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Sunset Blvd. (1950)

8.6
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Ratings: 8.6/10 from 107,707 users  
Reviews: 408 user | 178 critic

A hack screenwriter writes a screenplay for a former silent-film star who has faded into Hollywood obscurity.

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Title: Sunset Blvd. (1950)

Sunset Blvd. (1950) on IMDb 8.6/10

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Top 250 #42 | Won 3 Oscars. Another 17 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
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Lloyd Gough ...
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Franklyn Farnum ...
Undertaker
Larry J. Blake ...
1st Finance Man (as Larry Blake)
Charles Dayton ...
2nd Finance Man
...
Cecil B. DeMille (as Cecil B. De Mille)
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...
Buster Keaton
...
Anna Q. Nilsson
...
H. B. Warner
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Storyline

The story, set in '50s Hollywood, focuses on Norma Desmond, a silent-screen goddess whose pathetic belief in her own indestructibility has turned her into a demented recluse. The crumbling Sunset Boulevard mansion where she lives with only her butler, Max who was once her director and husband has become her self-contained world. Norma dreams of a comeback to pictures and she begins a relationship with Joe Gillis, a small-time writer who becomes her lover, that will soon end with murder and total madness. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

A HOLLYWOOD STORY: Sensational...Daring...Unforgettable...Sunset Blvd. See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 1950 (Australia)  »

Also Known As:

A Can of Beans  »

Box Office

Budget:

$1,752,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Billy Wilder wanted Hedy Lamarr to appear in a cameo in the scene where Norma and Joe visit Cecil B. DeMille at Paramount. As deMille was directing Lamarr at the time in Samson and Delilah (1949), this would have been no problem. However, deMille insisted that Lamarr be paid $25,000 for the privilege so the idea was quickly dropped. See more »

Goofs

The shadow of a camera as it moves in on Norma's bed is visible on Joe's back. See more »

Quotes

[first lines]
Joe Gillis: Yes, this is Sunset Blvd., Los Angeles, California. It's about 5 0'clock in the morning. That's the homicide squad, complete with detectives and newspaper men.
See more »

Crazy Credits

The Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street. See more »

Connections

Featured in Precious Images (1986) See more »

Soundtracks

The Paramount-Don't-Want-Me Blues
(1950) (uncredited)
Written by Jay Livingston and Ray Evans
Performed by Jay Livingston and Ray Evans at Artie's party
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A very brave look at Hollywood when Hollywood was bullied by an absurd censorship.
2 August 2003 | by (Istanbul, Turkey) – See all my reviews

Usually, Cinema is considered as the most delicate form of art because it has the biggest potential to become 'dated' one day. Once a movie thought as 'mind-blowing' can easily become a 'turkey' a decade later.

This is not the case here. Sunset Boulevard still remains as one of the most eerie film in the cinema history and still a realistic depiction because of its reflection of Hollywood. It can give you the idea of the dream land's transformation into a nightmare.

The film is about a troubled script writer 'Joe Gillis and a forgotten silent film star Norma Desmond's weird relationship and the madness that surrounds them and the people around them. Don't wanna give much of the plot, on account the fact that it is a pure gem that should be invented without knowing nothing. But I can talk about the cinematic aspects of this movie.

This movie has some very eerie moments because of using a great cinematography. The moments of burying the dead monkey and watching the old film of Norma Desmond are exquisitely presented. The movie has some one of the most innovative scripts of cinema and that is certainly justified by the unforgetable and memorable lines captured from the film. The directing is top-notch but who are we kidding it is Billy 'the great' Wilder. The end of the movie is one of the most chilling part of the movie and it can truly give you some nightmares about insanity. The narration of the movie by the head character was probably done by this movie at the first place and this influenced so many movies afterwards.

One of the reasons that this movie is still not dated is because of its courage. The Hayes code was at its peak at the beginning of fifties which manipulates the producers to limit their bad thoughts on one subject, especially on Hollywood. The movie got 11 oscar nomination but only got 3 of them. Apparently, the reason was its harsh criticism on Hollywood.

There are some arguements about Sunset Boulevard's genre. It is considered as the greatest film-noir of all time. I don't think it is a film-noir at all. For some aspects, the movie has some noirish elements such as the black and white German-expressionist cinematography and an 'on the edge of insanity', femme-fatale but these two are not enough to make a film-noir. I think this is a psyhcological drama with some horror(the end is horrifying for me) and with some very very dark comedy.

Overall, This is truly a classic and one of the best movies of cinema history that will never lose its effects on cinema. Heavily influences American Beauty and Mulholland Drive, also making those movies a must see. 10/10


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