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Holy Motors (2012)

 -  Drama | Fantasy  -  4 July 2012 (France)
7.1
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Ratings: 7.1/10 from 21,074 users   Metascore: 84/100
Reviews: 93 user | 314 critic | 34 from Metacritic.com

From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar.

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Cast

Cast overview, first billed only:
...
Mr. Oscar / Le Banquier / La Mendiante / L'O.S de la Motion Capture / M. Merde / Le Père / L'Accordéoniste / Le Tueur / Le Tué / Le Mourant / L'Homme au Foyer
...
Céline (as Édith Scob)
...
...
Eva Grace (Jean)
Elise Lhomeau ...
Léa (Élise)
Jeanne Disson ...
Angèle
...
L'Homme à la tache de vin
...
Le Dormeur / Voix Limousine (as LC)
Nastya Golubeva Carax ...
Reda Oumouzoune ...
L'Acrobate Mocap
Zlata ...
La Cyber-Femme
Geoffrey Carey ...
Le Photographe / Voix Limousine
...
L'assistante photographe
Elise Caron
Corinne Yam
Edit

Storyline

From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar.

Add Full Plot | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

| |

Release Date:

4 July 2012 (France)  »

Also Known As:

Holy Motors  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Leos Carax offered the part of Mr. Oscar's love from the past to his own former girlfriend, Juliette Binoche. According to Carax, they finally "did not get along". He then rewrote the part, made it a singing character and cast Kylie Minogue instead. See more »

Quotes

Angèle: I'll be punished?
Mr. Oscar: Yes. Your punishment, my poor Angèle, is to be you. To have to live with yourself.
See more »

Crazy Credits

"Katya, for you" with a picture of Yekaterina Golubeva during the closing credits. See more »

Connections

Referenced in Chelsea Lately: Episode #6.94 (2012) See more »

Soundtracks

Who Were We?
Lyrics by Leos Carax and Neil Hannon
Music by Neil Hannon
Orchestrated and arranged by Andrew Skeet
Performed by Kylie Minogue and Berlin Music Ensemble
See more »

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User Reviews

 
Who Were We
27 August 2012 | by See all my reviews

Keep thinking. That's all you got to do to enjoy this movie. If you're unaware, it's predictable that you will not be able to keep up with Carax. He sends us into a sinister, dark Paris which features the typical sights, but nevertheless is eerily empty. It is a Paris from the eyes of a blind man, who opens the doors to a cinema for us in a great overture.

Monsieur Oscar (Denis Lavant) is not the kind of character who would be considered "stereotype". On the other hand, the roles Monsieur Oscar has to play are classically "stereotype":

1st: The Politician 2nd: The Beggar 3rd: The Motion Capture Artist 4th: The Lunatic 5th: The Killer 6th: The Killed 7th: The Vagabond 8th: The Killer 9th: The Killed 10th: The dying old Man 11th: The melodramatic Lover 12th: The Loser

Why does he play these characters? In a linear explanation, it is said that Monsieur Oscar is an actor. Sure - otherwise he would not die and resurrect again and again, otherwise there would be more tumult around him kidnapping a famous model. Cameras have become tiny over the years, they are not visible anymore. "Holy Motors" works as a film within a film, especially the idea that our lives work the same way (different roles, different people, loneliness, dissatisfaction) is intriguing.

However, there is more to "Holy Motors". The blind man in the cinema, who is played by Carax, for example (I know Carax always wears sunglasses. But remember the blind artist in "Les Amants du Pont Neuf". There's something to it). It is him who imagines all those splendid, heroic and visually unique characters. And is Leos Carax' vision a parable to mankind (we're helpless, we're driven, we're mad, we're vagabonds, we're lovers - we're actors)? Less radically said: All those different shades are within us. Then there's a comment to media: Where are the cameras? Everywhere. I think, the most important conversation takes place between M. Oscar and "his daughter" (?) and reveals another possible interpretation, maybe the overall message of "Holy Motors". The conversation: The daughter was ashamed of herself and did not dance at a party. Embarrassed of this, she did not tell her dad the truth. Consequently, he had to punish her. M. Oscar's punishment is that the girl must be herself and be happy with it, something he seemingly never could manage. Something we must not give up trying.


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