Madeline Anderson’s I Am Somebody and Kimberly Peirce’s Boys Don’t Cry among movies receiving official honour
A record seven films directed by women make this year’s list of America’s most influential movies enshrined for posterity by the Library of Congress.
Madeline Anderson’s I Am Somebody (1970), considered the first documentary on civil rights directed by a woman of colour, is among the annual selection of 25 titles added to the national film registry.
A record seven films directed by women make this year’s list of America’s most influential movies enshrined for posterity by the Library of Congress.
Madeline Anderson’s I Am Somebody (1970), considered the first documentary on civil rights directed by a woman of colour, is among the annual selection of 25 titles added to the national film registry.
- 12/11/2019
- by David Smith in Washington
- The Guardian - Film News
The Library of Congress has unveiled its annual selection of 25 films added to the National Film Registry, with an unprecedented seven titles directed by women, the most in a single year since the inaugural registry in 1989. (Scroll down for the full list.)
Among those making the cut for 2019 are Kimberly Peirce’s 1999 Oscar winner Boys Don’t Cry; Greta Schiller’s 1984 documentary Before Stonewall; Claudia Weill’s 1978 Girlfriends; Gunvor Nelson’s 1969 avant-garde pic My Name Is Oona; Elaine May’s A New Leaf, which in 1971 made her the first woman to write, direct and star in a major American studio feature; the 2002 indie Real Women Have Curves, directed by Patricia Cardoso; and Madeline Anderson’s 1970 I Am Somebody, which is considered the first documentary on civil rights directed by a woman of color.
Also notably added to the Film Registry are such classics as George Cukor’s 1944 Gaslight, which won...
Among those making the cut for 2019 are Kimberly Peirce’s 1999 Oscar winner Boys Don’t Cry; Greta Schiller’s 1984 documentary Before Stonewall; Claudia Weill’s 1978 Girlfriends; Gunvor Nelson’s 1969 avant-garde pic My Name Is Oona; Elaine May’s A New Leaf, which in 1971 made her the first woman to write, direct and star in a major American studio feature; the 2002 indie Real Women Have Curves, directed by Patricia Cardoso; and Madeline Anderson’s 1970 I Am Somebody, which is considered the first documentary on civil rights directed by a woman of color.
Also notably added to the Film Registry are such classics as George Cukor’s 1944 Gaslight, which won...
- 12/11/2019
- by Nancy Tartaglione
- Deadline Film + TV
“Purple Rain,” “Clerks,” “She’s Gotta Have It,” “Coal Miner’s Daughter,” “Amadeus,” “Sleeping Beauty,””Boys Don’t Cry” and “The Last Waltz” are among this year’s additions to the National Film Registry by the Library of Congress.
The list also includes 1944’s “Gaslight,” starring Ingrid Bergman in an Oscar-winning performance; the 1955 film noir “The Phenix City Story,” based on a real-life murder in Alabama; Disney’s 1959 canine tearjerker “Old Yeller”; Oliver Stone’s 1986 Best Picture winner “Platoon,” based on his own experiences in Vietnam; and Luis Valdez’s “Zoot Suit,” which tells the story of the 1943 Sleepy Lagoon Murder and the racially charged riots that followed.
A place on the list — always made up of 25 films — guarantees the film will be preserved under the terms of the National Film Preservation Act. The criteria for selection is that the movies are “culturally, historically or aesthetically” significant.
“The National Film Registry has become...
The list also includes 1944’s “Gaslight,” starring Ingrid Bergman in an Oscar-winning performance; the 1955 film noir “The Phenix City Story,” based on a real-life murder in Alabama; Disney’s 1959 canine tearjerker “Old Yeller”; Oliver Stone’s 1986 Best Picture winner “Platoon,” based on his own experiences in Vietnam; and Luis Valdez’s “Zoot Suit,” which tells the story of the 1943 Sleepy Lagoon Murder and the racially charged riots that followed.
A place on the list — always made up of 25 films — guarantees the film will be preserved under the terms of the National Film Preservation Act. The criteria for selection is that the movies are “culturally, historically or aesthetically” significant.
“The National Film Registry has become...
- 12/11/2019
- by Dave McNary
- Variety Film + TV
Channing Tatum.s new film is set to be an emotional rollercoaster. The 21 Jump Street actor has signed on the dotted line to both produce and star in the adaptation of Two Kisses For Maddy over at Sony.s TriStar, and the hunt is now on to try and find the perfect director for the project. Variety reports that Dana Stevens has been hired to write the drama, which is based on Matthew Logelin.s book Two Kisses For Maddy: A Memoir Of Loss And Love. Logelin.s weighty and emotional story revolves around his marriage to Liz Logelin and her death just 27 hours after she gave birth to their first child. The book, which originally started as a blog, also explores his efforts trying to raise his daughter, Madeline Elizabeth Logelin, as a single parent. At the height of its popularity back in 2008 the blog received over 40,000 hits a...
- 6/1/2015
- cinemablend.com
The 38th Toronto International Film Festival has released an incredible guest list of celebrated talent from around the globe. Filmmakers expected to present their world premieres in Toronto include: Catherine Breillat, Nicole Garcia, Pawel Pawlikowski, Bertrand Tavernier, Steve McQueen, Godfrey Reggio, Denis Villeneuve, Bill Condon, Jean-Marc Vallée, John Wells, Ralph Fiennes, Richard Ayoade, Atom Egoyan, Matthew Weiner, John Carney, Jason Reitman, Jason Bateman, Yorgos Servetas, Liza Johnson, Megan Griffiths, Fernando Eimbcke, Alexey Uchitel, Johnny Ma, Biyi Bandele, Rashid Masharawi, Paul Haggis, Ron Howard, Eli Roth, Álex de la Iglesia, Bruce McDonald, Jennifer Baichwal, John Ridley, and Justin Chadwick.
The Festival also welcomes thousands of producers and other industry professionals bringing films to us.
The following filmmakers and artists are expected to attend the Toronto International Film Festival:
Ahmad Abdalla, Hany Abu-Assad, Yuval Adler, Akosua Adoma Owusu, Alexandre Aja, Bruce Alcock, Gianni Amelio, Thanos Anastopoulos, Madeline Anderson, Nimród Antal, Louise Archambault,...
The Festival also welcomes thousands of producers and other industry professionals bringing films to us.
The following filmmakers and artists are expected to attend the Toronto International Film Festival:
Ahmad Abdalla, Hany Abu-Assad, Yuval Adler, Akosua Adoma Owusu, Alexandre Aja, Bruce Alcock, Gianni Amelio, Thanos Anastopoulos, Madeline Anderson, Nimród Antal, Louise Archambault,...
- 8/21/2013
- by Ricky
- SoundOnSight
Look how happy Spike Jonze is. That's because he's coming to Toronto as part of the Tiff Mavericks program, a blend of screening events and live, on stage interviews. Here's the complete announcement: Toronto - The Toronto International Film Festival® has announced a prestigious lineup in this year's Mavericks programme, set to offer audiences in-depth conversations with leaders in the film industry and beyond. Providing recollections, opinions and reactions, participating guests include filmmakers Spike Jonze, Ron Howard, Beeban Kidron, Chuck Workman, Madeline Anderson and Charlie Paul; actor Irrfan Khan; producer Harvey Weinstein; artist Ralph Steadman; Ken Taylor, former Canadian Ambassador to Iran; and Toronto Women & Film Festival founder, scholar and former Tiff programmer Kay Armatage. "In Mavericks, we look for lively topics and great...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 8/20/2013
- Screen Anarchy
Festival organisers announced the Discovery, Mavericks and Masters sections, details of the David Cronenberg: Transformation exhibition, a tenth Midnight Madness entry and introduced the Glenn Gould Studio to the festival’s stable of venues.
The programming strands feature new work from Catherine Breillat and on-stage conversations with Spike Jones, Irrfan Khan, Harvey Weinstein and Ron Howard.
The final entry in Midnight Madness will be the world premiere of Alex de la Iglesia’s Witching & Bitching (Las brujas De Zugarramurdi) (Spain-France).
The Glenn Gould Studio will serve as a venue for various public and industry programming during the festival and will function as a main location for the Tiff Industry Conference, set to run from Sept 6-12.
Programming will include the industry conference keynote session, Master Class, Moguls, Mavericks, Telefilm Canada Pitch This! on Sept 9 and the Doc Conference from Sept 10-11.
“As the jewel of the Canadian Broadcast Centre, Glenn Gould Studio...
The programming strands feature new work from Catherine Breillat and on-stage conversations with Spike Jones, Irrfan Khan, Harvey Weinstein and Ron Howard.
The final entry in Midnight Madness will be the world premiere of Alex de la Iglesia’s Witching & Bitching (Las brujas De Zugarramurdi) (Spain-France).
The Glenn Gould Studio will serve as a venue for various public and industry programming during the festival and will function as a main location for the Tiff Industry Conference, set to run from Sept 6-12.
Programming will include the industry conference keynote session, Master Class, Moguls, Mavericks, Telefilm Canada Pitch This! on Sept 9 and the Doc Conference from Sept 10-11.
“As the jewel of the Canadian Broadcast Centre, Glenn Gould Studio...
- 8/20/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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