After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
A group of bikers, which includes some of the survivors from the original film, embark on a journey by bus to a biker race near the desert of the infamous incidents. However, because of a ... See full summary »
On the eve of her seventeenth birthday, Mari Collingwood tells her parents that she is going to the concert of underground band Bloodlust in New York with her friend Phyllis Stone. She borrows the family's car and heads with her friend to a dangerous neighborhood in the city. Meanwhile, the sadistic and cruel escapees Krug Stillo and Fred 'Weasel' Podowski are hidden in a hideout with their partners Sadie (Jeramie Rain) and Krug's addicted son Junior Stillo (Marc Sheffler) after killing two guards and one shepherd in their runaway. The two girls seek marijuana near the theater and meet Junior that offers some Colombian grass to them. They go to his apartment and are subdued by the criminals that rape Phyllis. On the next morning, they hide the girls in the trunk of their convertible and head to Canada. However, they have a problem with the car's rod and they stop on the road close to Mari's house. When Phyllis tries to escape, the gang stabs her to death and shots Mari after ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Collingwoods' mouths don't move when they speak after finding Mari's body (again caused by editing when changes were made to the ending). See more »
Hello, Cassie! Hiya, girl! Hello there! Now, let's see.
[looks through mail]
Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
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In the 1980s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you. From the producers of Last House On The Left, and the director of Friday the 13th Part V, ... The Last House On The Left, Part II. You won't believe your eyes!" (No sequel ever materialized) See more »
A landmark horror film which is still as powerful and disturbing as ever.
'The Last House On The Left' is easily Wes Craven's most important movie. It was one of the most notorious movies of the early 70s but seems to be half forgotten now, despite being a groundbreaking horror film that opened up territory that had previously not been seen on screen. Romero's 'Night Of The Living Dead' deserves some acknowledgement as being the most realistic horror movie up until that point (the late 60s), but even that had a supernatural element, something 'Last House On The Left' eschews. Craven took the contemporary setting and natural performances of NOTLD and added some graphic violence and a confrontational rape sequence, most likely inspired by Peckinpah's 'Straw Dogs' released the previous year, and made it into something quite unlike anything seen before. This made it the father of all subsequent serial killer dramas. 'Last House...' is still a very nasty and disturbing movie thirty years after it was originally released. Craven was a beginning as a film maker and the budget was minimal, so the movie is rough and crudely made at times, but the best sequences have an almost documentary feel which gives it an appearance of realism that makes it sometimes really difficult to watch. The acting in the movie is variable. Mari's parents and the comic relief cops (who include Martin Kove later to appear in 'Death Race 2000' and countless action movies!) are pretty awful, but the two girls (Sandra Cassel and Lucy Grantham) are both very natural and believable, and Craven REALLY lucked out with Krug and his gang who are all very, very good. Krug is played by David Hess, who also composed and sang the songs on the soundtrack, something which makes him pretty unique! Hess wrote Elvis' 'All Shook Up' and 'I Got Stung' and yet his performance as Krug is totally convincing. Krug is still one of the creepiest and most repellent killers ever seen on screen. Comedian Marc Sheffler gives an interesting performance as Krug's junkie son, Fred J. Lincoln (now a porno director I believe!) is excellent as the aptly named Weasel, and Jeramie Rain is surprisingly good as Sadie, who brings to mind some of Manson's girls. These four actors are outstanding and really help make the movie into an unforgettable experience. Their scenes in the woods with the girls are still as powerful and disturbing as ever. 'Last House On The Left' is hardly the kind of movie you "enjoy" but I think it's a very important movie, and still the best thing Wes Craven has been involved with. It's really quite difficult to believe that Craven made something so uncompromising and nasty as this! I highly recommend 'The Last House On The Left' to anybody interested in the development of horror, screen violence, or disturbing movies of any kind. But be warned, it is NOT easy viewing and may be difficult for many people to take. I think it is worth it as it's still an extraordinary piece of work!
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