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[on Rome, Open City
(1945)] It was all that neorealism; it just caught me at the right time. I can't even remember, but I know there were a few films at that time, neorealist films, that they were doing in Europe that we were not doing here. It just felt so real to me and so good. I didn't jump and say, "Oh, I want to make movies like that," but I guess I was feeling that without realizing it. ...
(1993-1997) President of the Academy of Motion Picture Arts and Sciences (AMPAS).