After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
Using flashbacks from a statement recorded late in life and archival footage for atmosphere, this film traces Harvey Milk's career from his 40th birthday to his death. He leaves the closet and New York, opens a camera shop that becomes the salon for San Francisco's growing gay community, and organizes gays' purchasing power to build political alliances. He runs for office with lover Scott Smith as his campaign manager. Victory finally comes on the same day Dan White wins in the city's conservative district. The rest of the film sketches Milk's relationship with White and the 1978 fight against a statewide initiative to bar gays and their supporters from public school jobs. Written by
During the filming of the scene in which Dan White's son Charles is christened, the real Charles White was on the set. See more »
When Dan White's son is baptized, two godfathers and one godmother are at the altar. A Roman Catholic baptism includes one godfather and one godmother. Protestant baptisms include two godparents who are the same gender as the baby, and one of the other gender. See more »
I am here tonight to say that we will no longer sit quietly in the closet. We must fight. And not only in the Castro, not only in San Francisco, but everywhere the Anitas go. Anita Bryant did not win tonight, Anita Bryant brought us together! She is going to create a national gay force! And the young people in Jackson Mississippi, in Minnesota, in the Richmond, in Woodmere New York, who are hearing her on television, hearing Anita Bryant telling them on television that they are sick, they are ...
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I had little expectations walking into this film. The trailer for this movie has appeared at almost every feature film I've seen for the last two months. But, the trailer is a facile example of this minutely detailed story of the rise of a leader and his martyrdom. While I'm familiar with the story from other sources (Shilts' "The Mayor of Castro Street," and the 1984 documentary "The Times of Harvey Milk"), Gus Van Sant and his cast bring a new immediacy to this story.
None involved in this project could have anticipated the political climate of the premiere of this film: Both the hope of the Obama Presidency and the propaganda that helped Proposition 8 win in California. It seems a perfect environment for this story to reach across America.
The dignity with which all of this is told and acted is its success. At the same time, it doesn't shy away from the culture of the Castro. Perhaps the greatest compliment is the rendering of Dan White here. He is neither demonized nor excused.
We also don't get a white-washed version of Harvey Milk. He's there on the screen with all his foibles and kinks. Although his humanism shines in Sean Penn's unsettlingly accurate portrayal. It was Milk's love of--and impatience with--the rest of us that makes him a legend. And that is center stage in this film.
What Van Sant gives us is both humbling and an inspiration.
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