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A Star Is Born (1937)

Not Rated | | Drama | 27 April 1937 (USA)
A young woman comes to Hollywood with dreams of stardom, but achieves them only with the help of an alcoholic leading man whose best days are behind him.

Directors:

, (uncredited)

Writers:

(screen play), (screen play) | 3 more credits »
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Won 1 Oscar. Another 2 wins & 7 nominations. See more awards »
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Cast

Complete credited cast:
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...
...
...
...
...
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Casey Burke - Director
...
Miss Phillips - Central Casting Clerk
Elizabeth Jenns ...
Anita Regis
...
Pop Randall - Landlord
J.C. Nugent ...
Mr. Blodgett
...
Posture Coach (as Guinn Williams)
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Storyline

Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of alcoholic star Norman Maine, is given a test, and is caught up in the Hollywood glamor machine (ruthlessly satirized). She and her idol Norman marry; but his career abruptly dwindles to nothing Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Is the price of stardom a broken heart? See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

27 April 1937 (USA)  »

Also Known As:

Nace una estrella  »

Box Office

Budget:

$1,173,639 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System Noiseless Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The celebrated final line of the film was an afterthought. The original scene had Esther arriving at the Chinese Theater and collapsing in the forecourt sobbing, "Oh, Norman! Norman!" The scene was reshot two ways: with the familiar "Mrs. Norman Maine" tagline and the oddly irrelevant "Hello, everybody, this is Vicki Lester." See more »

Goofs

In the night court scene, the judge refers to the "commonwealth" but the movie is set in California which isn't one of the states to have commonwealth status. The judge should have referred to the "state" instead. See more »

Quotes

Esther Blodgett: Some day you won't laugh at me! I'm going out and have a real life! I'm gonna be somebody!
See more »

Connections

Featured in Film Extra: William Wellman (1973) See more »

Soundtracks

Wah! Hoo!
(uncredited)
Written by Cliff Friend
Sung by Janet Gaynor
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Swimming with sharks
19 May 2004 | by (New York) – See all my reviews

Having seen the two later versions of this tale, it was a surprise to find the original one, even if it doesn't compare with the 50s remake with Judy Garland. This one is worth a look because of the great cinematography and the use of color for a film made in the early years of its invention. William Wellman deserves credit for his direction of a Hollywood story about itself.

The mere idea of young and very naive, Esther Blodgett making it big in Hollywood, is stretching the imagination big time. This girl from the heart of the country yearns to be somebody in the pictures that are her escape from the dreary life she leads. To even think that she would have a chance in becoming a bit player, is a stretch of the imagination, but to have her become a star in her own right with her unsophisticated looks, is even harder to believe. Hollywood of those years was a factory of dreams where many went to be part of it, but for one Esther Blodgett, there were thousands who were rejected.

We watch as Esther is transformed into Vicki Lester, a star larger than life, who captures the public's imagination and goes to eclipse bigger stars such as Norman Maine, her discoverer, and the man she falls in love with. Norman's decline is very fast, while Vicki's ascent into glory is even faster. His drinking habit will get the best of him at a time when help agencies such as A.A. didn't exist. Unfortunately for Vicki, she ultimately has to pay for her own meteoric success.

The cast is superb. Not being a fan of Janet Gaynor, I have to confess that she strikes the right note with her Esther/Vicki role. She is totally believable even though we never even see her take an acting class, much less see her waiting tables to help herself. Frederick March brings an intensity to Norman, the self destructive star, that makes us pity him.

Adolphe Menjou is the studio head who sees a winner in the young, aspiring actress, and gives her the chance. Most surprising of all is the star performance of Lionel Standing as Matt Libby, the studio publicist who is behind the creation of the new star. Andy Devine, May Robson, and the rest are equally satisfying.

This film was a happy surprise in many aspects and will not disappoint.


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