Morgan and his friends are on a hunting trip on a remote Canadian island when they are attacked by a swarm of giant wasps. Looking for help, Morgan stumbles across a barn inhabited by an ... See full summary »
Bert I. Gordon
At the beginning of the film, we learn from one of the characters that earthworms can be called to the surface with electricity, but somehow it turns them into vicious flesh-eaters. Sure ... See full summary »
Harry is a married writer who has an affair with a woman whose husband knows that she is unfaithful. As a result of his work, Harry has trouble distinguishing between fantasy and reality ... See full summary »
A novelization of the movie was first published in 1979 the same year as the film premiered. Its dust-jacket tagline was: "A Novel of Unrelenting Terror". The book was also written by the film's screenwriter David Seltzer. According to Wikipedia, the "novelization of the film contains numerous differences from the film, as well as considerable background information on all of the characters". See more »
Obviously stuffed bear to represent dead monster-bear floating in the lake. See more »
Here try this.
[back at the cabin Maggie makes the fish that the Doctor caught during the day and waits for him to have some]
Dr. Robert Verne:
[Dr. Verne OK's the fish after a good taste test]
You think you can catch some more.
Dr. Robert Verne:
Are you kidding. I'm one of the World's great fisherman.
Well you do the fishing and I'll do the eating.
Dr. Robert Verne:
Sounds like a good relationship.
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PROPHECY is the kind of movie that makes you go, "Aw, man!" Not because it just plain sucks, but because the movie never once lives up to its potential. It repeatedly pulls its punches and draws back just as it's getting good.
The poster is probably the best thing about it, showing a creepy little mutant fetus floating in a womb. A movie about that thing? As an eight year old kid, I was the first on line! And, as an added bonus, it was PG, so I knew I could get in. Not to mention the fact that this was when Hollywood still had some balls, and a PG movie could still contain some hefty doses of gore and T&A.
I remember finding individual scenes to be pretty scary. A family is slaughtered while camping in one scene. A guy in an overturned jeep gets his head ripped off. And the giant mutant bear is, at times, genuinely freaky.
But even I, as a little kid, could tell that the movie was uneven and poorly paced. When the monster isn't attacking, it's yawn city, with Robert Foxworth pontificating endlessly to the point where, even though I agreed with every word he said, I wanted to bash his face in. And Talia Shire's eye-bugging and whining got pretty tiresome after a while as well.
You rarely, if ever, get a good look at the monster. That technique worked in ALIEN, but, whereas ALIEN kept the monster hidden through stylish photography and sly editing, PROPHECY is just poorly shot, badly lit, and sloppily put together.
Ridley Scott wanted to keep the alien partially hidden, so all you saw was teeth and claws and could put the thing together in your mind. I think John Frankenheimer just couldn't figure out how to hide the seams in the dime-store monster costume he had to work with, so just lit everything so dimly you could barely see anything. The monster is pretty grotesque and occasionally looks fearsome, but usually looks like nothing more than a big gray blob.
The baby monster bear that Shire cradles through the second half of the movie is much more freakish looking. PROPHECY is watchble enough if it shows up on cable one rainy day when there's nothing else to do. Just remember to watch it through an eight year old's eyes.
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