Pepas's lover, Iván, leaves her and she tries to contact him to find out why he's left. In her search for Iván, she confronts his wife and son, who are as clueless as she is. Meanwhile; ... See full summary »
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. Then they visit Irene's sister Paula, an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina, who gives a support to Paula. They return to Madrid, and after a hard day of work, Raimunda meets her daughter completely distraught at the bus stop waiting for her. When they arrive home, Paula tells her mother that she killed her unemployed father Paco, who was completely drunk and tried to rape her. While Raimunda hides his body, Sole calls her to tell that their beloved aunt Paula has died. The next morning, Sole travels alone to the funeral, and when she returns to Madrid, she finds her mother hidden in the trunk of her car... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One of the best scenes in the film is when Raimunda (Penelope Cruz) sings Volver by Estrella Morente. The actress trained to learn how to lip sync it. In fact it seems as if it really is her singing but it's actually Estrella Morente's voice. See more »
(at around 1h 30 mins) When Agustina is talking on the TV show about her mother's vanishing, she says that it happened "hace ya casi cuatro años" ("nearly four years ago"), yet her lips are clearly saying "hace ya casi tres años" ("nearly three years ago"). See more »
It's when you stumble out of the cinema and dive into the nearest coffee shop to greet the assistant in a language you only use on holiday that the power of this movie becomes evident. This is incredibly powerful stuff...and done in a way only Pedro Almodovar knows how. Cruz is absolutely magnificent in a finely nuanced performance. This an incredible mix of gritty realism and absolute fantasy. The dialogue is clipped and aggressive....wonderful...none of that Hollywood psychobabble and truly down to earth. This is a film about the lives of people who won't see it, if they even get an opportunity...subtitled films are the preserve of the chattering classes right? How many independent cinemas are to be found in working class areas? Can't see this being shown at the local flea pit ...a real shame really, it's a must see for all.
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