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The story of a married man, Paul Gueret, who finds himself drawn to a young laundry worker, Angele. However, when he finds out she is also his employer's mistress, in a furious rage he might do things he'll regret in the future.
American girls dream of finding romance in Rome, but there is none for secretaries, Anita tells her replacement at the USDA. But Maria soon meets Prince Dino de Cessi at a party at her boss's home who invites her to fly to Venice in his private plane. Frances, who has been in Rome for 15 years as the secretary of a successful American writer who talks a lot like George Bernard Shaw and is just as elusive as Professor Henry Higgins in "My Fair Lady," tells her at first to say "no" and then decides that together they can handle the man nicknamed the predatory prince. Coins tossed in the Trevi Fountain can indeed work magic. Written by
Dale O'Connor <email@example.com>
We only see two coins thrown in the fountain, but we told of a third thrown in by Georgio. See more »
At the beginning of the final scene at the Trevi fountain, the fountain is dry and being cleaned. While the actors are there, the fountain begins flowing again. However, when the actors leave, the fountain is completely full, not a possibility given the size of the fountain and the period of time over which the scene occurs. See more »
[Walking down a street in Rome, Maria gets a pinch from a fresh young Italian man]
Anita, somebody pinched me.
Don't look back. It's considered an encouragement. Pretend you didn't notice.
Are you kidding? I'll kick him right in his antipasto!
See more »
Anima e Core
Music by Salvatore Esposito
(This song was sung at the hillside picnic near the home of Giorgio when he took Anita to meet his parents.)
I have corrected the spelling of the title of this song, and I have corrected the composer's name and the Songwriter's name. Your automatic system would not allow me to correct the songwriter's name which should be:Domenico Titomanlio. See more »
By the Fifties, the movie-going public was no longer satisfied with studio versions of far away places. They wanted to see the real thing and Hollywood had to give it to them. The year before Three Coins In a Fountain came out, Paramount had done another Rome based film in Roman Holiday. Though it had that winning romantic team of Audrey Hepburn and Gregory Peck, Paramount played it on the cheap and wouldn't splurge for color.
Not to be outdone by rivals, Darryl F. Zanuck went whole hog on terrific color cinematography and three romances. Dorothy McGuire, Jean Peters, and Maggie McNamara are three Americans sharing an apartment in Rome. Peters and McNamara work for a U.S. government agency and McGuire is secretary to expatriate novelist Clifton Webb.
The fountain of course is Rome's famous Fountain of Trevi where tourists are lured into throwing their pennies with the promise of good fortune and a return to the eternal city. Frank Sinatra sings the title song over the opening credits and the Four Aces also had a mega-hit out of that tune. I remember as a lad in the Fifties, hearing that constantly on the radio. It was a BIG factor in the success of this film and won an Oscar for composer Jule Styne and lyricist Sammy Cahn.
McNamara and Peters fall for Prince Louis Jourdan and aspiring lawyer and co-worker Rossano Brazzi respectively. They play the continental lovers effortlessly.
20th Century Fox during the 50s toned down Clifton Webb's acerbity in order to make him leading man material. They never quite succeeded, but Dorothy McGuire conveys that she has a deep and abiding affection for Webb.
The usual romantic complications occur, but it all works out in the end as it always does in these films.
But the star is Rome and even seeing it 50 years ago, you'll still want to a pack a bag and see the place after watching this film.
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