The Taviani brothers' account of a prison production of Julius Caesar marks a profoundly moving return to form
Before the emergence of the Coens, the Farrellys, the Hugheses and the Wachowskis, there were the Taviani brothers, Paolo and Vittorio, born in Pisa in respectively 1931 and 1929, the sons of a lawyer jailed for his anti-fascist activities. Coming out of Italian neorealism and the French new wave, adapting works by Tolstoy and Pirandello and much influenced by Brecht, they emerged in the late 60s. Theirs was a humanist cinema that reached out socially and chronologically, from an aristocrat disillusioned with revolution in early 19th-century Lombardy to the idealistic inhabitants of a Tuscan village standing up against the Nazis in 1944.
The Tavianis' finest film perhaps is Padre Padrone, the true story of a boy escaping from hard-scrabble peasant life in present-day Sardinia to be educated during his military service on the mainland. The...
Before the emergence of the Coens, the Farrellys, the Hugheses and the Wachowskis, there were the Taviani brothers, Paolo and Vittorio, born in Pisa in respectively 1931 and 1929, the sons of a lawyer jailed for his anti-fascist activities. Coming out of Italian neorealism and the French new wave, adapting works by Tolstoy and Pirandello and much influenced by Brecht, they emerged in the late 60s. Theirs was a humanist cinema that reached out socially and chronologically, from an aristocrat disillusioned with revolution in early 19th-century Lombardy to the idealistic inhabitants of a Tuscan village standing up against the Nazis in 1944.
The Tavianis' finest film perhaps is Padre Padrone, the true story of a boy escaping from hard-scrabble peasant life in present-day Sardinia to be educated during his military service on the mainland. The...
- 3/3/2013
- by Philip French
- The Guardian - Film News
Cesare deve morire (Caesar Must Die)
Directed by Paolo Taviani and Vittoria Taviani
Written by William Shakespeare (excerpts from “Julius Caesar”), Paolo Taviani and Vittoria Taviani
2012, Italy
Anyone who walks into a screening of Caesar Must Die with the belief that they will be seeing a documentary should know this now: Caesar Must Die is not a documentary. It can barely be called a docudrama. It rather belongs in the curious category of metafilm, nestled among those pictures that blur and obscure the line between fact and fiction, demolish the fourth wall and are so conscious of themselves that they may disappear into a spiral of self-referentiality. Metafilms can be some of the most innovative and invigorating pieces of cinema when successful, but when they are not they can materialise as hollow exercise or dense nuggets of intellectual tedium.
This film by the brothers Taviani, awarded the Golden Bear at...
Directed by Paolo Taviani and Vittoria Taviani
Written by William Shakespeare (excerpts from “Julius Caesar”), Paolo Taviani and Vittoria Taviani
2012, Italy
Anyone who walks into a screening of Caesar Must Die with the belief that they will be seeing a documentary should know this now: Caesar Must Die is not a documentary. It can barely be called a docudrama. It rather belongs in the curious category of metafilm, nestled among those pictures that blur and obscure the line between fact and fiction, demolish the fourth wall and are so conscious of themselves that they may disappear into a spiral of self-referentiality. Metafilms can be some of the most innovative and invigorating pieces of cinema when successful, but when they are not they can materialise as hollow exercise or dense nuggets of intellectual tedium.
This film by the brothers Taviani, awarded the Golden Bear at...
- 2/8/2013
- by Tope
- SoundOnSight
Best European Film Amour (Love) Austria/France/Germany, 127 min Written & directed by Michael Haneke Produced by Margaret Menegoz, Stefan Arndt, Veit Heiduschka & Michael Katz Barbara Germany, 105 min Written & directed by Christian Petzold Produced by Florian Koerner von Gustorf & Michael Weber Cesare Deve Morire (Caesar Must Die) Italy, 76 min Directed by Paolo & Vittorio Taviani Written by Paolo & Vittorio Taviani, in collaboration with Fabio Cavalli Produced by Grazia Volpi Intouchables (Untouchable) France, 108 min Written & directed by Olivier Nakache & Eric Toledano Produced by Nicolas Duval Adassovsky, Yann Zenou & Laurent Zeitoun Jagten (The Hunt) Denmark, 111 min Directed by Thomas Vinterberg Written by Thomas Vinterberg & Tobias Lindholm Produced by Morten Kaufmann & Sisse Graum Jørgensen Shame UK, 96 min Directed by Steve McQueen Written by Steve McQueen & Abi Morgan Produced by Iain Canning & Emile Sherman European Director 2012: Nuri Bilge Ceylan for B?R Zamanlar Anadolu’Da (Once Upon a Time in Anatolia) Michael Haneke for Amour...
- 11/4/2012
- by Steve Montgomery
- Alt Film Guide
AFI Fest 2012 presented by Audi, a program of the American Film Institute, today announced the remaining sections and films that will screen in the festival.s World Cinema, Breakthrough, Midnight and Shorts programs. AFI Fest, which annually presents the best of world cinema in the movie capital of the world, will take place November 1 through 8 at the historic Grauman.s Chinese Theatre, the Chinese 6 Theatres, the Egyptian Theatre and the Hollywood Roosevelt Hotel.
World Cinema showcases the most anticipated and prize-winning international films of the year, Breakthrough highlights work discovered only through the submission process and Midnight.s selections are always haunting. Both World Cinema and Breakthrough feature a number of films making their North American or U.S. Premieres, including The Angels. Share, Greatest Hits, Laurence Anyways, Nairobi Half Life, Pieta, White Elephant and Zaytoun.
Two of the shorts in competition are from AFI Conservatory.s recent class of...
World Cinema showcases the most anticipated and prize-winning international films of the year, Breakthrough highlights work discovered only through the submission process and Midnight.s selections are always haunting. Both World Cinema and Breakthrough feature a number of films making their North American or U.S. Premieres, including The Angels. Share, Greatest Hits, Laurence Anyways, Nairobi Half Life, Pieta, White Elephant and Zaytoun.
Two of the shorts in competition are from AFI Conservatory.s recent class of...
- 10/16/2012
- by Melissa Thompson
- WeAreMovieGeeks.com
Today, AFI 2012 announced its complete lineup, after previously debuting its New Auteurs, Young Americans, Galas and Special Screenings we finally get a look at the Midnight, Breakthrough, Shorts, and deliriously good World Cinema Selections.
The Shorts section, with almost too many to count, features new work from Nacho Vigalando, Nicolas Provost, and even Shia Labeouf (Cannes selected), among many others. The four Midnight titles all played in Tiff 2012’s Midnight Madness selection, and here we see John Dies at the End making a stop here after originally premiering at Sundance. They’ve nabbed three North American premieres in their Breakthrough section, including Kid from Fien Troch, Nairobi Half Life from David Tosh Gitonga, and Oh Boy from Jan Ole Gerster. But AFI has managed to really impress with it’s World Cinema selections. Just as they nabbed Cannes premiere Holy Motors for their Special Screenings, they’ve nabbed several high...
The Shorts section, with almost too many to count, features new work from Nacho Vigalando, Nicolas Provost, and even Shia Labeouf (Cannes selected), among many others. The four Midnight titles all played in Tiff 2012’s Midnight Madness selection, and here we see John Dies at the End making a stop here after originally premiering at Sundance. They’ve nabbed three North American premieres in their Breakthrough section, including Kid from Fien Troch, Nairobi Half Life from David Tosh Gitonga, and Oh Boy from Jan Ole Gerster. But AFI has managed to really impress with it’s World Cinema selections. Just as they nabbed Cannes premiere Holy Motors for their Special Screenings, they’ve nabbed several high...
- 10/16/2012
- by Nicholas Bell
- IONCINEMA.com
Every year, the Efa People’s Choice Award allows film fans across Europe to elect their favorite film. When the European Film Academy invites its members, Europe’s greatest film stars, directors, actors and actresses, to attend the European Film Awards, the People’s Choice Award sheds a spotlight on the people films are made for: the audience. This year’s vote has started – vote now and win the chance to join winners and nominees for the awards ceremony in Malta!
Winners in the past have included films like Pedro Almodóvar’s Volver, Roberto Benigni’s La Vita E Bella, Jean-Pierre Jeunet’s AmÉLie, Fatih Akin’s Head-on, and Danny Boyle’s Slumdog Millionaire.
From 1 September on, film fans can cast their vote on the official website: www.europeanfilmawards.euand win a trip to the 25th European Film Awards on Saturday, 1 December 2012, in Malta!
Nominated Are: The Artist directed by Michel Hazanavicius with Jean Dujardin,
Barbara directed by Christian Petzold with Nina Hoss, Ronald Zehrfeld, Rainer Bock, Jasna Fritzi Bauer, Christina Hecke
The Best Exotic Marigold Hotel directed by John Madden, written by Ol Parker with Judi Dench, Bill Nighy, Penelope Wilton, Dev Patel, Celia Imrie, Ronald Pickup, Tom Wilkinson, Maggie Smith
Caesar Must Die (Cesare deve morire) directed by Paolo & Vittorio Taviani, written by Paolo & Vittorio Taviani, in collaboration with Fabio Cavalli with Giovanni Arcuri, Salvatore Striano, Cosimo Rega, Antonio Frasca, Fabio Cavalli
Come As You Are (Hasta la Vista) directed by da Geoffrey Enthoven, written by Pierre de Clercq, with Robrecht van den Thoren, Gilles de Schryver, Tom Audenaert, Isabelle de Hertogh
Headhunters (Hodejegerne) directed by Morten Tyldum, written by Lars Gudmestad & Ulf Ryberg with Aksel Hennie, Nikolaj Coter-Waldau, Synnøve Macody Lund, Eivind Sander I
N Darkness directed by Agnieszka Holland, written by David F. Shamoon with Robert Więckiewicz, Benno Fürmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup
The Iron Lady directed by Phyllida Lloy, written by Abi Morgan with Meryl Streep, Jim Broadbent, Olivia Colman
Salmon Fishing In The Yemen directed by Lasse Hallstrom, written by Simon Beaufoy, based on the novel by Paul Torday with Ewan McGregor, Emily Blunt, Kristin Scott Thomas, Amr Waked
Shame directed by Steve McQueen, written by Steve McQueen and Abi Morgan with Michael Fassbender, Carey Mulligan, James Badge Dale, Nicole Beharie
Tinker Tailor Soldier Spy directed by Thomas Alfredson, written by Bridget O'Connor and Peter Straughan with Gary Oldman, John Hurt, Mark Strong, Tom Hardy, Colin Firth, Benedict Cumberbatch, Toby Jones, Stephen Graham, David Dencik, Ciaran Hinds, Simon McBurney, Kathy Burke, Svetlana Khodenchkova
Untouchable directed by Olivier Nakache and Eric Toledano with François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot, Clothilde Mollet
Our Media Partners: 7 meno dienos (Lithuania) * Arte * www.ciendecine.com (Spain) * www.cinemagia.ro (Romania) * Cinemania (Spain) * www.cineuropa.org * Diena (Latvia) * www.elokuvauutiset.fi (Finland) * www.film-demnaechst.ch (Switzerland) * De Filmkrant (the Netherlands) * www.filmski.net (Croatia) * www.filmski.rs (Serbia) * www.filmstarts.de (Germany) * Gragjanski (Fyr Macedonia) * Iftn (Ireland) * www.kinema.sk (Slovakia) * www.lovefilm.com * Nädal (Estonia) * La Rivista del Cinematografo (Italy) * www.stopklatka.pl (Poland) * Vikend (Slovenia) * Ernst & Young, one of the leading global professional services firms, continues to act as Official Tabulator, endorsing the voting procedures and confirming the winner. The 25th European Film Awards: Malta, 1 Dec 2012 Live on www.europeanfilmawards.eu
Patrons:centre Du Cinema Of The Federation Wallonia Brussels * Danish Film Institute * Eurimages * Film Fund Luxembourg * Flanders Audiovisual Fund (Vaf) * German Films * MacEdonian Film Fund * Mfg FilmfÖRderung Baden-wÜRttemberg * Ministry Of Education And Culture Of Cyprus (Cultural Services) * Netherlands Film Fund * Polish Film Institute * Ab Svensk Filmindustri * Swedish Film Institute * Swiss Films * Telewizja Polska S.A. (Tvp) *
The European Film Awards 2012 are presented by the European Film Academy e.V. and Efa Productions gGmbH with the support of the Maltese Ministry of Finance, Economy and Investment, the Malta Film Commission, Ffa German Federal Film Board, the German State Lottery Berlin, the German State Minister for Culture and the Media, the Media Programme of the EU, Medienboard Berlin-Brandenburg and Gls. Pascal Edelmann European Film Academy e.V. Head of Press & PR Kurfürstendamm 225 10719 Berlin Germany Tel. +49 30 887 16 70 Fax +49 30 887 16 777 visit us at www.europeanfilmawards.eu European Film Academy e.V. / Director: Marion Döring / registered at Amtsgericht Charlottenburg 14236 Nz...
Winners in the past have included films like Pedro Almodóvar’s Volver, Roberto Benigni’s La Vita E Bella, Jean-Pierre Jeunet’s AmÉLie, Fatih Akin’s Head-on, and Danny Boyle’s Slumdog Millionaire.
From 1 September on, film fans can cast their vote on the official website: www.europeanfilmawards.euand win a trip to the 25th European Film Awards on Saturday, 1 December 2012, in Malta!
Nominated Are: The Artist directed by Michel Hazanavicius with Jean Dujardin,
Barbara directed by Christian Petzold with Nina Hoss, Ronald Zehrfeld, Rainer Bock, Jasna Fritzi Bauer, Christina Hecke
The Best Exotic Marigold Hotel directed by John Madden, written by Ol Parker with Judi Dench, Bill Nighy, Penelope Wilton, Dev Patel, Celia Imrie, Ronald Pickup, Tom Wilkinson, Maggie Smith
Caesar Must Die (Cesare deve morire) directed by Paolo & Vittorio Taviani, written by Paolo & Vittorio Taviani, in collaboration with Fabio Cavalli with Giovanni Arcuri, Salvatore Striano, Cosimo Rega, Antonio Frasca, Fabio Cavalli
Come As You Are (Hasta la Vista) directed by da Geoffrey Enthoven, written by Pierre de Clercq, with Robrecht van den Thoren, Gilles de Schryver, Tom Audenaert, Isabelle de Hertogh
Headhunters (Hodejegerne) directed by Morten Tyldum, written by Lars Gudmestad & Ulf Ryberg with Aksel Hennie, Nikolaj Coter-Waldau, Synnøve Macody Lund, Eivind Sander I
N Darkness directed by Agnieszka Holland, written by David F. Shamoon with Robert Więckiewicz, Benno Fürmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup
The Iron Lady directed by Phyllida Lloy, written by Abi Morgan with Meryl Streep, Jim Broadbent, Olivia Colman
Salmon Fishing In The Yemen directed by Lasse Hallstrom, written by Simon Beaufoy, based on the novel by Paul Torday with Ewan McGregor, Emily Blunt, Kristin Scott Thomas, Amr Waked
Shame directed by Steve McQueen, written by Steve McQueen and Abi Morgan with Michael Fassbender, Carey Mulligan, James Badge Dale, Nicole Beharie
Tinker Tailor Soldier Spy directed by Thomas Alfredson, written by Bridget O'Connor and Peter Straughan with Gary Oldman, John Hurt, Mark Strong, Tom Hardy, Colin Firth, Benedict Cumberbatch, Toby Jones, Stephen Graham, David Dencik, Ciaran Hinds, Simon McBurney, Kathy Burke, Svetlana Khodenchkova
Untouchable directed by Olivier Nakache and Eric Toledano with François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot, Clothilde Mollet
Our Media Partners: 7 meno dienos (Lithuania) * Arte * www.ciendecine.com (Spain) * www.cinemagia.ro (Romania) * Cinemania (Spain) * www.cineuropa.org * Diena (Latvia) * www.elokuvauutiset.fi (Finland) * www.film-demnaechst.ch (Switzerland) * De Filmkrant (the Netherlands) * www.filmski.net (Croatia) * www.filmski.rs (Serbia) * www.filmstarts.de (Germany) * Gragjanski (Fyr Macedonia) * Iftn (Ireland) * www.kinema.sk (Slovakia) * www.lovefilm.com * Nädal (Estonia) * La Rivista del Cinematografo (Italy) * www.stopklatka.pl (Poland) * Vikend (Slovenia) * Ernst & Young, one of the leading global professional services firms, continues to act as Official Tabulator, endorsing the voting procedures and confirming the winner. The 25th European Film Awards: Malta, 1 Dec 2012 Live on www.europeanfilmawards.eu
Patrons:centre Du Cinema Of The Federation Wallonia Brussels * Danish Film Institute * Eurimages * Film Fund Luxembourg * Flanders Audiovisual Fund (Vaf) * German Films * MacEdonian Film Fund * Mfg FilmfÖRderung Baden-wÜRttemberg * Ministry Of Education And Culture Of Cyprus (Cultural Services) * Netherlands Film Fund * Polish Film Institute * Ab Svensk Filmindustri * Swedish Film Institute * Swiss Films * Telewizja Polska S.A. (Tvp) *
The European Film Awards 2012 are presented by the European Film Academy e.V. and Efa Productions gGmbH with the support of the Maltese Ministry of Finance, Economy and Investment, the Malta Film Commission, Ffa German Federal Film Board, the German State Lottery Berlin, the German State Minister for Culture and the Media, the Media Programme of the EU, Medienboard Berlin-Brandenburg and Gls. Pascal Edelmann European Film Academy e.V. Head of Press & PR Kurfürstendamm 225 10719 Berlin Germany Tel. +49 30 887 16 70 Fax +49 30 887 16 777 visit us at www.europeanfilmawards.eu European Film Academy e.V. / Director: Marion Döring / registered at Amtsgericht Charlottenburg 14236 Nz...
- 10/12/2012
- by Sydney Levine
- Sydney's Buzz
Cesare deve morire (Caesar Must Die)
Directed by Paolo Taviani and Vittoria Taviani
Written by William Shakespeare (excerpts from “Julius Caesar”), Paolo Taviani and Vittoria Taviani
2012, Italy
Anyone who walks into a screening of Caesar Must Die with the belief that they will be seeing a documentary should know this now: Caesar Must Die is not a documentary. It can barely be called a docudrama. It rather belongs in the curious category of metafilm, nestled among those pictures that blur and obscure the line between fact and fiction, demolish the fourth wall and are so conscious of themselves that they may disappear into a spiral of self-referentiality. Metafilms can be some of the most innovative and invigorating pieces of cinema when successful, but when they are not they can materialise as hollow exercise or dense nuggets of intellectual tedium.
This film by the brothers Taviani, awarded the Golden Bear at...
Directed by Paolo Taviani and Vittoria Taviani
Written by William Shakespeare (excerpts from “Julius Caesar”), Paolo Taviani and Vittoria Taviani
2012, Italy
Anyone who walks into a screening of Caesar Must Die with the belief that they will be seeing a documentary should know this now: Caesar Must Die is not a documentary. It can barely be called a docudrama. It rather belongs in the curious category of metafilm, nestled among those pictures that blur and obscure the line between fact and fiction, demolish the fourth wall and are so conscious of themselves that they may disappear into a spiral of self-referentiality. Metafilms can be some of the most innovative and invigorating pieces of cinema when successful, but when they are not they can materialise as hollow exercise or dense nuggets of intellectual tedium.
This film by the brothers Taviani, awarded the Golden Bear at...
- 8/12/2012
- by Tope
- SoundOnSight
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