-Vietnam-vet, now 77, has leaned into political fiction, from “Salvador,” “Wall Street,” and “W.,” to Best Director Oscar-winners “Platoon” and “Born on the Fourth of July.” His last Oscar nomination came in 1996, for “Nixon,...
Stone has churned out a career total of ten, including recent 2021 Cannes entry “JFK Revisited” (Showtime) and 2022 eco-doc “Nuclear” (Abramorama). His latest, “Lula,” marks a move to the left from his much-criticized recent portraits of dictators such as Cuba’s Fidel Castro (HBO’s “Comandante”) and Russia’s Vladimir Putin (Showtime’s four-part “The Putin Interviews”).
Since his start as a filmmaker in the 1970s, the Yale-grad-turned-Vietnam-vet, now 77, has leaned into political fiction, from “Salvador,” “Wall Street,” and “W.,” to Best Director Oscar-winners “Platoon” and “Born on the Fourth of July.” His last Oscar nomination came in 1996, for “Nixon,...
- 5/24/2024
- by Anne Thompson
- Indiewire
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![Image](https://m.media-amazon.com/images/M/MV5BM2I0NDZjY2QtNTVhYS00OTIzLTkyZTgtOWJjMjJjMWI3YTQyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Oliver Stone has always had one eye pointed south of the U.S. border.
It began with his phenomenal script for Brian De Palma’s Scarface, which transformed the famous Chicago gangster into a hardened Cuban refugee. After that, Stone directed the photojournalist saga Salvador, about the deadly civil war that gripped El Salvador in the 1980s. And later on he made a handful of documentaries about Latin American leaders, two of them featuring Fidel Castro and another one including such leftist figureheads as Hugo Chávez and Evo Morales.
Stone’s fascination with the dirty politics and violent class struggles of the southern hemisphere seems to perfectly align with the dramatic twists and nonstop conspiracies present in much of his other fictional work, from J.F.K. to Nixon to W to Snowden. In the director’s world, which he argues is ours as well, leaders are either corruptible or taken down by the corrupt,...
It began with his phenomenal script for Brian De Palma’s Scarface, which transformed the famous Chicago gangster into a hardened Cuban refugee. After that, Stone directed the photojournalist saga Salvador, about the deadly civil war that gripped El Salvador in the 1980s. And later on he made a handful of documentaries about Latin American leaders, two of them featuring Fidel Castro and another one including such leftist figureheads as Hugo Chávez and Evo Morales.
Stone’s fascination with the dirty politics and violent class struggles of the southern hemisphere seems to perfectly align with the dramatic twists and nonstop conspiracies present in much of his other fictional work, from J.F.K. to Nixon to W to Snowden. In the director’s world, which he argues is ours as well, leaders are either corruptible or taken down by the corrupt,...
- 5/21/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
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