A new street drug that sends its users across time and dimensions has one drawback: some people return as no longer human. Can two college dropouts save humankind from this silent, otherworldly invasion?
Roger Cobb is a Vietnam vet whose career as a horror novelist has taken a turn for the worse when his son Jimmy mysteriously disappears while visiting his aunt's house. Roger's search for ... See full summary »
After a tragic car accident that killed his wife, a man discovers he can communicate with the dead to con people but when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. Written by
Director Don Coscarelli stumbled on David Wong's novel as a result of an email product recommendation: "True story: I received an email from a robot on Amazon.com, and it told me if I liked the zombie book I just read, that I would like John Dies at the End. I read the little logline, and it was just amazingly strange. I thought, 'Well this might even make a good movie.' Plus, it had arguably the greatest title in motion picture history." See more »
Solving the following riddle will reveal the awful secret behind the universe, assuming you do not go utterly mad in the attempt.
Say you have an ax - just a cheap one from Home Depot.
[slow zoom in on man chopping]
On one bitter winter day, you use said ax to behead a man. Don't worry, the man's already dead. Maybe you should worry, 'cause you're the one who shot him. He'd been a big twitchy guy with veined skin stretched over swollen biceps, tattoo of a swastika on his tongue. And...
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this movie proves that there are still FILM MAKERS in genre pictures. In a world full of kissing vampires and "found Footage" crap, "John" bring to the screen what seems to have been lost since great films like Altered States, and Videodrome. it is unapologetic in its movement, and daring with its story. Quite frankly, i felt this movie was giving me a high five the entire time watching it, saying "hell yeah we're going to go to the loony bin together"! i don't think I've seen a film this daring in a long time! and a huge tip of the hat to Paul Giamatti for having such a faith in genre film, i love knowing that the people on the screen weren't just collecting a pay check, but truly wanted to be there. All in all, if you don't have the good sense to let a film take you in exciting new directions than "john" is not for you. If you want to see one of those sparkling little shooting star moments where Hollywood accidentally lets loose an innovative and God forbid ORIGINAL film, than you simply NEED to go see "John Dies", you'll be a better film fan for it!
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