| Jeff Bridges | ... | Himself | |
| Robert De Niro | ... | Himself | |
| Robert Duvall | ... | Himself | |
| Clint Eastwood | ... | Himself | |
| Al Pacino | ... | Himself | |
| Robert Redford | ... | Himself | |
| Woody Allen | ... | Himself | |
| Richard Dreyfuss | ... | Himself | |
| Danny Glover | ... | Himself | |
| Diane Lane | ... | Herself | |
| Paul Rudd | ... | Himself | |
| John Travolta | ... | Himself | |
| Jon Voight | ... | Himself | |
| Ned Beatty | ... | Himself | |
| Marion Dougherty | ... | Herself | |
| John Lithgow | ... | Himself | |
| Bette Midler | ... | Herself | |
| Martin Scorsese | ... | Himself | |
| Lynn Stalmaster | ... | Himself | |
| Oliver Stone | ... | Himself | |
| Glenn Close | ... | Herself | |
| Buck Henry | ... | Himself | |
| Cybill Shepherd | ... | Herself | |
| Tony Bill | ... | Himself | |
| Richard Donner | ... | Himself | |
| Ed Lauter | ... | Himself | |
| John Sayles | ... | Himself | |
| Juliet Taylor | ... | Herself | |
| Burt Young | ... | Himself | |
| Peter Bogdanovich | ... | Himself | |
| Paul Brickman | ... | Himself | |
| Ronny Cox | ... | Himself | |
| Aleen Keshishian | ... | Herself | |
| Ellen Lewis | ... | Herself | |
| John Papsidera | ... | Himself | |
| Paula Weinstein | ... | Herself | |
| Douglas Wright | ... | Himself | |
| Norman Lear | ... | Himself | |
| Bernard Telsey | ... | Himself | |
| Nicole David | ... | Herself | |
| Paul Haggis | ... | Himself | |
| Arthur Hiller | ... | Himself | |
| Randi Hiller | ... | Herself | |
| Terry Semel | ... | Himself | |
| Norman Jewison | ... | Himself | |
| Lora Kennedy | ... | Herself | |
| Paul Mazursky | ... | Himself | |
| Jackie Burch | ... | Herself | |
| Ellen Chenoweth | ... | Herself | |
| Edward Asner | ... | Himself | |
| Jeanine Basinger | ... | Herself | |
| Wallis Nicita | ... | Herself | |
| Gretchen Rennell | ... | Herself | |
| Mike Fenton | ... | Himself | |
| Sarah Finn | ... | Herself | |
| Jeff Greenberg | ... | Himself | |
| Deborah Aquila | ... | Herself | |
| Richard Mento | ... | Himself | |
| Taylor Hackford | ... | Himself | |
| Jerry Schatzberg | ... | Himself | |
| Cathy Sandrich | ... | Herself | |
| David Rubin | ... | Himself | |
| Ralph Senensky | ... | Himself | |
| Victoria Thomas | ... | Herself | |
| rest of cast listed alphabetically: | |||
| Tye Alexander | ... | Himself | |
| Kerry Barden | ... | Himself | |
| Denise Chamian | ... | Herself | |
| Jill Davenport | ... | Actor in audition | |
| Louis DiGiaimo | ... | Himself | |
| Jennifer Euston | ... | Herself | |
| Sophie Frieden | ... | Actress in Audition | |
| Risa Bramon Garcia | ... | Herself | |
| Billy Hopkins | ... | Himself | |
| Jane Jenkins | ... | Herself | |
| Nancy Klopper | ... | Herself | |
| Heidi Levitt | ... | Herself | |
| Marci Liroff | ... | Herself | |
| Amanda Mackey Johnson | ... | Herself | |
| Bridget McKevitt | ... | Young Marion Dougherty | |
| Margery Simkin | ... | Herself | |
| Angelo Vacco | ... | Actor in audition | |
Directed by | |||
| Tom Donahue | |||
Produced by | |||
| Ilan Arboleda | .... | producer | |
| John Balis | .... | executive producer | |
| Joanna Colbert | .... | producer | |
| Tom Donahue | .... | producer | |
| Ed Durkin | .... | executive producer | |
| Steve Edwards | .... | executive producer | |
| Chris Ekstrom | .... | associate producer | |
| Kate Lacey | .... | producer | |
| Tony Leventhal | .... | associate producer | |
| Leigh Roberts | .... | associate producer | |
| Charlie Sandlan | .... | associate producer | |
| Margaret Whitton | .... | co-executive producer | |
Original Music by | |||
| Leigh Roberts | |||
Cinematography by | |||
| Peter Bolte | |||
Film Editing by | |||
| Jill Schweitzer | |||
Production Design by | |||
| Lisa Myers | |||
Makeup Department | |||
| Cati James | .... | hair stylist | |
| Cati James | .... | makeup artist | |
Production Management | |||
| Mandy Goldberg | .... | production manager (segment "Dougherty interview") | |
| Jon Tierney | .... | production manager | |
Sound Department | |||
| Steve Bucino | .... | sound re-recording mixer | |
| Steve Bucino | .... | supervising sound editor | |
| Rodrigo Galvan | .... | sound editor | |
| Ben Workman | .... | sound editor | |
Visual Effects by | |||
| Michael J. Saul | .... | motion graphics | |
Camera and Electrical Department | |||
| Shaun Benson | .... | set photographer | |
| Chris Burgon | .... | additional cinematography | |
| Jess Dunlap | .... | additional cinematography | |
| Chris Freilich | .... | additional cinematography | |
| Dane Lawing | .... | additional cinematography | |
| Brandon Sumner | .... | camera operator | |
| Drew Verderame | .... | lighting technician | |
Animation Department | |||
| Andy Lemoine | .... | 2D animation & illustration | |
Editorial Department | |||
| Eyal Dimant | .... | colorist | |
| Sebastian Iturralde | .... | associate producer: on-line services | |
| D.W. Young | .... | assistant editor | |
Other crew | |||
| Lisa Callif | .... | clearance counsel | |
| Kate Coe | .... | archival research and clearances | |
| Alexie Elfmont | .... | assistant: Mr. Donahue | |
| Natalia Fedner | .... | production assistant | |
| Carlos Funes | .... | post -production assistant | |
| Sebastian Iturralde | .... | online associate producer | |
| Heather Lucas | .... | production assistant | |
| Jonathan Napolitano | .... | production assistant | |
| Drew Palazzo | .... | assistant: post-production | |
| Krysten Pollard | .... | assistant: Mr. Donahue | |
| Hannah Salzman-Gubbay | .... | production assistant | |
| Sara Schweizer | .... | assistant: post-production | |
| Bryan Staerkel | .... | production assistant | |
Thanks | |||
| Kenneth Mitchell | .... | thanks | |
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| Lost Nation: The Ioway | Brando | I Knew It Was You: Rediscovering John Cazale | Fat, Sick & Nearly Dead | The Kid Stays in the Picture |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
CASTING BY is a surprisingly entertaining documentary. Its title is somewhat misleading as it's doesn't really explain the occupation of casting directors, rather it is a valentine to Marion Dougherty, the woman who coined the term as she carved out a unique role when she began working in the entertainment business. Ironically, she wanted to be an actress herself, but didn't pursue a career, believing it would be too difficult. Fortunately, an entry level position at NBC producing live plays sponsored by Kraft proved a better fit for her theatrical instincts. As she was living in New York City, she had ample opportunity and desire to go to the theater where she discovered the talent whom she cast. The film has a treasure trove of footage of the first roles given to future stars, the most entertaining one is a 22 year-old Warren Beatty imitating fellow Lee Stasberg graduate Marlon Brando. Fortunately, Ms Dougherty, who was not an acting teacher, remanded him that "The Method" did not mean "The Mumble."
The cavalcade of stars whose careers she launched is astonishing, but equally important is the serendipitous era in which she achieved prominence. The cinema of the 1970s was groundbreaking in that talent was allowed to trump looks, and the collapse of the studio movie-making machine allowed risqué movies like "Midnight Cowboy," "Panic in Needle Park," and "Taxi Driver" to be made.
Marion Dougherty's LA counterpart, Lynn Stalmaster, is profiled as another example of a casting director. But based in LA, the criteria and talent pool meant that his accomplishments are complementary to hers, but not comparable.
The movie is enjoyable, fast-paced and certain to be enjoyed by cinephiles, but should not be viewed as a representation of the profession of casting directors.
This writer has first-hand knowledge of the acting industry in Los Angeles. The majority of casting directors do not have anywhere near the authority of those interviewed in the movie. While it is a more difficult proposition for an LA-based casting director to go to the theater to discover talent, few make the effort nor have any appreciation for the actor's craft. Crassly, some actually teach acting classes and charge fees for aspiring actors to meet them.
Just as in the modeling world, there are the Victoria's Secret models at the top and an exploitative ugly underbelly that are not depicted together, so it is in the casting business. There's a documentary to be made there, but this movie is not it. It is about the cream that has justifiably risen to the top and gifted us with some of the greatest actors we may ever see.