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Sunset Blvd. (1950)

8.6
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Ratings: 8.6/10 from 105,808 users  
Reviews: 399 user | 178 critic

A hack screenwriter writes a screenplay for a former silent-film star who has faded into Hollywood obscurity.

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Title: Sunset Blvd. (1950)

Sunset Blvd. (1950) on IMDb 8.6/10

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Top 250 #41 | Won 3 Oscars. Another 17 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
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Lloyd Gough ...
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Franklyn Farnum ...
Undertaker
Larry J. Blake ...
1st Finance Man (as Larry Blake)
Charles Dayton ...
2nd Finance Man
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Cecil B. DeMille (as Cecil B. De Mille)
...
Hedda Hopper
...
Buster Keaton
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Anna Q. Nilsson
...
H. B. Warner
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Storyline

The story, set in '50s Hollywood, focuses on Norma Desmond, a silent-screen goddess whose pathetic belief in her own indestructibility has turned her into a demented recluse. The crumbling Sunset Boulevard mansion where she lives with only her butler, Max who was once her director and husband has become her self-contained world. Norma dreams of a comeback to pictures and she begins a relationship with Joe Gillis, a small-time writer who becomes her lover, that will soon end with murder and total madness. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

This is it .. the most compelling dramatic story ever unfolded on the screen .. a tale of heartache and tragedy ..love and ambition .. told against the fabulous background of Hollywood. See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 1950 (Australia)  »

Also Known As:

A Can of Beans  »

Box Office

Budget:

$1,752,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When Joe Gillis says, "They'll love it in Pomona," most people assume (correctly) that Pomona is intended to be representative of just about any average American town. But it also alludes to the fact that Pomona was one of three towns in California's Inland Empire region (Riverside and San Bernardino were the others) that were frequently used during Hollywood's Golden Age for testing preview audiences' reactions to unreleased films. These towns were favored because they were on the way to Palm Springs, where, after collecting the audience reaction cards, studio personnel would then go to relax and determine what changes should be made to to the previewed films. See more »

Goofs

When Joe Gillis is first reading Norma's script at her house, she tosses him a bundle of pages to read. The sheets in this bundle are all askew, but the bundle he catches is neat and aligned. See more »

Quotes

[first lines]
Joe Gillis: Yes, this is Sunset Blvd., Los Angeles, California. It's about 5 0'clock in the morning. That's the homicide squad, complete with detectives and newspaper men.
See more »

Crazy Credits

The Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street. See more »

Connections

Referenced in Jeopardy!: Episode #22.218 (2006) See more »

Soundtracks

The Paramount-Don't-Want-Me Blues
(1950) (uncredited)
Written by Jay Livingston and Ray Evans
Performed by Jay Livingston and Ray Evans at Artie's party
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Bitter and Tragic Masterpiece
18 January 2008 | by (Rio de Janeiro, Brazil) – See all my reviews

In Hollywood of the 50's, the obscure screenplay writer Joe Gillis (William Holden) is not able to sell his work to the studios, is full of debts and is thinking in returning to his hometown to work in an office. While trying to escape from his creditors, he has a flat tire and parks his car in a decadent mansion in Sunset Boulevard. He meets the owner and former silent-movie star Norma Desmond (Gloria Swanson), who lives alone wit her butler and driver Max von Mayerling (Erich von Stroheim). Norma is demented and believes she will return to the cinema industry, and is protected and isolated from the world by Max, who was his director and husband in the past and still loves her. Norma proposes Joe to move to the mansion and help her in writing a screenplay for her comeback to the cinema, and the small-time writer becomes her lover and gigolo. When Joe falls in love for the young aspirant writer Betty Schaefer (Nancy Olson), Norma becomes jealous and completely insane and her madness leads to a tragic end.

"Sunset Boulevard" is a bitter and tragic masterpiece of the genius Billy Wilder that exposes how Hollywood uses people and forgets them when they get old and are considered decadent by the industry. Further, it also shows the consequences of the lack of adaptation of a former star to the end of a successful career, being forgotten by fans and the industry, and the price that some persons accept to pay to join this business. The last time I saw this film was on 22 September 2002 and even having watched "Sunset Boulevard" for maybe five or six times, I still get excited with most of the scenes and I dare to say that it is in my Top 10 movies ever. The DVD has an interesting documentary called "Sunset Blvd.: A Look Back" (a.k.a. "The Making of Sunset Boulevard" with the presence of a still impressively beautiful Nancy Olson telling peculiarities about this awesome feature. My vote is ten.

Title (Brazil): "Crepúsculo dos Deuses" ("Dusk of the Gods")


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