A new street drug that sends its users across time and dimensions has one drawback: some people return as no longer human. Can two college dropouts save humankind from this silent, otherworldly invasion?
Several days in the life of Kenny, a typical 12-year-old, and his friends. Kenny goes through all the activities that most of us went through as kids as he and his friends prepare for ... See full summary »
A bunch of city slickers from different backgrounds go into the wild mountains to be one with nature, but basically to have a good time. However, a paramilitary group has chosen the same ... See full summary »
Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his ... See full summary »
A. Michael Baldwin,
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. Written by
The character of Amy Sullivan in the movie is an amalgam of two characters from the book. In the book, there's an additional female character named Jennifer "Jen" Lopez, who only shares the name with the famous singer. She became Dave's girlfriend and has tried the "Soy Sauce" herself, although she refuses to acknowledge any effects it may or may not have had on her. See more »
When David meets Arnie in the Chinese restaurant, Arnie takes out a notebook. He opens it on the first page, with several ripped out pages. In the next scene, when he starts writing, the missing pages are gone and he is writing somewhere in the middle of the notebook. Later, the notebook is again shown with ripped out pages. See more »
Solving the following riddle will reveal the awful secret behind the universe, assuming you do not go utterly mad in the attempt.
Say you have an ax - just a cheap one from Home Depot.
[slow zoom in on man chopping]
On one bitter winter day, you use said ax to behead a man. Don't worry, the man's already dead. Maybe you should worry, 'cause you're the one who shot him. He'd been a big twitchy guy with veined skin stretched over swollen biceps, tattoo of a swastika on his tongue. And...
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At the end of the credits there's a warning that 'any unauthorized duplication and/or distribution (...) may result in civil liability, criminal prosecution and the wrath of Korrok'. See more »
'John Dies at the End' is like the Matrix. One cannot be told what it is. They must see it for themselves. Veering wildly between inspired and tedious, it ultimately comes off like a (very) strange mish-mash of better and more coherent films like 'Ghostbusters', 'Dude, where's my car?', 'Bill & Ted's Excellent Adenture', 'Big Trouble in Little China' and the TV show 'Supernatural'.
Director Don Coscarelli ('Phantasm', 'The Beastmaster', 'Bubba Ho-Tep') is the king of quirky cult cinema, and he's certainly in his element here. But the increasingly odd plot mechanics at play in 'John' are beyond even his skill to corral into something approaching entertainment.
'John Dies at the End' is not a good film, but it's so *odd* that I feel I have to recommend it for the experience alone.
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