A Star Is Born (1937)

A young woman comes to Hollywood with dreams of stardom, but achieves them only with the help of an alcoholic leading man whose best days are behind him.

Director:

William A. Wellman

Writers:

William A. Wellman (story), Robert Carson (story),

Stars:

Janet Gaynor, Fredric March, Adolphe Menjou

Won 1 Oscar. Another 2 wins & 7 nominations.

Cast

Complete credited cast:
Janet Gaynor	...	Esther Victoria Blodgett, aka Vicki Lester
Fredric March	...	Norman Maine
Adolphe Menjou	...	Oliver Niles
May Robson	...	Grandmother Lettie Blodgett
Andy Devine	...	Danny McGuire
Lionel Stander	...	Matt Libby
Owen Moore	...	Casey Burke - Director
Peggy Wood	...	Miss Phillips - Central Casting Clerk
Elizabeth Jenns	...	Anita Regis
Edgar Kennedy	...	Pop Randall - Landlord
J.C. Nugent	...	Mr. Blodgett
Guinn 'Big Boy' Williams	...	Posture Coach (as Guinn Williams)

Storyline

Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of alcoholic star Norman Maine, is given a test, and is caught up in the Hollywood glamor machine (ruthlessly satirized). She and her idol Norman marry; but his career abruptly dwindles to nothing

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Plot Keywords:

hollywood | alcoholic | party | overheard conversation | self destructiveness | 

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Taglines:

Fate Raised Her To Fame - and killed the man she loved !

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Genres:

Drama

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

27 April 1937 (USA)

Also Known As:

Nace una estrella

Filming Locations:

Alabama Hills, Lone Pine, California, USA

Box Office

Budget:

$1,173,639 (estimated)

Company Credits

Production Co:

Selznick International Pictures

Technical Specs

Runtime:

111 min

Sound Mix:

Mono (Western Electric Sound System Noiseless Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Sometimes erroneously stated as Lana Turner's film debut as an extra in the scene at Santa Anita, but Turner's daughter Cheryl Crane has confirmed that Turner did not appear in this film.

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Goofs

At beginning the movie preview, the titles spell the musical instrument "spinet" incorrectly as "spinnet".

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Quotes

Casey Burke: His work is beginning to interfere with his drinking.

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Connections

Referenced in Gilmore Girls: So... Good Talk (2005)

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Soundtracks

"Dancing in the Dark"
(1931)
Music by Arthur Schwartz
(played at the Trocadero Club)

User Reviews

The tragedy of Norman Maine

Fredric March and Janet Gaynor co-star in this early 30's Technicolour film. It is one of the best of it's era, and was justifiably nominated for a swag of Academy Awards.

Gaynor portrays small-town dreamer Esther Blodgett, who comes to Hollywood courtesy of assistance from her sympathetic, determined grandmother. Trying to break into the movies, she gets a job waiting at an A-lister party, where she happens to meet alcoholic matinée idol Norman Maine (March). Despite his drunken, foolish state he finds her inherently appealing in a sweet, attractive manner, and arranges for her to get a screen test. After a name change (hello, Vicki Lester), make-over and acting lessons she is soon starring with Maine in his latest picture, and garners enormous public and critical praise. Inevitably, as these films go, Esther and Norman fall in love and marry. However, as Norman starts to achieve great personal happiness his career goes down the plughole, and even Esther/Vicki is powerless to stop his decline.

March is terrific in a challenging role. He handles Norman's decline brilliantly; March was always terrific at accurately capturing a character's emotional state. It is one of the best portrayals of an alcoholic that I have seen, because March focuses on the pain, the resentment, that causes him to drink, rather than just the ugly aftermath that a binge leaves in it's path. He makes Norman more than a superficial Hollywood star- he makes him REAL. There's no Method applied to his work, it's just darn good skill at characterization. March could play comedy equally well as drama, so Norman is not a one-dimensional, tragic star in March's hands. Rather he is a multi-dimensional, charismatic, lovable yet ultimately flawed individual caught up in the money-hungry giant that is Hollywood.

One is reminded of John Barrymore in the character of Norman Maine. Barrymore was also a big-shot whose career declined heavily in the 30's because of his alcoholism. It was no secret in Hollwyood as to what he was. March, a smart actor, would have drawn on this in his portrayal.

Ganyor, the winner of the first Best Actress award, is also very good as Esther Blodgett/Vicki Lester. Her natural sweetness and quite nature give Esther a unique spirit. Esther is not just a wishy-washy, typically 'nice' girl- she is strong and willing to stick by Norman because of her faith and her faith in their love. Gaynor also does rather funny impersonations of Garbo, Hepburn and West at a Hollywood party that reveal a knack for comedy. Yet, it is almost impossible to see Esther/Vick's 'star' qualities in this film. Gaynor certainly keeps them under wraps, and one has to stretch the imagination to imagine that Gaynor, as capable an actress as she was, could possibly out act the great March.

Nice supporting work from Adolphe Menjou as a Hollywood producer, and Lionel Stander is just poisonous as the vile Libby, who, while justifiably fed up with March and his chronic drinking and star tantrums, has not a sympathetic bone in his body. May Robson as the Grandma is good also, but a little tiresome after a while (I think it's more how her character was written than her acting abilities). A nice bit of trivia- she was a native Australian! The early Technicolour looks quite good, but it is slightly primitive, so one must overlook this fact to appreciate the film properly. There are some wonderful sequences here- March's outburst at the Academy Awards, Esther and Norma's first meeting, March's final scene. The film loses a bit of class in the parts March is not present. This is understandable, as he was such a dominant presence and magnificent actor. Gaynor perhaps couldn't carry a film by itself at this stage in her career, which is ironic as her star was actually sliding in real life, not March's. He was enjoying the best success of his career; she would only make a few more motion pictures before retirement from the screen.

A satire on the entertainment industry and also a heartbreaking character study of a marriage ravaged by the effects of alcohol and one partner's growing dissatisfaction with life.