In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
Using flashbacks from a statement recorded late in life and archival footage for atmosphere, this film traces Harvey Milk's career from his 40th birthday to his death. He leaves the closet and New York, opens a camera shop that becomes the salon for San Francisco's growing gay community, and organizes gays' purchasing power to build political alliances. He runs for office with lover Scott Smith as his campaign manager. Victory finally comes on the same day Dan White wins in the city's conservative district. The rest of the film sketches Milk's relationship with White and the 1978 fight against a statewide initiative to bar gays and their supporters from public school jobs. Written by
During the filming of the scene in which Dan White's son Charles is christened, the real Charles White was on the set. See more »
A scene shows Harvey Milk at the opera during the last act of 'Tosca'. In the next scene, the next day, he says he saw Bidu Sayao, a Brazilian soprano, the night before. Harvey was referring to his date, not anyone on stage. Ms. Sayao never sang 'Tosca.' See more »
If we had someone in the government who saw things the way we see them, the way the black community has black leaders who look out for their interests...
You're gonna run for Supervisor, is that the idea?
I could go right for mayor, but I think I should work my way up to it... You'll be my campaign manager.
Because I have so much experience in politics.
Politics is theater. It doesn't matter if you win. You make a statement. You say, 'I'm here, pay attention to me.'
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Van Sant delivers a great marriage of art and history
Just caught the Portland premiere and have a few thoughts.
Very thankful this film was made. Until now, it seemed like I was fairly alone in knowing about Harvey's legacy. After "Milk" starts getting attention....I hope that a whole new generation will come to know the Mayor of Castro Street (see Randy Shilt's book) and the importance of the gay rights movement.
That being said, Van Sant's "Milk" is great marriage of art and history. Instead of a dry portrait of an assasinated leader, we get a beautifully rendered flavor of the times, and an intimate vision of a man finding his place within a community and history.
Casting is brilliant. Penn inhabits Harvey Milk in a way that few actors I believe would be capable. His physicality and energy is very believable - and it's easy to forget what actor you're watching. After a while...it's just Harvey. I could go on about the supporting cast...all very solid in their own way. James Franco (Scotty) stands out as well....showing his range and willingness to expand as an actor.
Kudos all the way around...I see this film getting several nods at Oscar time.
Additionally...Rob Epstein's Oscar-winning 1984 documentary "The Times of Harvey Milk" is a definite must for anyone who enjoyed this film. I watched it right after "Milk" - and am still impressed with how affecting it is.
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