The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporaneous composer who was insanely jealous of Mozart's talent and claimed to have murdered him.
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Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity.Written by
Khaled Salem
Tom Hulce said he based Mozart's distinctive, obnoxious laugh on a very famous director he worked with, who laughed in an identical manner. As of 2016, he has still refused to name the director. See more »
Goofs
Constanze really had three sisters, however at her wedding, her mother is flanked by two daughters. One of her sisters was Josepha Hofer, soprano and member of Emanuel Schikaneder's troupe. She was the original Queen of the Night in The Magic Flute, however no mention of this is made in the film, and the actress playing the Queen of the Night is not one of the sisters seen at the wedding. See more »
Quotes
[first lines]
Antonio Salieri:
Mozart! Mozart, forgive your assassin! I confess, I killed you...
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The director's cut (2002) adds the following scenes (twenty minutes in total):
When Salieri talks of his initial success in Vienna, a section has been added where Salieri describes how he believed God had accepted his vow, and how he honored it, working hard and often for free, while staying chaste.
When Salieri describes his first impression of Mozart's music to the priest, a shot has been added, where Salieri expresses his denial, saying that the music couldn't be anything but an "accident".
After the performance of "Die Entführung aus dem Serail", the scene has been extended after Caterina Cavalieri storms off of the stage, with Wolfgang getting a bucket of water and throwing over Frau Weber. After that a scene has been added where Salieri and Mozart visits Cavalieri in her lodge. Caterina throws some surly remarks about Constanze before she too comes and asks that she and Mozart go home. Mozart walks out on Caterina, and the scene goes to Salieri saying that he knew Mozart "had had her".
When Salieri asks "What was God up to?", the monologue has been extended, with Salieri speculating that it might be a test by God.
After Salieri admits to have started to hate Mozart, a shot has been inserted of Salieri praying, asking that Mozart be sent to Salzburg. This is immediately followed by the shot of the archbishop telling Leopold that he won't take Mozart back.
After Mozart refuses to submit his work for the royal appointment, a scene has been added showing Wolfgang and Constanze arguing. This establishes that the couple is in need of money.
When Constanze goes to visit Salieri in secret, the scene has been extended, starting with Salieri teaching a student.
The biggest addition comes after Constanze asks if Salieri will help them; instead of just walking out on her, he says says that she must come to his place, alone in the evening, strongly implying they must have sex for him to recommend Mozart's on the committee.
The scene switches to Salieri praying at his clavichord as Constanze arrives. She begins to undress, with Salieri looking shocked. When she is half-nude, Salieri calls in his valet and tells him to escort Constanze out. Humiliated and furious she throws a candelabra after him. Wolfgang finds Constanze crying in bed at home. This explains why Constanze is so eager to throw Salieri out of her home at the end of the movie.
Another large section is added where Salieri implies to the emperor that Mozart has been molesting young female students. This results in someone else getting the royal appointment. Mozart comes to see Salieri, receiving the news. Mozart asks Salieri for a loan, again establishing that he needs money. Salieri recommends Mozart give lessons to a Herr Schlumberg's daughter. The lesson however turns out a major frustration for Mozart, with Herr Schlumberg's dogs howling and causing a ruckus.
A scene has been added where Salieri and Baron Van Swieten discuss Mozart's financial difficulties. This is followed by a shot of a drunken Mozart again visiting Herr Schlumberg, asking if he may give lessons and - when denied - asks for a loan. That request is denied as well.
Amadeus is one tremendous film. The acting was great. Tom Hulce did wonderful and I have only seen him once in a film and that was Animal House. The rest of the cast was great to like F. Murry Abraham did a terrific job in his performance. The music was brilliant, I have never seen a film with such great performances in their plays. I really did admire this movie, everything in it was very interesting and after I watched the film I did a little research on Mozart. The script and directing was superb and the cinematography was brilliant. I couldn't of asked for a better film than Amadeus. I'm glad I saw this film!
Hedeen's outlook: 10/10!! **** A+
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Amadeus is one tremendous film. The acting was great. Tom Hulce did wonderful and I have only seen him once in a film and that was Animal House. The rest of the cast was great to like F. Murry Abraham did a terrific job in his performance. The music was brilliant, I have never seen a film with such great performances in their plays. I really did admire this movie, everything in it was very interesting and after I watched the film I did a little research on Mozart. The script and directing was superb and the cinematography was brilliant. I couldn't of asked for a better film than Amadeus. I'm glad I saw this film!
Hedeen's outlook: 10/10!! **** A+