| Cast overview, first billed only: | |||
| Penélope Cruz | ... | ||
| Carmen Maura | ... | ||
| Lola Dueñas | ... | ||
| Blanca Portillo | ... | ||
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Yohana Cobo | ... | |
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Chus Lampreave | ... | |
| Antonio de la Torre | ... | ||
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Carlos Blanco | ... | |
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María Isabel Díaz | ... |
Regina
(as Mª Isabel Díaz)
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Neus Sanz | ... |
Inés
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Leandro Rivera | ... |
Auxiliar Producción
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Pepa Aniorte | ... |
Vecina
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Yolanda Ramos | ... |
Presentadora TV
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| Elvira Cuadrupani | ... |
Vecina
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| María Alfonsa Rosso | ... |
Vecina
(as Alfonsa Rosso)
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Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. Then they visit Irene's sister Paula, an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina, who gives a support to Paula. They return to Madrid, and after a hard day of work, Raimunda meets her daughter completely distraught at the bus stop waiting for her. When they arrive home, Paula tells her mother that she killed her unemployed father Paco, who was completely drunk and tried to rape her. While Raimunda hides his body, Sole calls her to tell that their beloved aunt Paula has died. The next morning, Sole travels alone to the funeral, and when she returns to Madrid, she finds her mother hidden in the trunk of her car... Written by Claudio Carvalho, Rio de Janeiro, Brazil
I saw this film yesterday and it got me thinking well after I had left the cinema. It made me cry and it made me laugh. It is a choral film where women (as usual with Almodóvar) have the upper hand. I'm not a big fan of Penélope but I must admit she's really up to scratch this time. She has clearly fed on Sofia Loren to come up with the very credible character of Raimunda: tight skirts, high heels and generous cleavage. Carmen Maura and Lola Dueñas are simply magnificent. Also Chus Lampreave as Tía Paula (even in a too-short appearance inspired in Almodóvar's mother) is superb. Almodóvar himself has admitted that this is one of his most personal films, set in his home region of La Mancha and full of memories of his own childhood. Great music too. The moment of the tango ("Volver" by C. Gardel) turned into flamenco really makes you break in goose pimples. However, it is not Penélope's voice, but flamenco-star Estrella Morente's. If you like Almodóvar, you will certainly like this film.