A log company's waste mutates the environment, creating a giant killer bear-monster.

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Cast

Cast overview, first billed only:
...
Maggie
...
Rob
...
John Hawks
...
Isely
...
Ramona
George Clutesi ...
M'Rai
Tom McFadden ...
Pilot
Evans Evans ...
Cellist
...
Father
Mia Bendixsen ...
Girl
Johnny Timko ...
Boy
Everett Creach ...
Kelso (as Everett L. Creach)
Charles H. Gray ...
Sheriff
Lyvingston Holmes ...
Black Woman (as Lyvingston Holms)
...
Shusette
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Storyline

A Savage beast, grown to monstrous size and driven mad by toxic wastes that are poisoning the waters, spreads terror and death on a Maine countryside. Written by <kdj@ozemail.com.au>

Plot Summary | Plot Synopsis

Taglines:

She Lives. Don't Move. Don't Breathe. She Will Find You. See more »

Genres:

Sci-Fi | Horror

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 August 1979 (France)  »

Also Known As:

Prophecy: The Monster Movie  »

Box Office

Budget:

$12,000,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to the Science Fiction, Horror and Fantasy Review, "David Seltzer has taken the basics of Prophecy (1979) from a real-life apocalypse - the environmental disaster in the Japanese city of Minimata, which came to light in 1958 where it was discovered that mercury waste being dumped into a nearby river from a chemical plant had caused severe mutations and neurological degenerations among the locals. The effects of this consisted of loss of muscular control, vision and hearing, followed eventually by insanity and paralysis". See more »

Goofs

Despite the movie supposedly taking place in the Maine woods, foliage and landmarks clearly show the area of the forests of British Columbia, where the movie was actually filmed. See more »

Quotes

Dr. Robert Verne: Can these people help us?
[Dr. Verne after saving a dieing mutant cub and treating it in a tent at the Indian site referring to some Indian men who are with Hawks]
John Hawks: They can send someone from the village.
Dr. Robert Verne: Send them. Tell them to get people here. I want people to see this. Is there a newspaper in town?
John Hawks: Yes.
Dr. Robert Verne: Get them here with a camera... and people from that paper mill... and that sheriff.
John Hawks: Not that sheriff. I can't do that.
Dr. Robert Verne: Hawkes! He'll see the truth here and you have more here at stake in this ...
See more »

Connections

Referenced in Eureka: Momstrosity (2010) See more »

Soundtracks

Chanson Triste
(uncredited)
Music by Pyotr Ilyich Tchaikovsky
Arranged by Carmine Coppola
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User Reviews

 
Prophecy the movie is more complex than is being given credithere.
21 January 2001 | by (Seattle, WA) – See all my reviews

Reviewers of the film are quick to undercut its actual effectiveness as a film without realizing that many parts of the film succeed, including the tension of the characters against the beast, the horror of the beasts' attacks, the helplessness of man within nature, etc. Reviewers would be accurate to attack the cheesy effects, hokey dialogue at times and overall loss on energy in the film toward the climax, but there's much more going on here.

Prophecy is, at best, a) a departure for John Frankenheimer, b) a 70's horror movie with a social conscience and, c) not withstanding amateurish special effects, predictable dialogue and long-view shots of Talia Shire looking petrified beyond speech, an actually entertaining, somewhat surprisingly satisfying film. The novel created an intelligent, often compelling case for early environmentalism and the frightening consequences of doing nothing in light of the dangerous contamination of the Earth. Prophecy as a film suffers from a deplorable special effects deficiancy (case in point: at one point in the film, the monster is clearly "walking" on the dock with the courtesy of a mechanical dolly and hydraulic levers...uggh) as said before, but looking beyond this, the film's plotline does build tension, though it loses steam in the end, concluding with a rather lamely tacked-on "surprise" ending that is more befitting of the TV networks in the 70's. Frankenheimer captures a "land-locked" Jaws-like eating machine on film with a vengeance, and the subsequent carnage is, while unfortunate, in light of the circumstances that created the beast, understandable. The focal point of the movie, the beast itself, operates as a deranged ecological locomotive ( actually sounding like one onfilm at times ) hell-bent on taxing mankind for its misfortune.

Remarkably ( and most likely accidentally) the film achieved a perfect "of the moment" time slice capture of the late 70's era, replete with the worries, political movements, ambiguities and uncertainties of the time all woven within the backstory of the Indian's struggle against the papermill, global overpopulation, bigotry and commercialization at the expense of nature.

Beautiful scenery ( courtesy of British Columbia, circa 1978/1979), believable performances, particularly from Richard Dysart and Armand Assanti, combined with circumstances and sequences never actually realized on film before combine to make a pretty meaty B movie. Case in point, the opening sequence with the dogs and the cliff, the tunnels of the Indian village and their subsequent use later in the film. I saw this film when I was 11, and the memory of the camping family and their fate in the film has YET to leave me. Don't think I've ever camped again without recalling that scene...

I recommend the film without taking it as seriously as it seems to take itself, though the message of environmentalism is one worth listening to. The plot device of methyl mercury poisoning in Minimata, Japan is based on true life actual events, and is considerably more frightening than the sum of this movie, but is worth researching sometime.

  • Monstergarp



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