| Photos (See all 12 | slideshow) | Videos (see all 2) |
| The Marx Brothers | (as Marx Brothers) | ||
| Groucho Marx | ... | Dr. Hackenbush (as Groucho) | |
| Chico Marx | ... | Tony (as Chico) | |
| Harpo Marx | ... | Stuffy (as Harpo) | |
| Allan Jones | ... | Gil | |
| Maureen O'Sullivan | ... | Judy | |
| Margaret Dumont | ... | Mrs. Upjohn | |
| Leonard Ceeley | ... | Whitmore | |
| Douglass Dumbrille | ... | Morgan | |
| Esther Muir | ... | 'Flo' | |
| Sig Ruman | ... | Dr. Steinberg (as Sig Rumann) | |
| Robert Middlemass | ... | Sheriff | |
| Vivien Fay | ... | Specialty Dancer | |
| Ivie Anderson | ... | Specialty Singer | |
| The Crinoline Choir | ... | Musical Ensemble | |
| rest of cast listed alphabetically: | |||
| Hooper Atchley | ... | Race Judge (uncredited) | |
| King Baggot | ... | Race Track Official Starter (uncredited) | |
| Kenny Baker | ... | Party Guest (uncredited) | |
| Vivian Barry | ... | Telephone Girl (uncredited) | |
| Barbara Bedford | ... | Secretary (uncredited) | |
| Vangie Beilby | ... | Racetrack Spectator (uncredited) | |
| Edna Bennett | ... | Nurse (uncredited) | |
| Edward Biby | ... | Racetrack Spectator with Wrong Hat (uncredited) | |
| Lennie Bluett | ... | Black Singer (uncredited) | |
| The Plantation Boys | ... | Performers (uncredited) | |
| Troy Brown Sr. | ... | Black Singer (uncredited) | |
| Jean Burt | ... | Telephone Operator (uncredited) | |
| Ben Carter | ... | Black Singer (uncredited) | |
| Ruth Cherrington | ... | Racetrack Spectator (uncredited) | |
| Jacqueline Clancy | ... | Child (uncredited) | |
| Gino Corrado | ... | Man Boarding Bus (uncredited) | |
| DeForest Covan | ... | Black Singer (uncredited) | |
| George Cowl | ... | Racetrack Spectator (uncredited) | |
| Jack Daley | ... | Racetrack Spectator (uncredited) | |
| Dorothy Dandridge | ... | Black Singer (uncredited) | |
| Vivian Dandridge | ... | Black Singer (uncredited) | |
| Frankie Darro | ... | Morgan's Jockey (uncredited) | |
| Frank Dawson | ... | Doctor (uncredited) | |
| Dudley Dickerson | ... | Wheelchair Attendant (uncredited) | |
| Helen Dickson | ... | Party Guest (uncredited) | |
| Billy Dooley | ... | Race Track Bugler (uncredited) | |
| Edward Earle | ... | Race Judge (uncredited) | |
| Aaron Edwards | ... | Plainclothesman (uncredited) | |
| Richard Farnsworth | ... | Jockey (uncredited) | |
| Pat Flaherty | ... | Detective with Sheriff (uncredited) | |
| Bess Flowers | ... | Racetrack Spectator (uncredited) | |
| Ray Flynn | ... | Racetrack Spectator (uncredited) | |
| Byron Foulger | ... | Racetrack Spectator (uncredited) | |
| J.C. Fowler | ... | Party Guest (uncredited) | |
| Jack George | ... | Musician (uncredited) | |
| John Hiestand | ... | Radio Announcer (uncredited) | |
| Leyland Hodgson | ... | Policeman at Racetrack (uncredited) | |
| Arthur Stuart Hull | ... | Racetrack Spectator (uncredited) | |
| John Hyams | ... | Judge (uncredited) | |
| William Irving | ... | Man for Horn Business (uncredited) | |
| Si Jenks | ... | Messenger (uncredited) | |
| Jack W. Johnston | ... | Racetrack Spectator (uncredited) | |
| Darby Jones | ... | Black Singer (uncredited) | |
| Etta Jones | ... | Black Singer (uncredited) | |
| Jack Kenny | ... | Racetrack Spectator (uncredited) | |
| Edith Kingdon | ... | Racetrack Spectator (uncredited) | |
| Carole Landis | ... | Party Guest (uncredited) | |
| Harry Lash | ... | Racetrack Spectator (uncredited) | |
| Alexander Leftwich | ... | Musician (uncredited) | |
| Edward LeSaint | ... | Doctor (uncredited) | |
| Carl M. Leviness | ... | Party Guest Who Calls the Sheriff (uncredited) | |
| Max Lucke | ... | Doctor (uncredited) | |
| Wilbur Mack | ... | Race Judge (uncredited) | |
| Mary MacLaren | ... | Nurse (uncredited) | |
| Charles McAvoy | ... | Policeman Pursuing Hugo (uncredited) | |
| Alex Melesh | ... | Racetrack Spectator (uncredited) | |
| Bert Moorhouse | ... | Racetrack Spectator (uncredited) | |
| Edmund Mortimer | ... | Party Guest (uncredited) | |
| Etta Moten | ... | Black Singer (uncredited) | |
| Henry Mowbray | ... | Man for Hat Business (uncredited) | |
| Lee Murray | ... | Judge (uncredited) | |
| Field Norton | ... | Party Guest (uncredited) | |
| Jack Norton | ... | Drunk (uncredited) | |
| Frank O'Connor | ... | Racetrack Guard (uncredited) | |
| Cullen and Pauline | ... | Performers (uncredited) | |
| Victor Potel | ... | Horn Blower (uncredited) | |
| Russ Powell | ... | Racetrack Spectator (uncredited) | |
| James Quinn | ... | Racetrack Spectator (uncredited) | |
| Bob Reeves | ... | Policeman Pursuing Hugo (uncredited) | |
| Cyril Ring | ... | Racetrack Spectator (uncredited) | |
| Gus Robinson | ... | Black Singer (uncredited) | |
| Allen D. Sewall | ... | Policeman Pursuing Hugo (uncredited) | |
| Four Hot Shots | ... | Black Performers (uncredited) | |
| Phillips Smalley | ... | Racing Spectator with Wrong Hat (uncredited) | |
| Arthur Thalasso | ... | Policeman Pursuing Hugo (uncredited) | |
| The Three Chocolateers | ... | Black Performers (uncredited) | |
| Charles Trowbridge | ... | Dr. Wilmerding (uncredited) | |
| Elizabeth Williams | ... | Racetrack Spectator (uncredited) | |
| Harry Wilson | ... | Detective with Sheriff (uncredited) | |
| Florence Wix | ... | Party Guest (uncredited) | |
| Buck Woods | ... | Black Singer (uncredited) | |
Directed by | |||
| Sam Wood | |||
Writing credits | ||
| Robert Pirosh | (screen play) & | |
| George Seaton | (screen play) and | |
| George Oppenheimer | (screen play) | |
| Robert Pirosh | (original story) and | |
| George Seaton | (original story) | |
| Al Boasberg | original story (uncredited) | |
| Al Boasberg | screen play (uncredited) | |
| Leon Gordon | original story (uncredited) | |
| Leon Gordon | screen play (uncredited) | |
| George S. Kaufman | screen play (uncredited) | |
Produced by | |||
| Max Siegel | .... | associate producer | |
| Irving Thalberg | .... | producer (uncredited) | |
| Lawrence Weingarten | .... | producer (uncredited) | |
| Sam Wood | .... | producer (uncredited) | |
Original Music by | |||
| Franz Waxman | (uncredited) | ||
Cinematography by | |||
| Joseph Ruttenberg | (photographed by) | ||
| Leonard Smith | (photographed by) (uncredited) | ||
Film Editing by | |||
| Frank E. Hull | |||
Art Direction by | |||
| Cedric Gibbons | |||
Second Unit Director or Assistant Director | |||
| Robert A. Golden | .... | assistant director (uncredited) | |
Art Department | |||
| Stan Rogers | .... | associate art director | |
| Edwin B. Willis | .... | associate art director | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
Stunts | |||
| Richard Farnsworth | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ted Wurtenberg | .... | gaffer (uncredited) | |
Casting Department | |||
| Ben Carter | .... | casting: black sequence (uncredited) | |
Costume and Wardrobe Department | |||
| Dolly Tree | .... | wardrobe | |
Music Department | |||
| Leo Arnaud | .... | choral arrangements | |
| Leo Arnaud | .... | orchestral arrangements | |
| George Bassman | .... | orchestrator | |
| Roger Edens | .... | musical arrangements | |
| Paul Marquardt | .... | orchestrator | |
| Merrill Pye | .... | musical presentation | |
| Franz Waxman | .... | musical director | |
| Wayne Allen | .... | orchestrator (uncredited) | |
| George Bassman | .... | composer: additional music (uncredited) | |
| Roger Edens | .... | composer: additional music (uncredited) | |
Other crew | |||
| Dave Gould | .... | musical numbers staged by | |
| Reginald Le Borg | .... | director: musical scenes | |
| Carl 'Major' Roup | .... | script clerk (uncredited) | |
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| A Night at the Opera | Some Like It Hot | At the Circus | Duck Soup | Funny Girl |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I love movies from the 1930s and 1940s and TCM is my favorite channel, so I've seen most of the Marx Brothers movies over the years. My comments here about A Day at the Races could apply equally to any of the movies they made at MGM.
Something I was struck by is the stark differences between their early features - Animal Crackers and Duck Soup to name two - and later releases like A Day at the Races. The difference, I realized several years is in early releases done at Paramount the Marx Brothers are "best actors" - the focal point of the story. Once they moved to MGM the brothers became "supporting actors" and their gags were subordinated to romantic subplots and over-earnest sentimentality.
This change also affected my perception of the song and dance numbers. When the brothers were the leads the predictable formula - Chico comes across a piano and Harpo finds a harp - feels more integrated into the "plot". Whether in A Night at the Opera, The Big Store, or A Day at the Races the musical interludes feel self-consciously cute - an interlude that stops the storyline (opera singers or horse owners) while the music plays.