An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
Elderly and a virtual prisoner in her own home due to her concerned staff and daughter Carol, Margaret Thatcher, Britain's first woman prime minister, looks back on her life as she clears out her late husband Denis's clothes for the Oxfam shop. Denis is seen as being her rock as she first enters parliament and then runs for the leadership of the Conservative Party, culminating in her eventual premiereship. Now his ghost joins her to comment on her successes and failures, sometimes to her annoyance, generally to her comfort until ultimately, as the clothes are sent to the charity shop, Denis departs from Margaret's life forever. Written by
don @ minifie-1
The billboard for the film shows an image of Thatcher's head fused with a lopsided landscape of the Westminster houses of parliament where the Prime Minister conducted many a contentious debate. See more »
Early in the film, Thatcher and her husband are at a performance of Norma at Covent Garden in London. The date on the program is 1950, and Maria Callas plays Norma. Callas did not debut in London until 1952, and the recording of Callas used in the film was recorded in 1954. See more »
So you are proposing to go to war over these islands. They're thousands of miles away, a handful of citizens, politically and economically insignificant, if you'll excuse me.
Just like Hawaii... I imagine.
See more »
The Humanization Of Margaret Thatcher by Meryl Streep
Biopics are always a problem. That's why the long form, HBO style is infinitely more suitable and altogether more satisfying. Okay, now, once that aside, let me talk about Meryl Streep. A miracle! She does the impossible, not only manages to inhabit Thatcher, she also reveals her under a slightly different light. The human light. No matter how much at odds I've been with her politics, I saw that human side through Meryl Streep's eyes and realized that I had forgotten to remember, Thatcher was a human being, a woman breaking ground. She loved her husband but put her career first, as most men in her position do. Her drive is a mystery as much a mystery as Meryl Streep's art. After seeing the film, me, a life long anti-Thatcher, I have to say that it's a fair portrait of the woman. The ones who never heard of Margaret Thatcher, and there are, two of them were sitting next to me in theater, I think they thought "The Iron Lady" was the female version of "Iron Man" but even them surrendered to the character trough the glories of this other giant of our generation, Meryl Streep.
145 of 202 people found this review helpful.
Was this review helpful to you?