A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A young man is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ? Written by
Colin Tinto <firstname.lastname@example.org>
William Wisher Jr.:
The police officer who attempts to assist the Terminator after he is thrown from the hood of the car, but gets knocked unconscious for his effort. Wisher has a cameo in the sequel Terminator 2: Judgment Day (1991) as well, where his character seems to have a look of recognition upon seeing the new Terminator. See more »
Just before the Terminator crashes his car through the police station door, the officer is writing on a form with his left hand on the table. In the next cut he has his left hand on the form. The position of the pencil also changes in the two shots. See more »
[the garbage truck's engine stops]
What the hell? Goddamn son of a bitch...
See more »
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
The Terminator has heart. Cameron might be well advised,less is more.
Many people look back at the films of James Cameron and suggest that the smaller, the budget, the tighter the limitations, the better the end product. Films like Avatar, Titanic and True Lies had huge budgets and drew in even bigger box office but many still yearn for the Cameron that gave us The Terminator and Aliens which were huge movies but packed a far bigger punch artistically. My feelings all these years on are that Cameron has earned the right to make those huge movies but i have to admit to preferring his earlier body of work. The Terminator is a nightmarish, time travelling science fiction film told at a breakneck pace and delivered with confidence and style. The film has a very gritty, underground look to it and does a great job of telling its story amid the frenetic action. There is also a huge slice of horror and suspense thrown in, an impression that has diminished in the years since it's release due to inferior sequels. Viewed as a standalone piece however, The Terminator is fine piece of work from a director with a very clear vision.Everyone knows that The Terminator is the film that gave us Arnold Schwarzenegger but when i look back at the film, it has heart and its the Michael Biehn character, Kyle Reese, that provides it Artistically speaking,Cameron might be well advised that less is more.
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