American girls dream of finding romance in Rome, but there is none for secretaries, Anita tells her replacement at the USDA. But Maria soon meets Prince Dino de Cessi at a party at her ... See full summary »
American girls dream of finding romance in Rome, but there is none for secretaries, Anita tells her replacement at the USDA. But Maria soon meets Prince Dino de Cessi at a party at her boss's home who invites her to fly to Venice in his private plane. Frances, who has been in Rome for 15 years as the secretary of a successful American writer who talks a lot like George Bernard Shaw and is just as elusive as Professor Henry Higgins in "My Fair Lady," tells her at first to say "no" and then decides that together they can handle the man nicknamed the predatory prince. Coins tossed in the Trevi Fountain can indeed work magic. Written by
Dale O'Connor <firstname.lastname@example.org>
The first motion picture filmed in CinemaScope outside of the United States. Prior to beginning principal shooting, 20th Century-Fox studio execs warned producer Sol C. Siegel and director Jean Negulesco that they would have a difficult time with the new film format away from the controlled settings of the studio. Siegel and Negulesco solved this dilemma by simply taking the studio's entire technical crew along to Rome. See more »
At the beginning of the final scene at the Trevi fountain, the fountain is dry and being cleaned. While the actors are there, the fountain begins flowing again. However, when the actors leave, the fountain is completely full, not a possibility given the size of the fountain and the period of time over which the scene occurs. See more »
Anima e Core
Music by Salvatore Esposito
(This song was sung at the hillside picnic near the home of Giorgio when he took Anita to meet his parents.)
I have corrected the spelling of the title of this song, and I have corrected the composer's name and the Songwriter's name. Your automatic system would not allow me to correct the songwriter's name which should be:Domenico Titomanlio. See more »
The title song of this high-rung soap opera is beautifully sung by Frank Sinatra over gorgeous shots of Rome in a sequence before the credits begin. This was bound to have put 1950's audiences in the right frame of mind to enjoy the fluffy, trite, overtly romantic film that follows. Today's audience might have some trouble. The story involves a young lady (McNamara) who travels to Rome to work as a secretary. She is replacing Peters who is set to return back the U.S. for an impending marriage. Then McGuire is the older, more world-weary of the three who wonders if she'll ever find love. Ironically, despite the movie's title, only TWO coins make it into the fountain! I guess a story about three women called "Two Coins in the Fountain" may have confused people? McNamara, coy, elfin and slightly malformed-looking was hot off the success of "The Moon is Blue" and hogs much of the screen time in a pretty predictable romance with ever-suave Jourdan. Her character is consistently irritating, not helped by her "Look Mommy, I did it myself" bangs and horrible ponytail. Peters is ravishing. Though none of the women are enviable, at least she is gorgeous and sexy. Her husky voice helping to cut through the icing of the film, she trots around in snug calf-length skirts and hoop earrings. McGuire has what has to be one of her worst roles. She does well in it, but has little to do but feign interest in the ludicrous, foppish, unattractive Webb. He is a casting casualty, thinking he's intriguing and witty and not being so. Brazzi is interesting to watch as Peters' love interest. He's attractive and practically pants for her, he's so smitten. The director made no less than four of these types of stories (three ladies looking for love) and this one might be the least fascinating (possibly because, unlike the other three, this one doesn't have Joan Crawford, Marilyn Monroe or Ann-Margret!) The scenery and the title fountain are glorious, but the film lacks zest. Good for a chuckle or two are the ghastly costumes by usually reliable Dorothy Jeakins. A few nice clothes slip in, but much of it looks like science fiction. It is completely stunning that this got a Best Picture Oscar nomination. It's not an actively horrible movie, but it isn't anything anyone would dream would be worthy of the top honor in the industry. By now it's type has been copied so much that modern viewers may very well sleep through it.
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