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Scarface (1983)

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In Miami in 1980, a determined Cuban immigrant takes over a drug cartel and succumbs to greed.

Director:

Brian De Palma

Writer:

Oliver Stone (screenplay by)
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Popularity
540 ( 125)
Top Rated Movies #106 | Nominated for 3 Golden Globes. Another 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Al Pacino ... Tony Montana
Steven Bauer ... Manny Ribera
Michelle Pfeiffer ... Elvira
Mary Elizabeth Mastrantonio ... Gina
Robert Loggia ... Frank Lopez
Miriam Colon ... Mama Montana
F. Murray Abraham ... Omar
Paul Shenar ... Alejandro Sosa
Harris Yulin ... Bernstein
Ángel Salazar ... Chi Chi
Arnaldo Santana Arnaldo Santana ... Ernie
Pepe Serna ... Angel
Michael P. Moran Michael P. Moran ... Nick The Pig
Al Israel ... Hector The Toad
Dennis Holahan ... Banker
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Storyline

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The world is yours... See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

9 December 1983 (USA) See more »

Also Known As:

Scarface See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$4,597,536, 11 December 1983, Wide Release

Gross USA:

$45,598,982

Cumulative Worldwide Gross:

$65,884,703
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

4-Track Stereo (original release)| DTS (Blu-ray release) (DTS-HD Master Audio 7.1)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The film cast includes two Oscar winners: Al Pacino and F. Murray Abraham; and four Oscar nominees: Michelle Pfeiffer, Mary Elizabeth Mastrantonio, Robert Loggia and Charles Durning. See more »

Goofs

When Tony is getting kicked out from his mothers house, in the first shot he pulls the cigar from his mouth, in the next shot when he rises the cigar is in his mouth. See more »

Quotes

[first lines]
Fidel Castro: ...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
Fidel Castro: [Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
See more »

Crazy Credits

SCARFACE is a fictional account of the activities of a small group of ruthless criminals. The characters do not represent the Cuban-American Community, and it would be erroneous and unfair to suggest that they do. The vast majority of Cuban-Americans have demonstrated a dedication, vitality, and enterprise that has enriched the American scene. See more »

Alternate Versions

Network TV version deletes or edits all violent scenes for censorship reasons and adds some extra footage:
  • the introduction text about Cubans fleeing from Mariel is slightly different from the text shown in the theatrical version (a disclaimer stating that the events are fictitious has been added);
  • extended Freedom Town section: Tony in a phone booth trying to call his sister Gina; Angel looking in a phone book for his brother Pablo; extended conversation between Tony and Manny about getting out of Freedom Town; Tony and Manny watching television.
  • Tony's first visit to his mother's house is longer. Tony opens a bottle of champagne and makes a toast to America.
  • before Tony's first visit to Sosa, the onscreen text has been changed from "Cochabamba, Bolivia" to "South America";
  • during that visit Tony is introduced to Sosa's girlfriend Gabriela;
  • Tony's first meeting with his lawyer George;
  • when Alberto is planting the bomb under the car in N.Y., Tony sees cops nearby and distracts them by pretending to be looking for his missing dog.
See more »

Connections

Referenced in How to Make It in America: In or Out (2011) See more »

Soundtracks

Strangers in the Night
Performed by Frank Sinatra
Music by Bert Kaempfert
Lyrics by Charles Singleton and Eddie Snyder
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Frequently Asked Questions

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User Reviews

Scarface
24 March 1999 | by Coxer99See all my reviews

I find myself enjoying this film when I watch it. Well, perhaps enjoying is a bit of an odd verb when you think of the storyline, its characters, the amount of violence and of course, the f-bomb being dropped about 15,000 times.

I like Pacino in this film. He shows us the violent anger we didn't see in Michael Corleone. We're Michael would say, "Never hate your enemies, it clouds your judgement," Tony Montana's out killing everybody. Now granted, there are moments in his performance...or in the script where you have to laugh. The questioning scene in the beginning of the film is a fine example of this. When asked where he got that scar on his cheek...well, I can't write what he says in the regular version, but I will tell you that on edited version on TNT, it from was "eating pine apple."

There is a great performance from Robert Loggia. He's the only character I truly believed in the film. Frank was a businessman, not a killer. All he wanted was the money. Greed killed him, as it has killed so many people. I enjoyed the direction Loggia went with Frank. It has carried over his recent work and has made Loggia one of Hollywood's must durable supporting actors.

Brian DePalma adds his usual blend of violence, but it seemed that for once, he was trying to make his own film. Not borrowed. No guessing games on who he stole from this time. Although he's blasted for the film's content, it is a new beginning to his career which took off, but it was really "The Untouchables" that made me consider him a serious director.


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