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Holy Motors (2012)

 -  Drama | Fantasy  -  4 July 2012 (France)
7.1
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Ratings: 7.1/10 from 21,992 users   Metascore: 84/100
Reviews: 96 user | 314 critic | 34 from Metacritic.com

From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar.

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Cast

Cast overview, first billed only:
...
Mr. Oscar / Le Banquier / La Mendiante / L'O.S de la Motion Capture / M. Merde / Le Père / L'Accordéoniste / Le Tueur / Le Tué / Le Mourant / L'Homme au Foyer
...
Céline (as Édith Scob)
...
...
Eva Grace (Jean)
Elise Lhomeau ...
Léa (Élise)
Jeanne Disson ...
Angèle
...
L'Homme à la tache de vin
...
Le Dormeur / Voix Limousine (as LC)
Nastya Golubeva Carax ...
Reda Oumouzoune ...
L'Acrobate Mocap
Zlata ...
La Cyber-Femme
Geoffrey Carey ...
Le Photographe / Voix Limousine
...
L'assistante photographe
Elise Caron
Corinne Yam
Edit

Storyline

From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar.

Add Full Plot | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

| |

Release Date:

4 July 2012 (France)  »

Also Known As:

Sveti motori  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Edith Scob, who plays chauffeur Céline, starred in the French horror classic Eyes Without a Face (1960), by director Georges Franju. Franju's cinema is the object of several homages throughout 'Holy Motors'. The mask that Céline puts on by the end of the film is a direct reference to 'Les yeux sans visage'. See more »

Quotes

Céline: You're ill.
Mr. Oscar: I think I caught a cold killing the banker.
See more »

Crazy Credits

"Katya, for you" with a picture of Yekaterina Golubeva during the closing credits. See more »

Connections

Featured in At the Movies: Cannes Film Festival 2012 (2012) See more »

Soundtracks

How Are You Getting Home?
Written by Ron Mael
Performed by Sparks
See more »

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User Reviews

 
Life as performance - a surreal Parisian trip
14 June 2012 | by (Australia) – See all my reviews

Holy Motors is like a more out-there version of the films of Charlie Kaufman. You should expect surreal surprises, and my advice would be to not read too much about it before watching it, so you can just let the film happen to you, like an art experience. Don't expect this story of a man (a fully committed Denis Lavant) taking on 9 different personas in a day in Paris to make any neat logical sense, this is a film of dreams and ideas - music, madness, death, sex, despair and comedy. It seems to be about questions around acting - what does it mean to be an actor? aren't we all playing the part of our own lives? what does performing a role cost us? how does a performance manage to move us so intensely? I saw this at the Sydney Film Festival with a large audience, and it was interesting listening to people's laughter. Sometimes that was in response to a comic scene, but at other times it seemed more that a startling idea or image left some people not knowing how else to respond (eg a very odd short scene near the end, as Denis ends his workday, caused some people to laugh, while I found it terribly moving). The delight is in the individual scenes, though some of the scenarios have a real sadness to them: the motion capture scene, where human movement proves spellbinding in a way that CGI can never be; the sad tale of the daughter returning home after a party; the wonderfully crazed and uncomfortable Eva Mendes segment (make sure you check out the writing on the gravestones); and the surprisingly dramatic scene featuring pop icon Kylie Minogue (whose other film appearances were never anything like this). The tone and quality isn't consistent the whole way through, which can feel like a flaw, but it also keeps you on your toes. You might find parts of it pretentious or difficult to interpret, but the next moment you may be moved and not know why. It will definitely make most of the films you've watched recently seem very very dull.


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