A stenographer who works for a lawyer falls in love with and marries a wealthy young man. His family has the marraige annulled, after which she gives birth to a child. Her former boss helps... See full summary »
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of alcoholic star Norman Maine, is given a test, and is caught up in the Hollywood glamor machine (ruthlessly satirized). She and her idol Norman marry; but his career abruptly dwindles to nothing Written by
Rod Crawford <email@example.com>
When the drunken Norman Maine character raucously interrupts the Oscar presentation, it was déja vu for Janet Gaynor. She had brought her sister to the Academy Awards ceremony in 1929, when she won the first Best Actress Oscar ever awarded, for 7th Heaven (1927). Her sister became very drunk and completely out of control, thoroughly embarrassing Gaynor. See more »
In the night court scene, the judge refers to the "commonwealth" but the movie is set in California which isn't one of the states to have commonwealth status. The judge should have referred to the "state" instead. See more »
If you've got one drop of my blood in your veins, you won't let Mattie or any of her kind break your heart, you'll go right out there and break it yourself.
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This is perhaps my favorite movie from the thirties. The writing, the acting, the directing, the music are virtually perfect. It is a rare kind of movie. The dialogue is sharp, smart, witty, compassionate, mature and incredibly contemporary. It could have been written last week. It is not afraid to deal with real life: alcoholism, drunk driving, failure, success, suicide. The characters are real. The drama is firmly anchored in real life. The writers are obviously good people who feel and think deeply. This movie was blissfully free from the usual contrived plots. What a breath of fresh air! The music alone makes it worth HEARING again and again.
I loved the fact that the movie didn't try prove anything. It just tells a story in an esthetically satisfying manner. It is of the same high quality as "The Best Years Of Our Lives". I haven't seen subsequent versions, but they cannot possibly be as good.
This the the most wonderful homage Hollywood ever paid to itself, to all those ordinary folks who became stars, or who valiantly tried and failed, or whose goals were more modest, and who achieved fulfillment behind the scenes.
This is the Hollywood epic standing proud and tall, and it is impossible not to shed a tear of admiration and affection.
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