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Amadeus (1984)

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The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporary composer who was insanely jealous of Mozart's talent and claimed to have murdered him.

Director:

Writers:

(original stage play), (original screenplay)
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1,305 ( 77)
Top Rated Movies #82 | Won 8 Oscars. Another 33 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Antonio Salieri
... Wolfgang Amadeus Mozart
... Constanze Mozart
... Leopold Mozart
... Emanuel Schikaneder
... Katerina Cavalieri
... Emperor Joseph II
... Count Orsini-Rosenberg
... Michael Schlumberg (2002 Director's Cut)
... Parody Commendatore
Lisbeth Bartlett ... Papagena (as Lisabeth Bartlett)
Barbara Bryne ... Frau Weber
Martin Cavina ... Young Salieri (as Martin Cavani)
Roderick Cook ... Count Von Strack
Milan Demjanenko ... Karl Mozart
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Storyline

Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity. Written by Khaled Salem

Plot Summary | Plot Synopsis

Taglines:

Everything you've heard is true. See more »


Motion Picture Rating (MPAA)

Rated R for brief nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook

Country:

| |

Language:

| | |

Release Date:

19 September 1984 (USA)  »

Also Known As:

Amadeus: The Director's Cut  »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$505,276, 23 September 1984, Limited Release

Gross USA:

$51,973,029
See more on IMDbPro »

Company Credits

Production Co:

,  »
Show more on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(70 mm prints)| (director's cut)| (35 mm prints)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Mel Gibson, Mick Jagger, Sam Waterston, and Tim Curry all auditioned for the role of Mozart. See more »

Goofs

When Mozart goes to meet Emperor Josef II for the first time, there are two guards keeping Mozart out with some type of swords, both guards are holding them in a closed position blocking Mozart both using their right hands on the swords.

When the guards finally let Mozart through, they open up the swords to let Mozart pass (both guards still using their right hands on the swords) and when the camera switches to the other side of the doorway, the guards quickly close the doorway with their swords right behind Mozart but now the guard behind Mozart's rear-right is holding his sword in his left hand. See more »

Quotes

[first lines]
Antonio Salieri: Mozart! Mozart, forgive your assassin! I confess, I killed you...
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Crazy Credits

The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus": -The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787. -His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace. -The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia. See more »

Connections

Referenced in Jem: Journey Through Time (1988) See more »

Soundtracks

Caro Mio Ben
(uncredited)
Written by Giuseppe Giordani
Performed by The Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Sung by Michele Esposito
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Frequently Asked Questions

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User Reviews

Ravishing in sound and vision
1 April 2002 | by See all my reviews

The unseen star of this film is the Academy of St Martin's in the Field, London. Buy the soundtrack and you will be rewarded with some of the most stunning music you can hear. Mozart's music excells with brilliant treatment and dies with a bad performance. And that, after all, is what the film is about. Without his music, Mozart would be lost in time, a fate that the narrator of the story, the composer Salieri, saw as his own. Ironically, while Salieri has indeed been completely overshadowed by Mozart, his music still survives and has its followers.

But beyond the music this is an outstanding film. Set in the prettiest and most flamboyant century of the last millennium, it is visually stunning and the writer's portrayal of jealousy is perceptive. The casting of the Austrian King and courtiers, (indeed all the actors in this film) that Mozart needed to impress capture the gentility and courtesy of the time, and also subtly shows their growing indignation and impatience at Mozart's personality and behaviour; the presentation of Mozart as punk musician is probably the only failing in the film. As a theatrical device to show that genius can come in disastrous packages it succeeds well, but anyone with any historic sense of social ettiquette or manners will know that Mozart's sill y behaviour would be well wide of the truth, as might, perhaps, be the concept of Salieri as murderer-in-chief. Only in the final scenes is Mozart's brilliance as a composer truly explored in what amounts to a deconstruction of his final composition - his moving, uncompleted and poignant Requiem mass.

Another unintended star in this film are the candle lit sets and theatres of the 18th Century; their operas and drama ooze a magic that is lacking in the present world and which modern producers might well try to reintroduce; so lovely are these buildings with their flickering lights and theatrical techniques that one is left desperate to to seek out these rare theatres to experience them.

This film leaves one breathless from its visual beauty, its magnificent score and the choreography, indeed, of the two together. Mozart's life had the air of tragedy, and his undoubted genius speaks to us now and forever. This film is a monument to the skills of the writer, maker, performers and, of course, Mozart's music. If you have not yet done so, see it.


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