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Directed by | |||
| James Cameron | |||
Writing credits | ||
| James Cameron | (written by) and | |
| Gale Anne Hurd | (written by) | |
| William Wisher Jr. | (additional dialogue) | |
Produced by | |||
| John Daly | .... | executive producer | |
| Derek Gibson | .... | executive producer | |
| Gale Anne Hurd | .... | producer | |
Original Music by | |||
| Brad Fiedel | |||
Cinematography by | |||
| Adam Greenberg | (director of photography) | ||
Film Editing by | |||
| Mark Goldblatt | |||
Casting by | |||
| Stanzi Stokes | |||
Art Direction by | |||
| George Costello | |||
Set Decoration by | |||
| Maria Rebman Caso | |||
Costume Design by | |||
| Hilary Wright | |||
Makeup Department | |||
| Jeff Dawn | .... | makeup department head (as Jefferson Dawn) | |
| Kyle Sweet | .... | hair stylist: second unit (as Kyle Tucy) | |
| Kyle Sweet | .... | makeup artist: second unit (as Kyle Tucy) | |
| Peter Tothpal | .... | hair stylist | |
| Melissa Street | .... | assistant makeup artist (uncredited) | |
| Brian Wade | .... | special makeup effects artist: Stan Winston Studios (uncredited) | |
Production Management | |||
| Bruce M. Kerner | .... | executive in charge of production | |
| Donna Smith | .... | post-production supervisor | |
| Donna Smith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Thomas A. Irvine | .... | additional first assistant director (as Thomas Irvine) | |
| Betsy Magruder | .... | first assistant director | |
| Jean-Paul Ouellette | .... | second unit director: action | |
| Robert Roda | .... | second assistant director | |
Art Department | |||
| Shay Austin | .... | assistant art director | |
| John S. Curran | .... | construction supervisor (as John Curran) | |
| Tommy Estridge | .... | property master | |
| Mark Freedman | .... | carpenter | |
| Kerry Jennings | .... | assistant property master | |
| Amy McGary | .... | scenic artist | |
| Kristen McGary | .... | scenic artist | |
| Kurt Meisenbach | .... | art assistant | |
| Jewel Myrow | .... | art assistant | |
| Joe Rainey | .... | assistant to the art director | |
| Cynthia C. Rebman | .... | set dresser (as Cindy Rebman) | |
| David Reece | .... | carpenter | |
| Stephen Reece | .... | carpenter | |
| Stephen Rinehart | .... | art assistant | |
| Jennie Ryan | .... | art assistant | |
| Gary Schoeneck | .... | lead man | |
| Linda Schoeneck | .... | art assistant | |
| Gregory R. Wolf | .... | set dresser (as Greg Wolf) | |
| Christopher Gilman | .... | property maker (uncredited) | |
| Jay Koiwai | .... | painter (uncredited) | |
Special Effects by | |||
| Jack Bricker | .... | terminator special effects | |
| Ellis Burman Jr. | .... | terminator mechanical effects | |
| Frank DeMarco | .... | special effects | |
| Ernest D. Farino | .... | special effects coordinator | |
| Roger George | .... | special effects | |
| Richard J. Landon | .... | terminator special effects (as Richard Landon) | |
| Ron Macinnes | .... | terminator mechanical effects assistant | |
| Shane Mahan | .... | terminator special effects | |
| David B. Miller | .... | terminator special effects (as David Miller) | |
| John Rosengrant | .... | terminator special effects | |
| Brian Wade | .... | terminator special effects | |
| Bob Williams | .... | terminator mechanical effects | |
| Stan Winston | .... | special terminator effects creator | |
| Tom Woodruff Jr. | .... | terminator special effects (as Tom Woodruff) | |
| Roger Kelton | .... | special effects technician (uncredited) | |
| R. Bruce Steinheimer | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Doug Beswick | .... | stop motion terminator model: Fantasy II Film Effects | |
| Don Bland | .... | production assistant: Fantasy II Film Effects | |
| Steven Fagerquist | .... | technical assistant: process photography | |
| Ernest D. Farino | .... | graphic animation effects | |
| Phil Huff | .... | optical effects: Image 3 | |
| John Huneck | .... | camera operator: Fantasy II Film Effects | |
| Leslie Huntley | .... | production supervisor: Fantasy II Film Effects | |
| Michael Joyce | .... | model shop supervisor: Fantasy II Film Effects | |
| Paul Kassler | .... | model maker: Fantasy II Film Effects | |
| Pete Kleinow | .... | terminator stop motion: Fantasy II Film Effects (as Peter Kleinow) | |
| Laurel Klick | .... | optical effects: Image 3 | |
| Ken Marschall | .... | matte artist: Fantasy II Film Effects | |
| Gerald McClain | .... | rear screen projectionist: process photography | |
| Austin McKinney | .... | cinematographer: process photography | |
| Jane A. Pahlman | .... | production assistant: Fantasy II Film Effects | |
| Eric Peterson | .... | camera assistant: process photography | |
| Gary Rhodaback | .... | model maker: Fantasy II Film Effects | |
| Mark Sawicki | .... | special optical consultant: Fantasy II Film Effects | |
| Joe Viskocil | .... | pyrotechnics and fire effects: Fantasy II Film Effects (as Joseph Viskocil) | |
| Gene Warren Jr. | .... | special effects supervisor: Fantasy II Film Effects | |
| Kris Brown | .... | visual effects engineer (uncredited) | |
| Sam Longoria | .... | stop-motion electronics (uncredited) | |
| Bret Mixon | .... | animation assistant (uncredited) | |
| Ted Rae | .... | stop motion terminator model: Fantasy II Film Effects (uncredited) | |
Stunts | |||
| Anthony Cecere | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeff Dashnow) | |
| Diamond Farnsworth | .... | stunts (as Hill Farnsworth) | |
| J. Suzanne Fish | .... | stunts | |
| Ken Fritz | .... | stunt coordinator | |
| Ken Fritz | .... | stunt coordinator: second unit | |
| Ken Fritz | .... | stunt double: Michael Biehn | |
| Marian Green | .... | stunts (as Marion Green) | |
| Tom Hart | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Jean Malahni | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Frank Orsatti | .... | stunts | |
| Jim Stern | .... | stunts | |
| Pete Turner | .... | stunts (as Peter Turner) | |
| Cynthia Brannon | .... | stunts (uncredited) | |
| Monty Jordan | .... | stunt driver (uncredited) | |
| Peter Kent | .... | stunt double: Arnold Schwarzenegger (uncredited) | |
| Rob King | .... | stunts (uncredited) | |
| Jean Malahni | .... | stunt double: Linda Hamilton (uncredited) | |
| Lee Waddell | .... | utility stunts (uncredited) | |
Casting Department | |||
| Greg Robbins | .... | extras casting coordinator (as Gregory Robbins) | |
Costume and Wardrobe Department | |||
| Deborah Everton | .... | costume supervisor | |
| Julia Gombert | .... | costumer: second unit | |
| Virginia Hartman | .... | costume production assistant | |
Editorial Department | |||
| Lorna Anderson | .... | first assistant editor | |
| Michael Bloecher | .... | associate editor | |
| Spike Allison Hooper | .... | assistant editor | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Nelson) | |
| Peter Silverman | .... | color consultant | |
Music Department | |||
| Budd Carr | .... | music consultant | |
| Robert Randles | .... | music post-production coordinator | |
| Emilie Robertson | .... | music editor | |
Transportation Department | |||
| Wayne Nelson | .... | transportation captain | |
| Wayne Stone | .... | transportation coordinator | |
Thanks | |||
| Harlan Ellison | .... | acknowledgment to the works of | |
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| Terminator 2: Judgment Day | Terminator 3: Rise of the Machines | Terminator Salvation | The Professional: Golgo 13 | The Dark Knight |
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| Full cast and crew | Company credits | External reviews |
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| IMDb UK section |
I've reviewed this classic movie before, but now I'm gonna review the DVD. To start, I must say that although they had their rationale for deleting the "terminated" scenes, as they were called, I think they definitely should have left that one scene in where Sarah Connor calls her mom and tells her to hide in the cabin, and where she finds the listing of Cyberdyne Corp. in the phone book. This scene established Sarah as one who is willing to try to take matters into her hands to stop a nuclear war and a horrible future. She talks to Reese about getting rid of Cyberdyne and they get into an arguement about whether or not that is a mission objective and Reese ends up chasing Sarah into a wooded area. I think the beauty of the woods, flowers and waterfalls was important too, because Reese starts crying and saying how all of this is destroyed, and the future is nothing but blackened, charred ruins littered with the skulls of attempted human genocide. What a terrific, powerful scene. I adore Michael Biehn, and I didn't realize what a great actor (and crier) he is!!! Maybe the other "terminated" scenes were okay to delete, although they were all delightful. The one where Sarah practices her "wholesome waitress" routine was cute. The one where she talks about Disneyland and hot dogs might have seemed silly, but it really brought home how foreign our world is to Reese, as did the crying scene. The tickling scene might have seemed silly to the editor, but I thought it really made a point: after all the violence and bleakness Reese lived through, to be with the woman he's always loved and idolized, to lay in a cozy warm bed with her experiencing the simple joys of life for the first time (I still wonder if Sarah devirginized him, since he said he'd "never" had any special someone in his life) seemed to bring everything into perspective. The scene where you discover that the factory was Cyberdyne Systems was important too, but I'll let these scenes slide. I really think they should consider releasing a TERMINATOR with the scene in the wooded area included. Nevertheless, I still consider this film as one of my favorite sci-fi films, and my favorite James Cameron film. I still admire who he infuses humanity with action and adrenaline, and the missing scenes were wonderful.