The Last House on the Left (1972)

User Rating:

5.8/10   

Director:

Wes Craven

Writer:

Wes Craven (writer)

Release Date:

30 August 1972 (USA)

Genre:

Crime | Drama | Horror | Thriller

Tagline:

To avoid fainting, keep repeating "It's only a movie...It's only a movie..."

Plot:

A pair of teenage girls are headed to a rock concert for one's birthday. While trying to score marijuana in the city, the girls are kidnapped by a gang of psychotic convicts.

Plot Keywords:

Gang | Teenage Girl | Refuge | Rock Concert | Concert

Cast

Sandra Peabody	...	Mari Collingwood (as Sandra Cassel)
Lucy Grantham	...	Phyllis Stone
David Hess	...	Krug Stillo (as David A. Hess)
Fred J. Lincoln	...	Fred 'Weasel' Podowski (as Fred Lincoln)
Jeramie Rain	...	Sadie
Marc Sheffler	...	Junior Stillo
Richard Towers	...	Dr. John Collingwood (as Gaylord St. James)
Cynthia Carr	...	Estelle Collingwood
Ada Washington	...	Ada, chicken coop truck driver
Marshall Anker	...	Sheriff
Martin Kove	...	Deputy
Ray Edwards	...	Postman

Also Known As:

Grim Company (USA) (16mm release title)
Krug & Company (USA) (working title)
Krug and Company (Australia) (video title)
Last House on the Left (USA)
Night of Vengeance (USA) (working title)
Sex Crime of the Century (USA) (working title)

Runtime:

84 min | Germany:64 min (heavily cut) | USA:91 min (original cut) | USA:82 min (R-rated version)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Norway:16 (DVD rating) (2005) (self applied) | UK:18 (re-rating: 2002) (cut) | UK:(Banned) (1984-2002) | Australia:R (re-rating: 2004) | UK:R (original rating: 1974) | New Zealand:R18 (re-rating: 2004) | Australia:Refused Classification (original rating: 1987) | USA:Unrated (uncut) | Germany:18 | Sweden:15 (uncut) | West Germany:18 (cut) | UK:18 (re-rating: 2008) (uncut) | Argentina:18 (re-rating) | Argentina:X (original rating) | Singapore:(Banned) | Canada:R | France:-16 | Iceland:(Banned) | Ireland:18 (cut UK version) | Netherlands:16 | New Zealand:(Banned) (original rating) | Norway:(Banned) | USA:R (heavily cut) | West Germany:(Banned) | Italy:VM18 | Finland:K-18 | Germany:16 (heavily cut)

Filming Locations:

21 Street and 2nd Avenue, Manhattan, New York City, New York, USA

Company:

Lobster Enterprises

Trivia:

According to various cast and crew members (especially David Hess and Fred J. Lincoln), actress Sandra Peabody was genuinely terrified throughout most of the shoot, at one point walking off-set.

Goofs:

Continuity: Before being raped, there is blood on Mari where Krug carved his name. After the rape scene when Mari gets up, you can see her chest with no blood, but after she gets up after praying, her chest is covered in blood again.

Quotes:

[first lines]
Postman: [to dog] Hello, Cassie! Hiya, girl! Hello there! Now, let's see.
[looks through mail]
Postman: Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.

Movie Connections:

Referenced in Malevolence (2004/II)

Soundtrack:

Wait for the Rain

And the road leads to nowhere

Much as I admire it, I can only watch Wes Craven's brilliant debut feature once every few years; as sheer stomach-churning brutality goes, it makes SALO look like Sondheim. Craven has said he made the movie as extreme as it is as his comment on the obscenity of Vietnam. I've heard that number many a time (Ruggero Deodato blames CANNIBAL HOLOCAUST on the Red Brigade!), but in Craven's case, it's so palpable it's believable. LAST HOUSE may be the first (and is certainly the most far-out) case of a horror movie that eschews suspense, tingles, shock, in the wake of sheer, harrowing barbarism.

Based on Bergman's THE VIRGIN SPRING, it tells the tale of a couple of young girls on their way to a concert who fall prey to a Manson-like family. Their rape-murders are avenged by a suddenly wised-up couple of parents who, in their restitution, find themselves as blood-bespattered and guilty as their prey.

LAST HOUSE ON THE LEFT is a grindhouse GUERNICA, an outcry over desensitization to violence that leaves you feeling shaken and desolated. It genuinely reupholsters the word "horror." For most, the clarity of Craven's intentions won't be enough to redeem the dire viciousness of what the director puts you through. For me, the ferocity of the movie has a cleansing, Artaudian pureness.

One question: Craven made this film and his masterpiece, THE HILLS HAVE EYES, the ultimate statement on the nuclear family in post-Woodstock, post-Altamont America. He then went on to make a load of occasionally mildly amusing but mostly godawful movies. What's the story?