A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A robotic warrior from a post-apocalyptic future travels back in time to protect a 20-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ? Written by
Colin Tinto <email@example.com>
Position of Sarah's right hand (on Reese's cheek) before she starts kissing him and when she is kissing him. See more »
[the garbage truck's engine stops]
What the hell? Goddamn son of a bitch...
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The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
There are actors,and there are movie stars.Arnold Schwarzenegger is without question a movie star,because every time he is on screen, he is,well,Arnold.There is a different Arnold in this film,and this is what I like about it.He,for once,is playing the villain,and to perfection,I might add.He makes for one of the best screen villains ever in cinema history.It's a pity that his "good guy" image won't allow him to play the bad seed more often,but that's Hollywood, I guess.Aside from the thrilling sequel,this is perhaps Arnold's best work.
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