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The Phenix City Story (1955)

A crime-busting lawyer and his initially reluctant attorney father take on the forces that run gambling and prostitution in their small Southern town.

Director:

Phil Karlson

Writers:

Crane Wilbur (screenplay), Daniel Mainwaring (screenplay) (as Dan Mainwaring)
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
John McIntire ... Albert L. Patterson
Richard Kiley ... John Patterson
Kathryn Grant ... Ellie Rhodes
Edward Andrews ... Rhett Tanner
Lenka Peterson ... Mary Jo Patterson
Biff McGuire ... Fred Gage
Truman Smith Truman Smith ... Ed Gage
Jean Carson ... Cassie
Kathy Marlowe Kathy Marlowe ... Mamie (as Katharine Marlowe)
John Larch ... Clem Wilson
Allen Nourse Allen Nourse ... Jeb Bassett
James Edwards ... Zeke Ward
Helen Martin ... Helen Ward
Otto Hulett ... Hugh Bentley
George Mitchell ... Hugh Britton
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Storyline

In this semidocumentary, an Alabama town is run by a crime syndicate that's grown fat on prostitution and crooked gambling, directed at soldiers from Fort Benning across the river. Lawyer John Patterson, back from the army, is triggered by what he sees to join the reformers with a plan: to run his father Albert for state attorney general. The syndicate responds with escalating violence: is no one safe? Credits preceded by a "newscast" containing spoilers. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Exposed in LIFE, LOOK and THE SATURDAY EVENING POST! Now the year's greatest screen sensation! See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

14 August 1955 (USA) See more »

Also Known As:

Cidade do Vício See more »

Filming Locations:

Columbus, Georgia, USA See more »

Company Credits

Production Co:

Allied Artists Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (without prologue)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Ellie states she's making $200 per week dealing cards at the Poppy Club. That would equate to nearly $1,800 per week in 2016. See more »

Goofs

A moving shadow of the boom microphone can be seen on the wall above the "Promotion" poster after the fight in the alley scene. See more »

Quotes

Mamie: [provocatively as John enters the casino] Are you lookin' for someone important or will I do?
See more »

Alternate Versions

The initial release version ran 87 minutes, but soon after, a gratuitous 13-minute "newsreel" preface was added and an epilogue, read by Richard Kiley. The real John Patterson used this film as campaign too when he ran for Governor of Alabama (beating the young George Wallace). Patterson filmed the same epilogue as Kiley, and Patterson's version was used when the film played in Alabama. See more »

Connections

Referenced in Bad Seed (2000) See more »

Soundtracks

Phenix City Blues
Music and Lyrics by Harold Spina
Sung by Meg Myles
See more »

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User Reviews

 
Inspiring Story of Citizens Battling Corruption; Much-Imitated
6 August 2005 | by silverscreen888See all my reviews

To view the fictionalized biography "The Phenix City Story", I claim, is to enter fields where U.S. filmmakers have seldom ventured, Director Phil Karlson got his directorial assignment on "The Untouchables" TV mega-hit series largely on the basis of "Kansas City Confidential" and this film; and it has become one of the most admired and most- imitated movies ever made. The rarest feat for US filmmakers seems to be the hero-centered purposeful anti-crime film or TV series; I remind the viewer how mightily "Cain's Hundred"'s and "Hardcastle and McCormick"'s and even "the Untouchables'"' producers had to work to produce anything but episodes devoted largely to the unfictional activities of criminals rather than those of their ethical opponents. This powerful, seminal and very-gritty movie has a style all its own; and its lesson seems to be attention to detail about the opponents and victims of criminal organizations as well as their gang members. There is a twelve-minute prelude to the film, in which reporter Clete Roberts interviews the real participants from the Alabama city's who had struggled against its corrupt vice gangs. The problem grew out of the presence of Fort Benning across the river, and the nearly century-long existence of vice dens in the area. The film details the return of John Patterson from Germany where he has been a prosecutor. His father, defeated for Attorney general of Alabama, refuses to join his pursuit of the 14th street vicelords despite several provocations including a beating of his son, avenged by Patterson on his tormentor. There are several well-developed characters, including Ellie, who works in one of the clubs and her honest boyfriend, the leader of the syndicate, the Pattersons and John's wife, Ed Gage, the vicelords' operatives and Zeke Ward, an honest black man victimized for his opposition to them. The cinematography by Harry Neumann and the art direction by Stanley Fleischer are in B/W and are very much like news-film, adding to the film's realistic power. Music by Harry Sukman contributes to the film effectively. Writer Daniel Mainwaring and Crane Wilbur produced a swift-paced and straightforward story that divides into parts. Part one illustrates the vicelords' empire from inside one of their clubs, showing the fate of a victim who is beaten and then picked up by police in the pay of the Mob. In part two, Albert Patterson refuses to oppose the leader of the Mob, the intelligent Rhett Tanner. In part three, young Patterson returns and after several incidents including his having to beat up the Mob's head goon to avenge his own beating decides to run his father for Attorney General of the state. His wife is horrified; and the Mob kills Zeke Ward's daughter and dumps the body at Patterson's house with a warning his children will be next. A few more such incidents, including the loss of a trial in which the Pattersons prove the goon killed a friend of theirs who had found the car implicated in the murder of the little girl, and watch the inquest declare the death accidental, convince Patterson to run, and he wins the Democratic statewide nomination despite the Mob's statist tactics--and is promptly assassinated. John Patterson stops a vigilante crowd from starting open warfare with the 14th Street mob and uses their voices to call the capital and demand martial law for Phenix City. The clubs are closed and equipment confiscated, but not before the girl inside is murdered by the Mob's goon, and Patterson has to be stopped by Zeke Ward from killing Tanner instead of delivering him to the law. The drama's ending is upbeat; but the prognosis for the town is less- sanguine than painted; the mob in fact tried to come back then moved to Tennessee. In this well-acted classic of anti-crime film-making, Richard Kiley is young but very strong as Patterson, playing it without an accent. John Mcintyre as his father is very good, while Edward Andrews as Boss Tanner is award caliber. Others in the cast include Kathryn Grant as the girl inside, Ellie, Jean Carson and Kathy Marlowe as the Mob's women, John Larch as their goon, Biff Mcguire as the young victim, James Edwards as Zeke Ward, Lenka Peterson as John's wife, and some good character actors as townsmen and Mob bosses. It is I suggest hard to say enough good things about the realism and lack of posturing in this film; it is certainly one of Phil Karlson's best directorial efforts. Karlson also did "The Scarface Mob" later did "Walking Tall" as well. A sobering and inspiring look at the ease with which complacent citizens of a public-interest democracy can acquiesce to tyranny, and how a few honest men can teach them the need to fight for their rights.


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