Jonathan Frid portrays a horror novelist who has a recurring nightmare about three figures out of his book who terrorize him and his family and friends during a weekend of fun. Then the ... See full summary »
The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship, including the assasination of Archbishop Oscar Romero. He forms an uneasy alliance with both guerillas in the countryside who want him to get pictures out to the US press, and the right-wing military, who want him to bring them photographs of the rebels. Meanwhile he has to find a way of protecting his Salvadorean girlfriend and getting her out of the country.Written by
Tony Bowden <firstname.lastname@example.org>
In the middle of the film, during Christmas, Cathy Moore says to Richard Boyle "you're 42 years-old." At the end of the film the border officer reports his birth date as being "2-26-43". As the story takes place during 1980-1981, Boyle would be 37 or 38 years-old during that time period. See more »
Cathy, talk to Maria. I gotta get Maria back. Just talk to Father Paul, she'll listen to him.
Richard, you're forty-two years old. You're old enough to be her father, forget her.
I'm in love with her!
I love you, Richard.
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According to the Oliver Stone biography "Stone: The Controversies, Excesses, and Exploits of a Radical Filmmaker" by James Riordan, the film was originally meant to be a two and a half hour release from a 150 page script, and much extra footage was cut due to box office concerns and by the original studio, Orion, who saw that a lot of the footage was too excessive or violent (one such scene described in the book was of an orgy scene with Rick Boyle and Dr. Rock and a bag of ears casually tossed on to a table). Stone regrets this decision as the film ended up, and was criticized for being, choppy in some of its editing. Some of this deleted footage is included on the Special Edition DVD. See more »
A political war movie with heart, where for some, it requires a strong stomach
After seeing Salvador, here's one more place I don't want to visit. Screen writing great Stone, who makes reads so interesting, has made that abundantly. Although it has a crammed feel of story, one can't shy their away from the intensity this movies brings. The only reason I didn't see this at the cinema, was I had seen The Killing Fields a year before, where I thought like that excellent film, this was gonna be just like it,, but there's a lot of nice little things here, that make it different from that. I actually like this movie better than Platoon. James Woods is at his acting best, as a womanizing loser, once famous journalist Richard Boyle, who cons and weasels his way through life (the dangling coin on the string inserted in into the payphone slot I loved). He's a reckless sort with outstanding fines, and a much due rent. Now his Italian girlfriend's taken off back to her home town. His best friend has just bailed him out. He's in the doghouse too. Where do they head: El Salvador. Director Stone doesn't hold back on frank images, some moments will truly disturb viewers, two I won't mention, another one involves the rape and murder of some missionary girls, which I do say touched the gulliver. Boyle rekindling an old relationship, with a young Salvadorian girl marries her and tries to get her out of the country, where her fate lies in the end of the movie, I guess. All actors deliver top floor performances, Belushi as Dr Rock, the always wonderful John Savage as a budding award winning photographer John Cassidy, Tony Plana as the discreetly and corrupt Major Max, though I really didn't think Michael Murphy was that good as the ambassador, putting too little into his performance, where too Juan Fernandez was hauntingly scary as Smiling death. Salvador had some terrifying moments, a lot as Wood's fate was concerned. It's a scary place, and one place to stay well clear of. Opening soundtrack by Giorgio Moroder.
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