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Holy Motors (2012)

 -  Drama | Fantasy  -  4 July 2012 (France)
7.1
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Ratings: 7.1/10 from 20,976 users   Metascore: 84/100
Reviews: 93 user | 314 critic | 34 from Metacritic.com

From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar.

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Title: Holy Motors (2012)

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Cast

Cast overview, first billed only:
...
Mr. Oscar / Le Banquier / La Mendiante / L'O.S de la Motion Capture / M. Merde / Le Père / L'Accordéoniste / Le Tueur / Le Tué / Le Mourant / L'Homme au Foyer
...
Céline (as Édith Scob)
...
...
Eva Grace (Jean)
Elise Lhomeau ...
Léa (Élise)
Jeanne Disson ...
Angèle
...
L'Homme à la tache de vin
...
Le Dormeur / Voix Limousine (as LC)
Nastya Golubeva Carax ...
Reda Oumouzoune ...
L'Acrobate Mocap
Zlata ...
La Cyber-Femme
Geoffrey Carey ...
Le Photographe / Voix Limousine
...
L'assistante photographe
Elise Caron
Corinne Yam
Edit

Storyline

From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar.

Add Full Plot | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

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Release Date:

4 July 2012 (France)  »

Also Known As:

Holy Motors  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film's initial concept started with a trend Leos Carax had observed where stretch limousines were being increasingly used for weddings. The director was interested in the cars' bulkiness. From that grew an idea for a film about the increasing digitization of society; a science fiction scenario where organisms and visible machines share a common superfluity. See more »

Quotes

Angèle: I'll be punished?
Mr. Oscar: Yes. Your punishment, my poor Angèle, is to be you. To have to live with yourself.
See more »

Crazy Credits

"Katya, for you" with a picture of Yekaterina Golubeva during the closing credits. See more »

Connections

Referenced in Chelsea Lately: Episode #6.94 (2012) See more »

Soundtracks

Who Were We?
Lyrics by Leos Carax and Neil Hannon
Music by Neil Hannon
Orchestrated and arranged by Andrew Skeet
Performed by Kylie Minogue and Berlin Music Ensemble
See more »

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User Reviews

 
More like this!
15 October 2012 | by See all my reviews

We follow a day in the life of Monsieur Oscar being driven around Paris in a white stretch limo by Céline (his driver and secretary), who ferries him around from one 'appointment' to another. To get full enjoyment from this film stop there and watch it. Anything else you read may spoil or confuse and may not be entirely accurate.

For those intrigued to know more... Each one of Oscar's appointments could be played as its own short film. We realise that the limo is full of masks, make-up and costumes for Oscar to change his appearance to fulfil his role at each appointment. Throughout the film he changes his character about ten times to be different people, these include an old beggar woman, a powerful business man, a dying millionaire, a murderer, a kidnapper, a CGI snake, an angry uncle and husband to a chimp family. The film doesn't explain what or why each of these appointments are carried out although the audience is given a few hints to form their own conclusions. However 'why' is really not the point here, accepting that he just does makes the experience much more enjoyable. It's simply amazing to watch our character step into a completely different role and make it convincing. The argument he has with his young niece (if it's actually his young niece) is sheer brilliance, but somewhat disturbing at the same time. The character is convincing but it's not clear what is real and what isn't. This is all down to Denis Lavant as our main character and Leos Carax for some superb direction. In addition we are treated to some short but touching set pieces by Eva Mendes and Kylie.

This is essentially an art-house film, but unlike unlike other such films this is full of comedy, some subtle and some proper laugh-out-loud moments. Meaning it never takes itself too seriously and never talks down to the audience. The audience is definitely a needed extension to this film, especially if you allow yourself to be drawn in and experience the journey.

This is certainly very Lynchian and recommended for any fans of his work. After leaving the cinema I was still very caught-up in the world that Carax had created. I had the same feeling after watching Inland Empire and to a certain extent Cosmopolis.

I tend to be a harsh critic, but I really can't think of anything I didn't like. Kylie dropped in a song which could have been cringe-worthy, but actually worked well. Even the talking limos were there as comedy value rather than to annoy. As for plot holes, not only would it be impossible to find one, but also rather pointless as this film goes beyond that conventional way of thinking.

This is art done well; more please!


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