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Directed by | |||
| James Cameron | |||
Writing credits | ||
| James Cameron | (written by) and | |
| Gale Anne Hurd | (written by) | |
| William Wisher Jr. | (additional dialogue) | |
Produced by | |||
| John Daly | .... | executive producer | |
| Derek Gibson | .... | executive producer | |
| Gale Anne Hurd | .... | producer | |
Original Music by | |||
| Brad Fiedel | |||
Cinematography by | |||
| Adam Greenberg | (director of photography) | ||
Film Editing by | |||
| Mark Goldblatt | |||
Casting by | |||
| Stanzi Stokes | |||
Art Direction by | |||
| George Costello | |||
Set Decoration by | |||
| Maria Caso | (as Maria Rebman Caso) | ||
Costume Design by | |||
| Hilary Wright | |||
Makeup Department | |||
| Jeff Dawn | .... | makeup department head (as Jefferson Dawn) | |
| Kyle Sweet | .... | hair stylist: second unit (as Kyle Tucy) | |
| Kyle Sweet | .... | makeup artist: second unit (as Kyle Tucy) | |
| Peter Tothpal | .... | hair stylist | |
| Melissa Street | .... | assistant makeup artist (uncredited) | |
| Brian Wade | .... | special makeup effects artist: Stan Winston Studios (uncredited) | |
Production Management | |||
| Bruce M. Kerner | .... | executive in charge of production | |
| Donna Smith | .... | post-production supervisor | |
| Donna Smith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Thomas A. Irvine | .... | additional first assistant director (as Thomas Irvine) | |
| Betsy Magruder | .... | first assistant director | |
| Jean-Paul Ouellette | .... | second unit director: action | |
| Robert Roda | .... | second assistant director | |
Art Department | |||
| Shay Austin | .... | assistant art director | |
| John S. Curran | .... | construction supervisor (as John Curran) | |
| Tommy Estridge | .... | property master | |
| Mark Freedman | .... | carpenter | |
| Kerry Jennings | .... | assistant property master | |
| Amy McGary | .... | scenic artist | |
| Kristen McGary | .... | scenic artist | |
| Kurt Meisenbach | .... | art assistant | |
| Jewel Myrow | .... | art assistant | |
| Joe Rainey | .... | assistant to the art director | |
| Cynthia C. Rebman | .... | set dresser (as Cindy Rebman) | |
| David Reece | .... | carpenter | |
| Stephen Reece | .... | carpenter | |
| Stephen Rinehart | .... | art assistant | |
| Jennie Ryan | .... | art assistant | |
| Gary Schoeneck | .... | lead man | |
| Linda Schoeneck | .... | art assistant | |
| Gregory R. Wolf | .... | set dresser (as Greg Wolf) | |
| Christopher Gilman | .... | property maker (uncredited) | |
| Jay Koiwai | .... | painter (uncredited) | |
Sound Department | |||
| Elizabeth Barnard | .... | assistant sound editor | |
| Ken Brocious | .... | boom operator (as Kenneth Brocious) | |
| David Campling | .... | supervising sound editor | |
| Gordon Daniel | .... | foley artist | |
| Greg Dillon | .... | sound effects editor | |
| James Fritch | .... | sound effects editor (as Jim Fritch) | |
| Robert Garrett | .... | synthesized sound effects | |
| David J. Hudson | .... | sound re-recording mixer | |
| James J. Klinger | .... | sound effects editor (as Jim Klinger) | |
| Mike Le Mare | .... | sound effects editor (as Mike Le-Mare) | |
| Richard Lightstone | .... | production sound mixer | |
| Horace Manzanares | .... | sound effects editor | |
| Gilbert D. Marchant | .... | sound effects editor (as Gil Marchant) | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Rob Miller | .... | sound effects editor | |
| Terry Porter | .... | sound re-recording mixer | |
| John Post | .... | foley artist | |
| Gary Shepherd | .... | sound effects editor | |
| Karola Storr | .... | sound effects editor | |
| Gabriel Cubos | .... | sound utility (uncredited) | |
Special Effects by | |||
| Jack Bricker | .... | terminator special effects | |
| Ellis Burman Jr. | .... | terminator mechanical effects | |
| Frank DeMarco | .... | special effects | |
| Ernest D. Farino | .... | special effects coordinator | |
| Roger George | .... | special effects | |
| Richard J. Landon | .... | terminator special effects (as Richard Landon) | |
| Ron Macinnes | .... | terminator mechanical effects assistant | |
| Shane Mahan | .... | terminator special effects | |
| David B. Miller | .... | terminator special effects (as David Miller) | |
| John Rosengrant | .... | terminator special effects | |
| Brian Wade | .... | terminator special effects | |
| Bob Williams | .... | terminator mechanical effects | |
| Stan Winston | .... | special terminator effects creator | |
| Tom Woodruff Jr. | .... | terminator special effects (as Tom Woodruff) | |
| Roger Kelton | .... | special effects technician (uncredited) | |
| R. Bruce Steinheimer | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Doug Beswick | .... | stop motion terminator model: Fantasy II Film Effects | |
| Don Bland | .... | production assistant: Fantasy II Film Effects | |
| Steven Fagerquist | .... | technical assistant: process photography | |
| Ernest D. Farino | .... | graphic animation effects | |
| Phil Huff | .... | optical effects: Image 3 | |
| John Huneck | .... | camera operator: Fantasy II Film Effects | |
| Leslie Huntley | .... | production supervisor: Fantasy II Film Effects | |
| Michael Joyce | .... | model shop supervisor: Fantasy II Film Effects | |
| Paul Kassler | .... | model maker: Fantasy II Film Effects | |
| Pete Kleinow | .... | terminator stop motion: Fantasy II Film Effects (as Peter Kleinow) | |
| Laurel Klick | .... | optical effects: Image 3 | |
| Ken Marschall | .... | matte artist: Fantasy II Film Effects | |
| Gerald McClain | .... | rear screen projectionist: process photography | |
| Austin McKinney | .... | cinematographer: process photography | |
| Jane A. Pahlman | .... | production assistant: Fantasy II Film Effects | |
| Eric Peterson | .... | camera assistant: process photography | |
| Gary Rhodaback | .... | model maker: Fantasy II Film Effects | |
| Mark Sawicki | .... | special optical consultant: Fantasy II Film Effects | |
| Joe Viskocil | .... | pyrotechnics and fire effects: Fantasy II Film Effects (as Joseph Viskocil) | |
| Gene Warren Jr. | .... | special effects supervisor: Fantasy II Film Effects | |
| Kris Brown | .... | visual effects engineer (uncredited) | |
| Sam Longoria | .... | stop-motion electronics (uncredited) | |
| Bret Mixon | .... | animation assistant (uncredited) | |
| Ted Rae | .... | stop motion terminator model: Fantasy II Film Effects (uncredited) | |
Stunts | |||
| Anthony Cecere | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeff Dashnow) | |
| Diamond Farnsworth | .... | stunts (as Hill Farnsworth) | |
| J. Suzanne Fish | .... | stunts | |
| Ken Fritz | .... | stunt coordinator | |
| Ken Fritz | .... | stunt coordinator: second unit | |
| Ken Fritz | .... | stunt double: Michael Biehn | |
| Marian Green | .... | stunts (as Marion Green) | |
| Tom Hart | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Jean Malahni | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Frank Orsatti | .... | stunts | |
| Jim Stern | .... | stunts | |
| Pete Turner | .... | stunts (as Peter Turner) | |
| Cynthia Brannon | .... | stunts (uncredited) | |
| Jeff Habberstad | .... | stunt performer (uncredited) | |
| Monty Jordan | .... | stunt driver (uncredited) | |
| Peter Kent | .... | stunt double: Arnold Schwarzenegger (uncredited) | |
| Rob King | .... | stunts (uncredited) | |
| Jean Malahni | .... | stunt double: Linda Hamilton (uncredited) | |
| Lee Waddell | .... | utility stunts (uncredited) | |
Casting Department | |||
| Greg Robbins | .... | extras casting coordinator (as Gregory Robbins) | |
Costume and Wardrobe Department | |||
| Deborah Everton | .... | costume supervisor | |
| Julia Gombert | .... | costumer: second unit | |
| Virginia Hartman | .... | costume production assistant | |
Editorial Department | |||
| Lorna Anderson | .... | first assistant editor | |
| Michael Bloecher | .... | associate editor | |
| Spike Allison Hooper | .... | assistant editor | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Nelson) | |
| Peter Silverman | .... | color consultant | |
Music Department | |||
| Budd Carr | .... | music consultant | |
| Robert Randles | .... | music post-production coordinator | |
| Emilie Robertson | .... | music editor | |
Transportation Department | |||
| Wayne Nelson | .... | transportation captain | |
| Wayne Stone | .... | transportation coordinator | |
Thanks | |||
| Harlan Ellison | .... | acknowledgment to the works of | |
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| Terminator 2: Judgment Day | Terminator 3: Rise of the Machines | Terminator Salvation | The Professional: Golgo 13 | The Dark Knight |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb UK section |
The Terminator is one of those films that no matter if you've seen it or not, you've heard of it, heck you know at least one or two lines without seeing it! This is the movie that blasted then new comer's Arnold Schwartzeneggerr's career, made James Cameron a name in Hollywood, and gave new meaning to a possible dark future that gave us nightmares. I remember the first time I saw this movie, I was just 8 years old and my dad of course walks in saying to cover my eyes at every "bad" scene with violence or nudity, needless to say about 70% of the movie he covered my eyes. Finally I got to see it with my mom and I was in love, this wasn't just an action movie, though it is one of the best, it had a story. To think this was all based upon just a quick nightmare that James Cameron had, he didn't have much money, but he had a good script, a great crew on his side to make one of cinema's greatest movies of all time.
Two men appear in Los Angeles in separate locations, manifesting in sudden, blinding flash-storms of electricity. One is heavily muscular; the other man, slim and wiry. The mysterious muscular man obtains weapons and begins hunting down all women named "Sarah Connor", using a phone book to track his targets. He successfully kills the first two of the three listed women. When he attempts to kill the last Sarah Connor, he is stopped by the other man, Kyle Reese who has been sent back in time to protect her. While hiding in a parking garage, Reese explains that the man hunting Sarah is actually a cyborg assassin called a "Terminator", built by Skynet, an artificial intelligence network created by Cyberdyne Systems. In the near future, Reese explains, Skynet gained self-awareness, initiated a global takeover of military hardware, and launched a nuclear war against humanity. Skynet ordered that a scant number of humans were to be kept alive in order to be used as slave labor. John Connor, Sarah's son, rallied the few remaining humans and led a resistance movement against the machines. After a grinding campaign, the human resistance was on the verge of victory; in a last-ditch effort, Skynet sent the Terminator back in time to kill Sarah before John was born, preventing the resistance from ever being founded and allowing the machines to win by default. Reese volunteered to follow the Terminator back in time to protect Sarah; after his use of the time transportation equipment, it was to be destroyed by the resistance in order to prevent further Terminators from going back in time. The Terminator feels no pain, has no emotions, and will stop at nothing to accomplish its mission.
The Terminator is personally one of my favorite movies of all time, I think because this movie really is something special. Yeah, the effects are very 80's, but for the time and even to this day, I think the special effects are much better than the CGI crud we get in today's cinema. This has everything: action, romance, horror, sci-fi, and even some dark humor. The reason why Arnold's "I'll be back" is so famous is not just because of his accent, but because you knew that something bad was coming. Kyle Reese's "Come with me if you want to live" is classic as well. If you haven't seen The Terminator, I highly recommend this movie, it's an incredible one that is sure to deliver entertainment to the fullest. This is one of the greatest movies of all time and I'm sure that you will not be disappointed, if you are, get a CAT scan.
10/10