Stan and Ollie are charged with delivering the deed to a valuable gold mine to the daughter of a dead prospector. However they reckon without the machinations of her evil guardian Mickey ... See full summary »
After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
Casino operator Johnny Lamb hires down-on-her-luck socialite Lucille Sutton as his casino hostess, in order to help her and to improve casino income. But Lamb's pals fear he may follow ... See full summary »
Doctor Hugo Hackenbush, Tony, and Stuffy try and save Judy's farm by winning a big race with her horse. There are a few problems. Hackenbush runs a high priced clinic for the wealthy who don't know he has his degree in Veterinary Medicine. Written by
John Vogel <firstname.lastname@example.org>
Al Boasberg, the man most responsible for shaping the early comic persona of Jack Benny, was initially given top billing among the film's writers. In what was to become one of the first major disputes over film writing credit, Boasberg (primarily a gag man) sought sole credit for the comedic scenes, leaving credit for the screenplay itself to Robert Pirosh and George Seaton. MGM bitterly fought this and punished Boasberg by listing him under the others. A furious Boasberg had his name removed from the film completely. See more »
When Tony starts playing, the piano clearly shows "Steinway and Sons." In later shots the logo is missing. See more »
She's so in love with me, she doesn't know anything. That's why she's in love with me.
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I haven't seen enough of the Marx Brothers' films to say which is their best and which is their worst. I have seen Duck Soup, which I would say has to be at least one of their best, seeing that I believe it to be one of the funniest comedies ever. I have also seen A Night at the Opera, which is also often considered one of their best, often the best. I myself found it much less funny than Duck Soup. I wanted to kill myself during the musical numbers of that film.
Now I've seen A Day at the Races, the Brothers' follow up to A Night at the Opera, a smash hit in theaters. Generally, Races is considered a weak follow-up to a great film. I disagree. I liked A Day at the Races much more than A Night at the Opera (but a bit less than Duck Soup). All three Brothers are firing bullseye after bullseye. Harpo could stand to do a little bit more. He may have had the funniest role in Duck Soup. He was an utter maniac with total disregard for human life. When the Marx Brothers left Paramount for MGM, their edge was dulled down a bit. Oh well, Races still succeeds.
Also, except for the boring opera voice, even the musical numbers work here. I love to watch Chico play the piano. That's hilarious. Harpo's harp number is less good, but still not bad. The ballet sequence is also quite good. There's one more musical number that's just fantastic: the poor black folk singing "Who's that man?" as Harpo runs around playing the flute. It's somewhat shocking to see a scene like this. It does not exploit them (it may seem to now, but it was probably quite inclusive and progressive in its day), and it's a smash.
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