Feature film examining the existence of films in which people are murdered on camera and the culture surrounding them. Through interviews with former FBI Profilers, Cultural Academics, and ... See full summary »
Paul von Stoetzel
Larry C. Brubaker,
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
In this action comedy, Jack Goldwater, an IRS agent on loan to the Federal Air Marshal Service, is relieved of field duty after insulting a powerful U.S. Senator, and finds himself exiled ... See full summary »
J. Neil Schulman
A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.
On the eve of her seventeenth birthday, Mari Collingwood tells her parents that she is going to the concert of underground band Bloodlust in New York with her friend Phyllis Stone. She borrows the family's car and heads with her friend to a dangerous neighborhood in the city. Meanwhile, the sadistic and cruel escapees Krug Stillo and Fred 'Weasel' Podowski are hidden in a hideout with their partners Sadie (Jeramie Rain) and Krug's addicted son Junior Stillo (Marc Sheffler) after killing two guards and one shepherd in their runaway. The two girls seek marijuana near the theater and meet Junior that offers some Colombian grass to them. They go to his apartment and are subdued by the criminals that rape Phyllis. On the next morning, they hide the girls in the trunk of their convertible and head to Canada. However, they have a problem with the car's rod and they stop on the road close to Mari's house. When Phyllis tries to escape, the gang stabs her to death and shots Mari after ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Due to his size Martin Kove was originally up for the role of Krug. However he declined it in favor of the smaller comedic Deputy role, and suggested his friend David Hess for the role instead. Hess wore extra padded clothes for the audition but was given the role anyway, as well as being offered the music score. See more »
When the killers first pull out Phyllis's severed arm to show Mari, the fingers are moving. See more »
Hello, Cassie! Hiya, girl! Hello there! Now, let's see.
[looks through mail]
Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
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In the 1980s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you. From the producers of Last House On The Left, and the director of Friday the 13th Part V, ... The Last House On The Left, Part II. You won't believe your eyes!" (No sequel ever materialized) See more »
I first saw Last House on the Left at the age of 18 at the drive in with my best girlfriend. This movie, an early outing by horror maven Wes Craven was so disturbing to me that 26 years later I am still haunted by the images on the screen. The story, of 2 young girls, approximately the same age I was when I saw the film, of being abducted, tortured, raped and then murdered is not for the faint of heart. The brutality and violence was staggering, and the film spoke volumes of the depravity of the human soul. I remember driving home with my girlfriend after watching this, and both of us were dead silent, each contemplating what we had watched and knowing that something like that could happen to us. This movie is one I know without a doubt, that I will never again watch, and now, being the parent of a daughter myself, I could never watch it and then allow her out of the house again. This is not a monster movie, the MONSTERS are human and all too real, especially in today's society filled with Ted Bundy's and The Green River Killer, this movie hits too close to home and leaves the viewer depressed and saddened at what human beings are capable of doing to other innocent people. Watch it if you dare, but be prepared to be left with a very hollow feeling after it is over.
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