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Holy Motors (2012)

Not Rated | | Drama, Fantasy | 4 July 2012 (France)
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From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar.

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28 wins & 68 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Mr. Oscar / Le Banquier / La Mendiante / L'O.S de la Motion Capture / M. Merde / Le Père / L'Accordéoniste / Le Tueur / Le Tué / Le Mourant / L'Homme au Foyer
...
Céline (as Édith Scob)
...
Kay M
...
Eva Grace (Jean)
Elise Lhomeau ...
Léa (Élise)
Jeanne Disson ...
Angèle
...
L'Homme à la tache de vin
...
Le Dormeur / Voix Limousine (as LC)
Nastya Golubeva Carax ...
La Petite Fille
Reda Oumouzoune ...
L'Acrobate Mocap
Zlata ...
La Cyber-Femme
Geoffrey Carey ...
Le Photographe / Voix Limousine
...
L'assistante photographe
Elise Caron
Corinne Yam
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Storyline

We see a few seconds of a black and white, silent art film. There is a dark movie theater filled with people watching this film. The camera mostly remains on the audience. Cut to a man sleeping on twin bed with a sleeping dog next to another empty twin bed with the same sheets. He gets up and looks out the window and we see he is next to an airport. One of the walls is covered in wallpaper with skinny bare trees. He puts his ear to the wall. There is a hole in the wall and he looks through it but we don't know if he can see anything. He has a metal instrument on the middle finger of his right hand. He sticks the instrument into the hole in the wall. His hand shakes a little and he turns the instrument. This allows him to open a door in the wall. The dog joins him as he steps through the door. There is a set of double doors and he steps through them. It seems as though he has stepped through the fire exit on the balcony of a movie theater, presumably the theatre that the film opened in...

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

4 July 2012 (France)  »

Also Known As:

Sveti motori  »

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Technical Specs

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Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the anthology film Tokyo! (2008), a segment Leos Carax made focuses on the character Merde, also played by Denis Lavant. See more »

Quotes

Mr. Oscar: Céline, we have to laugh before midnight.
Céline: We'll do our best, Mr. Oscar.
Mr. Oscar: Who knows if we'll laugh in the next life.
See more »

Crazy Credits

"Katya, for you" with a picture of Yekaterina Golubeva during the closing credits. See more »

Connections

References Gojira (1954) See more »

Soundtracks

Let My Baby Ride
Written by R.L. Burnside and Tom Rothrock
Adapted by Doctor L, Elliot Simon and Quentin Auvray
See more »

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User Reviews

 
More like this!
15 October 2012 | by See all my reviews

We follow a day in the life of Monsieur Oscar being driven around Paris in a white stretch limo by Céline (his driver and secretary), who ferries him around from one 'appointment' to another. To get full enjoyment from this film stop there and watch it. Anything else you read may spoil or confuse and may not be entirely accurate.

For those intrigued to know more... Each one of Oscar's appointments could be played as its own short film. We realise that the limo is full of masks, make-up and costumes for Oscar to change his appearance to fulfil his role at each appointment. Throughout the film he changes his character about ten times to be different people, these include an old beggar woman, a powerful business man, a dying millionaire, a murderer, a kidnapper, a CGI snake, an angry uncle and husband to a chimp family. The film doesn't explain what or why each of these appointments are carried out although the audience is given a few hints to form their own conclusions. However 'why' is really not the point here, accepting that he just does makes the experience much more enjoyable. It's simply amazing to watch our character step into a completely different role and make it convincing. The argument he has with his young niece (if it's actually his young niece) is sheer brilliance, but somewhat disturbing at the same time. The character is convincing but it's not clear what is real and what isn't. This is all down to Denis Lavant as our main character and Leos Carax for some superb direction. In addition we are treated to some short but touching set pieces by Eva Mendes and Kylie.

This is essentially an art-house film, but unlike unlike other such films this is full of comedy, some subtle and some proper laugh-out-loud moments. Meaning it never takes itself too seriously and never talks down to the audience. The audience is definitely a needed extension to this film, especially if you allow yourself to be drawn in and experience the journey.

This is certainly very Lynchian and recommended for any fans of his work. After leaving the cinema I was still very caught-up in the world that Carax had created. I had the same feeling after watching Inland Empire and to a certain extent Cosmopolis.

I tend to be a harsh critic, but I really can't think of anything I didn't like. Kylie dropped in a song which could have been cringe-worthy, but actually worked well. Even the talking limos were there as comedy value rather than to annoy. As for plot holes, not only would it be impossible to find one, but also rather pointless as this film goes beyond that conventional way of thinking.

This is art done well; more please!


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