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Holy Motors (2012)

 -  Drama | Fantasy  -  4 July 2012 (France)
7.0
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Ratings: 7.0/10 from 13,933 users   Metascore: 84/100
Reviews: 71 user | 296 critic | 34 from Metacritic.com

From dawn to dusk, a few hours in the shadowy life of Monsieur Oscar...

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Cast

Cast overview, first billed only:
...
M. Oscar / Le Banquier / La Mendiante / L'OS de Motion-Capture / M. Merde / Le Père / L'Accordéoniste / Le Tueur / Le Tué / Le Mourant / L'Homme au Foyer
...
Céline (as Édith Scob)
...
...
Eva Grace (Jean)
Elise Lhomeau ...
Léa (Elise)
Jeanne Disson ...
Angèle
...
L'Homme à la tache de vin
...
Le Dormeur / Voix Limousine (as LC)
Nastya Golubeva Carax ...
La Petite Fille
Reda Oumouzoune ...
L'Acrobate Mo-Cap
Zlata ...
La Cyber-Femme
Geoffrey Carey ...
Le Photographe / Voix Limousine
Annabelle Dexter-Jones ...
L'assistante photographe
Elise Caron
Corinne Yam
Edit

Storyline

From dawn to dusk, a few hours in the shadowy life of Monsieur Oscar...

Add Full Plot | Plot Synopsis

Genres:

Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

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Language:

| |

Release Date:

4 July 2012 (France)  »

Also Known As:

Sveti motori  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

It was French director Claire Denis who suggested Leos Carax to cast Kylie Minogue for the film. See more »

Connections

References Tokyo! (2008) See more »

Soundtracks

"Funeral March (Adagio molto)"
from String Quartet No. 15 in E flat minor (Op. 144)
Written by Dmitri Shostakovich
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Life as performance - a surreal Parisian trip
14 June 2012 | by (Australia) – See all my reviews

Holy Motors is like a more out-there version of the films of Charlie Kaufman. You should expect surreal surprises, and my advice would be to not read too much about it before watching it, so you can just let the film happen to you, like an art experience. Don't expect this story of a man (a fully committed Denis Lavant) taking on 9 different personas in a day in Paris to make any neat logical sense, this is a film of dreams and ideas - music, madness, death, sex, despair and comedy. It seems to be about questions around acting - what does it mean to be an actor? aren't we all playing the part of our own lives? what does performing a role cost us? how does a performance manage to move us so intensely? I saw this at the Sydney Film Festival with a large audience, and it was interesting listening to people's laughter. Sometimes that was in response to a comic scene, but at other times it seemed more that a startling idea or image left some people not knowing how else to respond (eg a very odd short scene near the end, as Denis ends his workday, caused some people to laugh, while I found it terribly moving). The delight is in the individual scenes, though some of the scenarios have a real sadness to them: the motion capture scene, where human movement proves spellbinding in a way that CGI can never be; the sad tale of the daughter returning home after a party; the wonderfully crazed and uncomfortable Eva Mendes segment (make sure you check out the writing on the gravestones); and the surprisingly dramatic scene featuring pop icon Kylie Minogue (whose other film appearances were never anything like this). The tone and quality isn't consistent the whole way through, which can feel like a flaw, but it also keeps you on your toes. You might find parts of it pretentious or difficult to interpret, but the next moment you may be moved and not know why. It will definitely make most of the films you've watched recently seem very very dull.


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