The awards took place at the closing night of Film Fest Gent.
Volker Bertelmann has won the film composer of the year at the 23rd World Soundtrack Awards (Wsa), which took place tonight (October 21), at the closing night of Film Fest Gent.
Bertelmann was nominated for his scores for War Sailor, All Quiet On The Western Front and Memory Of Water. Other nominees in this category included Carter Burwell for The Banshees of Inisherin, Catherine Called Birdy and To Catch A Killer and Hildur Guðnadóttir for Women Talking and Tár.
Scroll down for full list of winners
Nicholas Britell took...
Volker Bertelmann has won the film composer of the year at the 23rd World Soundtrack Awards (Wsa), which took place tonight (October 21), at the closing night of Film Fest Gent.
Bertelmann was nominated for his scores for War Sailor, All Quiet On The Western Front and Memory Of Water. Other nominees in this category included Carter Burwell for The Banshees of Inisherin, Catherine Called Birdy and To Catch A Killer and Hildur Guðnadóttir for Women Talking and Tár.
Scroll down for full list of winners
Nicholas Britell took...
- 10/21/2023
- by Mona Tabbara
- ScreenDaily
Amazon Studios is taking to the streets to promote Ben Affleck’s “Air,” which chronicles the beginnings of the iconic Air Jordan sneaker brand.
The studio has teamed up with iconic sneaker culture icon Jason Markk to host a multi-city consumer experience, dubbed “Fresh Air,” which ties into the film’s social campaign, “A shoe is just a shoe until I step into it.”
The activation will see guerilla street teams flood U.S. cities including Los Angeles, New York, Miami and Chicago, in a unique opportunity to bring together sneakerheads and celebrate the culture and history of the sneaker community. The street team will also have a presence at the Jason Markk flagship store in L.A.
Free to the public, the “Fresh Air” activation allows attendees to celebrate self-expression through fashion as they share their sneaker stories while getting a complimentary shoe cleaning, with premium care products from...
The studio has teamed up with iconic sneaker culture icon Jason Markk to host a multi-city consumer experience, dubbed “Fresh Air,” which ties into the film’s social campaign, “A shoe is just a shoe until I step into it.”
The activation will see guerilla street teams flood U.S. cities including Los Angeles, New York, Miami and Chicago, in a unique opportunity to bring together sneakerheads and celebrate the culture and history of the sneaker community. The street team will also have a presence at the Jason Markk flagship store in L.A.
Free to the public, the “Fresh Air” activation allows attendees to celebrate self-expression through fashion as they share their sneaker stories while getting a complimentary shoe cleaning, with premium care products from...
- 3/22/2023
- by Jazz Tangcay and Charna Flam
- Variety Film + TV
Just because it’s Thanksgiving week here in the states, home media releases don’t get any time off, and we’ve got a brand new batch of titles coming our way tomorrow. Scream Factory is giving us a double dose of horror from 1979 with their new Blu-rays for Dracula (1979) and Prophecy (1979), and for those of you RoboCop fans out there, you’ll definitely want to pick up Arrow Video’s brand new Steelbook release as well.
Other Blu-ray and DVD releases for November 26th include Mary, Don’t Let Go, Shock, First Person Shooter, Eegah, and The Zombie Apocalypse in Apartment 14F.
Don’t Let Go
Detective Jack Radcliff (David Oyelowo) gets a shocking phone call from his recently murdered niece Ashley (Storm Reid). Working together across time, they race to solve her murder before it can happen. Don't Let Go is a classic thriller with a supernatural twist from Blumhouse,...
Other Blu-ray and DVD releases for November 26th include Mary, Don’t Let Go, Shock, First Person Shooter, Eegah, and The Zombie Apocalypse in Apartment 14F.
Don’t Let Go
Detective Jack Radcliff (David Oyelowo) gets a shocking phone call from his recently murdered niece Ashley (Storm Reid). Working together across time, they race to solve her murder before it can happen. Don't Let Go is a classic thriller with a supernatural twist from Blumhouse,...
- 11/26/2019
- by Heather Wixson
- DailyDead
Robert Townson, the veteran producer who helped build Varèse Sarabande into L.A.’s leading soundtrack label, is leaving after more than 30 years to launch a new venture producing live concerts of film music.
Concord Music, which purchased Varèse last year from Cutting Edge Group, has eliminated Townson’s vice-president position effective Jan. 31. “I have spent the past thirty-plus years helping build this incredible music company, and I am very proud of the legacy I leave behind,” Townson said in a statement to Variety.
“My career has included over 1,400 of the label’s frontline soundtracks and historic film-music restorations, new recordings and countless international live film music events. Robert Townson Concerts, previously Varèse Live, will not be affected by this and will continue its bright future course,” he added.
The announcement comes on the heels of the label’s 40th anniversary last year, which was marked with a best-of CD...
Concord Music, which purchased Varèse last year from Cutting Edge Group, has eliminated Townson’s vice-president position effective Jan. 31. “I have spent the past thirty-plus years helping build this incredible music company, and I am very proud of the legacy I leave behind,” Townson said in a statement to Variety.
“My career has included over 1,400 of the label’s frontline soundtracks and historic film-music restorations, new recordings and countless international live film music events. Robert Townson Concerts, previously Varèse Live, will not be affected by this and will continue its bright future course,” he added.
The announcement comes on the heels of the label’s 40th anniversary last year, which was marked with a best-of CD...
- 1/25/2019
- by Jon Burlingame
- Variety Film + TV
“It’s one of the true pioneering enterprises in our business,” says composer Alan Silvestri about the preeminent film music label, Varèse Sarabande, which is celebrating its 40th anniversary this year.
Silvestri won a 2001 Grammy for instrumental composition for his theme for “Cast Away,” a movie that has very little music and was an unlikely candidate for a soundtrack album … until Varèse producer Robert Townson proposed a Silvestri greatest-hits CD that would lead off with “Cast Away.” “Talk about the adventurousness and passion of Bob Townson and Varèse,” Silvestri adds. “There was no other way anyone was ever going to hear that music outside of the movie.”
Silvestri is just one of many composers who praise the label that has long promoted their work. Lee Holdridge met Varèse principals Chris Kuchler and Tom Null in 1978, and “was impressed by their dream, although I could not understand how they would be...
Silvestri won a 2001 Grammy for instrumental composition for his theme for “Cast Away,” a movie that has very little music and was an unlikely candidate for a soundtrack album … until Varèse producer Robert Townson proposed a Silvestri greatest-hits CD that would lead off with “Cast Away.” “Talk about the adventurousness and passion of Bob Townson and Varèse,” Silvestri adds. “There was no other way anyone was ever going to hear that music outside of the movie.”
Silvestri is just one of many composers who praise the label that has long promoted their work. Lee Holdridge met Varèse principals Chris Kuchler and Tom Null in 1978, and “was impressed by their dream, although I could not understand how they would be...
- 12/8/2018
- by Jon Burlingame
- Variety Film + TV
Varèse Sarabande, renowned as Hollywood’s preeminent soundtrack label, celebrates its 40th anniversary this year, going into its fifth decade under new ownership — Concord Music acquired the label in February — while renewing its goal of presenting the best of movie and TV music, both current and past.
According to label VP and veteran producer Robert Townson, Varèse’s mandate hasn’t changed. It’s all about “focusing on the big picture, maintaining a role in the community and standing by the next generation of composers,” Townson says. “The entire history of Varèse is about taking calculated gambles, maintaining an artistic integrity and releasing scores even when we knew we were going to lose money.”
Townson should know. He has produced more than 1,400 soundtracks since his association with the label began 32 years ago. As an ambitious 19-year-old in Whitby, Ontario, he launched his Masters Film Music label to provide a home...
According to label VP and veteran producer Robert Townson, Varèse’s mandate hasn’t changed. It’s all about “focusing on the big picture, maintaining a role in the community and standing by the next generation of composers,” Townson says. “The entire history of Varèse is about taking calculated gambles, maintaining an artistic integrity and releasing scores even when we knew we were going to lose money.”
Townson should know. He has produced more than 1,400 soundtracks since his association with the label began 32 years ago. As an ambitious 19-year-old in Whitby, Ontario, he launched his Masters Film Music label to provide a home...
- 12/8/2018
- by Jon Burlingame
- Variety Film + TV
In the 2010 documentary Never Sleep Again: The Elm Street Legacy, Wes Craven predicts that when he dies his obituaries will say “Probably best known for inventing Freddy Krueger.” When he passed away last Sunday the New York Times headline read “Wes Craven, Whose Slasher Films Terrified Millions, Dies at 76,” but the second paragraph of his obit did say, “perhaps Mr. Craven’s most famous creation was the serial killer Freddy Krueger, played by Robert Englund, who, with his razor-blade glove, haunted the dreams of high school students in ‘A Nightmare on Elm Street’ and its sequels.”Though he had been making films for 12 years, starting with the Bergman-inspired Last House on the Left in 1972—not to mention a few years of making porn films before that—it was A Nightmare on Elm Street, a little indie horror film that he both wrote and directed, that made Wes Craven’s fortune.
- 9/4/2015
- by Adrian Curry
- MUBI
The International Film Music Critics Association has revealed nominations for best in movie music from 2014, and prolific composers James Newton Howard ("The Hunger Games: Mockingjay - Part 1," "Maleficent") and Alexandre Desplat ("Godzilla," "The Grand Budapest Hotel," "The Imitation Game," "The Monuments Men") led the way with seven and six nominations respectively. Film score of the year contenders include just two Best Original Score Oscar nominees: "The Grand Budapest Hotel" and Hans Zimmer's "Interstellar." "The Imitation Game" and Jóhann Jóhannsson's "Theory of Everything," however, were both nominated in the drama category. "Maleficent" landed the most nominations for a film with four, while DreamWorks Animation's "How to Train Your Dragon 2" picked up three (each of them another if you count composer of the year honors for Howard and John Powell respectively). Check out the full list of nominees below. Winners will be revealed on Feb. 19. And be sure...
- 2/6/2015
- by Kristopher Tapley
- Hitfix
The world's entertainment capital is losing out as studios switch big TV and film productions to other locations to save money, leaving studios as little more than grand tourist attractions
Among the tourist hordes on the "walk of fame" last week, you could feel Hollywood casting its spell. They genuflected at the names of actors and film-makers embedded in pink stars in the pavement. Gloria Swanson. John Wayne. Will Smith. Francis Ford Coppola. Quentin Tarantino. Generations of glamour and talent, ringed in brass and close enough to touch.
Open-air vans and double-decker buses packed with camera-toting passengers swayed past palm trees and the Chinese Theatre en route to celebrity home tours – which are in truth celebrity hedge tours, because you seldom glimpse the mansions behind the shrubbery. No matter, the tours are extremely popular: there are now about 40 operators, up from just a handful a few years ago.
With an azure sky and balmy sunshine,...
Among the tourist hordes on the "walk of fame" last week, you could feel Hollywood casting its spell. They genuflected at the names of actors and film-makers embedded in pink stars in the pavement. Gloria Swanson. John Wayne. Will Smith. Francis Ford Coppola. Quentin Tarantino. Generations of glamour and talent, ringed in brass and close enough to touch.
Open-air vans and double-decker buses packed with camera-toting passengers swayed past palm trees and the Chinese Theatre en route to celebrity home tours – which are in truth celebrity hedge tours, because you seldom glimpse the mansions behind the shrubbery. No matter, the tours are extremely popular: there are now about 40 operators, up from just a handful a few years ago.
With an azure sky and balmy sunshine,...
- 10/26/2013
- by Rory Carroll
- The Guardian - Film News
Poznan, Poland—If you have film scores in your music collection, chances are very good that they are on the Varese Sarabande label. To celebrate its 35th anniversary this year, Varese Sarabande, which takes its first name from French composer Edgard Varese and its last from a Spanish dance, took its show on the road, holding concerts in Los Angeles, Macau, China; Tenerife, Canary Islands, and here in Poznan at the Transatlantyk Festival. A final concert will be held Oct. 19 in Los Angeles. Robert Townson, VP and producer for the Studio City, Calif.-based label, has just overseen the release of his...
- 8/8/2013
- Hitfix
Rural Russian film takes top prize at Poland’s New Horizons International Film Festival.
Russian director Alexander Fedorchenko’s Celestial Wives of the Meadow Mari received the Grand Prix and a €20,000 ($27,000) cash prize at the 13th New Horizons International Film Festival (July 18-28) in Wroclaw.
The decision by the International jury, headed by Hungary’s Bela Tarr and including Polish film-maker Joanna Kos-Krauze and Berlinale Forum director Christoph Terhechte, was announced ahead of the Polish premiere of Malgorzata Szumowska’s In The Name Of on Saturday evening.
Fedorchenko’s film had its world premiere at last year’s Rome Film Festival.
Review: Celestial Wives of the Meadow Mari
In June, it won three awards - best script, best cinematography and the Prize of the Russian Guild of Film Scholars and Film Critics - at the Kinotavr “Open Russian” Film Festival in Sochi.
The $2m production by Fedorchenko’s 29 February Film Company explores the myths of the Russian...
Russian director Alexander Fedorchenko’s Celestial Wives of the Meadow Mari received the Grand Prix and a €20,000 ($27,000) cash prize at the 13th New Horizons International Film Festival (July 18-28) in Wroclaw.
The decision by the International jury, headed by Hungary’s Bela Tarr and including Polish film-maker Joanna Kos-Krauze and Berlinale Forum director Christoph Terhechte, was announced ahead of the Polish premiere of Malgorzata Szumowska’s In The Name Of on Saturday evening.
Fedorchenko’s film had its world premiere at last year’s Rome Film Festival.
Review: Celestial Wives of the Meadow Mari
In June, it won three awards - best script, best cinematography and the Prize of the Russian Guild of Film Scholars and Film Critics - at the Kinotavr “Open Russian” Film Festival in Sochi.
The $2m production by Fedorchenko’s 29 February Film Company explores the myths of the Russian...
- 7/29/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Chicago – With her chin pointed high, eyes bulging, teeth gleaming and hands contorting as if performing a Transylvanian spell, screen actress Norma Desmond insists that she’s ready for her close-up. She descends her staircase and becomes fully engulfed in the gray haze of her delusions in one of the greatest and most unforgettable final scenes in cinema history.
This moment, like so many in Billy Wilder’s 1950 masterpiece, “Sunset Boulevard,” achieves a miraculous balancing act. It is darkly funny, deeply sad and richly unsettling. The same could be said of Gloria Swanson’s Oscar-nominated performance as Desmond, the aging icon of the silent era who dwells in a mansion fit for Miss Havisham and is doted upon by a solemn enabler named Max (Erich von Stroheim), who has dedicated his life to protecting his beloved diva from the world that has forgotten her. Not only did von Stroheim direct...
This moment, like so many in Billy Wilder’s 1950 masterpiece, “Sunset Boulevard,” achieves a miraculous balancing act. It is darkly funny, deeply sad and richly unsettling. The same could be said of Gloria Swanson’s Oscar-nominated performance as Desmond, the aging icon of the silent era who dwells in a mansion fit for Miss Havisham and is doted upon by a solemn enabler named Max (Erich von Stroheim), who has dedicated his life to protecting his beloved diva from the world that has forgotten her. Not only did von Stroheim direct...
- 11/12/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
How to Train Your Dragon, The King’s Speech, and the other winners of the 2011 International Film Music Critics Association Awards have been announced. The 7th Annual International Film Music Critics Association Awards is produced by the International Film Music Critics Association (Ifmca), ”an association of online, print and radio journalists who specialize in writing about original film and television music…Since its inception, the Ifmca has grown to comprise over 50 members from countries as diverse as Australia, Belgium, Canada, Cyprus, France, Germany, Greece, Ireland, Italy, the Netherlands, Poland, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America.” The full listing of the 2011 International Film Music Critics Association Awards winners is below.
Film Score Of The Year
• How To Train Your Dragon, music by John Powell
Film Composer Of The Year
• Alexandre Desplat
Breakout Composer Of The Year
• Nuno Malo
Best Original Score For A Drama Film
• The King’S Speech,...
Film Score Of The Year
• How To Train Your Dragon, music by John Powell
Film Composer Of The Year
• Alexandre Desplat
Breakout Composer Of The Year
• Nuno Malo
Best Original Score For A Drama Film
• The King’S Speech,...
- 2/25/2011
- by filmbook
- Film-Book
Cinema Retro has received the following press release:
The Sammy Awards (or Sammys) are named after movie lyricist Sammy Cahn (1913-1993), who received 4 Oscars for his songs, and was nominated more than any other songwriter, 26 times in all. Cahn said he was “flattered and honored” to have these movie music awards named after him. His Oscar-winning songs are: “Three Coins in the Fountain”; “All the Way”; “High Hopes”; and “Call Me Irresponsible.” All four songs were recorded by Frank Sinatra, a big fan of Sammy’s lyrics. Now in their twenty-third (23rd) year, the Sammys are the longest running awards for film music recordings.
The Sammys are chosen each year by Roger Hall, a film music historian, member of the International Film Music Critics Association, author of the book, A Guide to Film Music – Songs and Scores, and editor of the long-running online magazine, Film Music Review – www.americanmusicpreservation.com/fmr.
The Sammy Awards (or Sammys) are named after movie lyricist Sammy Cahn (1913-1993), who received 4 Oscars for his songs, and was nominated more than any other songwriter, 26 times in all. Cahn said he was “flattered and honored” to have these movie music awards named after him. His Oscar-winning songs are: “Three Coins in the Fountain”; “All the Way”; “High Hopes”; and “Call Me Irresponsible.” All four songs were recorded by Frank Sinatra, a big fan of Sammy’s lyrics. Now in their twenty-third (23rd) year, the Sammys are the longest running awards for film music recordings.
The Sammys are chosen each year by Roger Hall, a film music historian, member of the International Film Music Critics Association, author of the book, A Guide to Film Music – Songs and Scores, and editor of the long-running online magazine, Film Music Review – www.americanmusicpreservation.com/fmr.
- 2/14/2011
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
I thought you Danny Elfman/Tim Burton fans might like this. For $500 you can pre-order a limited edition collector's set of all 13 scores that Elfman compased for Burton's movies. But this is a pretty kick ass package that you're getting for $500.It's a 16 cd set packaged with artwork by Tim Burton, with over 19 hours of music, which include 7 hours of previously un-released masters, demos, work tapes and rarities.It comes with a ton of stuff, so I'll list it here for you from the official site.A Collectible Zoetrope Box A collection of music as unique as Danny Elfman’s for the film of Tim Burton needed to be housed in something equally special, wondrous, and whimsical. Designed to evoke a treasure chest found in a mysterious attic, The Danny Elfman & Tim Burton 25th Anniversary Music Box is a work of art in itself. Grammy-winning designer Matt Taylor has transformed...
- 10/26/2010
- LRMonline.com
I don't believe I have ever reported the nominees for the International Film Music Critics Association before, but in the spirit of covering more award season news than is probably necessary I figured, "What the hell?" The nominees listed below make up the fifth annual International Film Music Critics Association Awards for Excellence with Wall-e receiving the most nominations including Film Score of the Year, Best Score for an Animated Film, Best Film Composition (for "Define Dancing") and Composer of the Year for Thomas Newman. The other big nominee is Danny Elfman who received the most individual nominations this year with seven: Composer of the Year; Film Score of the Year and Best Documentary Score for Standard Operating Procedure; Best Drama Score for Milk; Best Action/Adventure Score and Best Individual Cue for Wanted ("Success Montage"); and Best Fantasy/Science Fiction Score for Hellboy II: The Golden Army. The International...
- 1/17/2009
- by Brad Brevet
- Rope of Silicon
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