A new street drug that sends its users across time and dimensions has one drawback: some people return as no longer human. Can two college dropouts save humankind from this silent, otherworldly invasion?
Several days in the life of Kenny, a typical 12-year-old, and his friends. Kenny goes through all the activities that most of us went through as kids as he and his friends prepare for ... See full summary »
A bunch of city slickers from different backgrounds go into the wild mountains to be one with nature, but basically to have a good time. However, a paramilitary group has chosen the same ... See full summary »
Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his ... See full summary »
A. Michael Baldwin,
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. Written by
The character of Amy Sullivan in the movie is an amalgam of two characters from the book. In the book, there's an additional female character named Jennifer "Jen" Lopez, who only shares the name with the famous singer. She became Dave's girlfriend and has tried the "Soy Sauce" herself, although she refuses to acknowledge any effects it may or may not have had on her. See more »
When David meets Arnie in the Chinese restaurant, Arnie takes out a notebook. He opens it on the first page, with several ripped out pages. In the next scene, when he starts writing, the missing pages are gone and he is writing somewhere in the middle of the notebook. Later, the notebook is again shown with ripped out pages. See more »
Solving the following riddle will reveal the awful secret behind the universe, assuming you do not go utterly mad in the attempt.
Say you have an ax - just a cheap one from Home Depot.
[slow zoom in on man chopping]
On one bitter winter day, you use said ax to behead a man. Don't worry, the man's already dead. Maybe you should worry, 'cause you're the one who shot him. He'd been a big twitchy guy with veined skin stretched over swollen biceps, tattoo of a swastika on his tongue. And...
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At the end of the credits there's a warning that 'any unauthorized duplication and/or distribution (...) may result in civil liability, criminal prosecution and the wrath of Korrok'. See more »
this movie proves that there are still FILM MAKERS in genre pictures. In a world full of kissing vampires and "found Footage" crap, "John" bring to the screen what seems to have been lost since great films like Altered States, and Videodrome. it is unapologetic in its movement, and daring with its story. Quite frankly, i felt this movie was giving me a high five the entire time watching it, saying "hell yeah we're going to go to the loony bin together"! i don't think I've seen a film this daring in a long time! and a huge tip of the hat to Paul Giamatti for having such a faith in genre film, i love knowing that the people on the screen weren't just collecting a pay check, but truly wanted to be there. All in all, if you don't have the good sense to let a film take you in exciting new directions than "john" is not for you. If you want to see one of those sparkling little shooting star moments where Hollywood accidentally lets loose an innovative and God forbid ORIGINAL film, than you simply NEED to go see "John Dies", you'll be a better film fan for it!
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