Exclusive: Sales company adds films from Alejandro Fadel, Ísold Uggadóttir.
Midway through this year’s Cannes Film Festival market, The Match Factory has acquired two titles - And Breathe Normally by Ísold Uggadóttir and Die, Monster, Die by Alejandro Fadel.
Die, Monster, Die, the latest film from the Argentinean director Alejandro Fadel, is soon to start shooting in the Argentinean province of Mendoza.
The project was developed at Cannes’ Cinéfondation Résidence and is Fadel’s second feature as a writer and director.
Fadel co-directed Love (First Part) which premiered in Venice’s Critic’s Week. As a writer, he has worked with Pablo Trapero, Damián Szifrón, Walter Salles, Adrian Caetano and Peter Weber, among others.
His first feature The Wild Ones (Los Salvajes) [pictured] premiered in Cannes’ Critic’s Week in 2012.
In Die, Monster, Die, the body of a woman is found brutally beheaded by a remote meadow at the foot of the snowy Andes. In this isolated...
Midway through this year’s Cannes Film Festival market, The Match Factory has acquired two titles - And Breathe Normally by Ísold Uggadóttir and Die, Monster, Die by Alejandro Fadel.
Die, Monster, Die, the latest film from the Argentinean director Alejandro Fadel, is soon to start shooting in the Argentinean province of Mendoza.
The project was developed at Cannes’ Cinéfondation Résidence and is Fadel’s second feature as a writer and director.
Fadel co-directed Love (First Part) which premiered in Venice’s Critic’s Week. As a writer, he has worked with Pablo Trapero, Damián Szifrón, Walter Salles, Adrian Caetano and Peter Weber, among others.
His first feature The Wild Ones (Los Salvajes) [pictured] premiered in Cannes’ Critic’s Week in 2012.
In Die, Monster, Die, the body of a woman is found brutally beheaded by a remote meadow at the foot of the snowy Andes. In this isolated...
- 5/21/2017
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
As the leading presenter of Latin American Cinema in the U.S. Cinema Tropical advocates for the Latino filmmaking community and honors their achievements. Cinema Tropical Awards now in its fourth edition have announced this year's nominees
The winners of the 4th Annual Cinema Tropical Awards will be announced at a special event at The New York Times Company headquarters in New York City in late January, 2014.
The nominees for this year’s Cinema Tropical Awards were selected by a nine-member jury panel from a list of Latin American and U.S. Latino feature films of a minimum of 60 minutes in length that were premiered between April 1, 2012 and March 31, 2013 (January 1, 2012 and March 31, 2013, for U.S. Latino productions). The list was culled by a nominating committee composed of 17 film professionals from Latin America, the U.S., Canada, and Europe.
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times Company. Media Sponsors: LatAm Cinema and Remezcla. Special thanks to Mario Díaz, Andrea Betanzos, and Tatiana García.
Best Feature Film
- Gloria (Sebastián Lelio, Chile/Spain, 2013)
- No (Pablo Larraín, Chile/USA/France/Mexico, 2012)
- Post Tenebras Lux (Carlos Reygadas, Mexico/France/Germany/Netherlands, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- VIolA (Matías Piñeiro, Argentina, 2012)
Best Director, Feature Film
- Sebastián Silva, Crystal Fairy (Chile, 2013)
- Pablo Larraín, No (Chile/USA/France/Mexico, 2012)
- Carlos Reygadas, Post Tenebras Lux (Mexico/ France/ Germany/ Netherlands, 2012)
-Ana Guevara and Leticia Jorge, Tanta Agua | So Much Water
(Uruguay/ Germany/ Mexico, 2013)
- Matías Piñeiro, Viola (Argentina, 2012)
Best Documentary Film
- El Alcalde | The Mayor (Emiliano Altuna, Carlos F. Rossini, Diego Osorno, Mexico, 2012)
- La Chica Del Sur | The Girl from the South (José Luis García, Argentina, 2012)
- La Gente Del RÍO | The River People (Martín Benchimol and Pablo Aparo, Argentina, 2012)
- El Huaso (Carlo Guillermo Proto, Chile/Canada, 2012)
- El Otro DÍA | The Other Day (Ignacio Agüero, Chile, 2012)
Best Director, Documentary Film
- José Luis García, La Chica Del Sur | The Girl from the South (Argentina, 2012)
- Priscilla Padilla, La Eterna Noche De Las Doce Lunas | The Eternal Night of the Twelve Moons (Colombia, 2013)
- Martín Benchimol, Pablo Aparo, La Gente Del RÍO | The River People (Argentina, 2012)
- Mercedes Moncada, Palabras MÁGICAS (Para Romper Un Encantamiento) | Magic Words (Breaking a Spell) (Mexico/Guatemala, 2012)
- Ignacio Agüero, El Otro DÍA | The Other Day (Chile, 2012)
Best First Film
- Carne De Perro | Dog Flesh (Fernando Guzzoni, Chile/France/Germany, 2012)
- El Limpiador | The Cleaner (Adrián Saba, Peru, 2012)
- Melaza | Molasses (Carlos Díaz Lechuga, Cuba/France/Panama, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- Los Salvajes | The Wild Ones (Alejandro Fadel, Argentina, 2012)
Best U.S. Latino Film
- American Promise (Joe Brewster and Michèle Stephenson, USA, 2013)
- Filly Brown (Youssef Delara and Michael D. Olmos, USA, 2012)
- Mosquita Y Mari (Aurora Guerrero, USA, 2012)
- Reportero (Bernardo Ruiz, USA, 2012)
- Wonder Women! The Untold Story Of American Superheroines (Kristy Guevara-Flanagan, USA, 2012)
2013 Jury:
Chris Allen, founder and director, UnionDocs; Melissa Anderson, film critic, Artforum; Beth Janson, executive director, Tribeca Film Institute; Daniel Loría, overseas editor, BoxOffice; Mike Maggiore, programmer, Film Forum; Paco de Onís, filmmaker; Anita Reher, executive director, Robert Flaherty Film Seminar; Julia Solomonoff, filmmaker; Maria-Christina Villaseñor, film curator and writer.
2013 Nominating Committee:
Cecilia Barrionuevo, programmer, Mar del Plata Film Festival, Argentina; Raúl Camargo, programmer, Valdivia Film Festival, Chile; John Campos Gómez, director, Transcinema Film Festival, Peru; Inti Cordera, director, DocsDF Film Festival, Mexico; Christine Davila, programmer, Sundance, Los Angeles Film Festival, Ambulante USA; Eugenio del Bosque, director, Cine Las Américas, USA; Raciel del Toro, Cinergia, Costa Rica; Vanessa Erazo, film programmer and journalist, indieWIRE/LatinoBuzz, Remezcla, USA; Lisa Franek, programmer, San Diego Latino Film Festival, USA; Robert A. Gomez, film journalist, Cinemathon, Venezuela; Jaie Laplante, director, Miami Film Festival, USA; Agustín Mango, film journalist, Hollywood Reporter, Argentina; Jim Mendiola, programmer, CineFestival, San Antonio, USA; Luis Ortiz, director, Latino Public Broadcasting, USA; Rafael Sampaio, programmer, Sao Paulo Latin American Film Festival, Brazil; Eva Sangiorgi, programmer, Ficunam, Mexico; Gerwin Tamsma, programmer, Rotterdam Film Festival, Netherlands.
The winners of the 4th Annual Cinema Tropical Awards will be announced at a special event at The New York Times Company headquarters in New York City in late January, 2014.
The nominees for this year’s Cinema Tropical Awards were selected by a nine-member jury panel from a list of Latin American and U.S. Latino feature films of a minimum of 60 minutes in length that were premiered between April 1, 2012 and March 31, 2013 (January 1, 2012 and March 31, 2013, for U.S. Latino productions). The list was culled by a nominating committee composed of 17 film professionals from Latin America, the U.S., Canada, and Europe.
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times Company. Media Sponsors: LatAm Cinema and Remezcla. Special thanks to Mario Díaz, Andrea Betanzos, and Tatiana García.
Best Feature Film
- Gloria (Sebastián Lelio, Chile/Spain, 2013)
- No (Pablo Larraín, Chile/USA/France/Mexico, 2012)
- Post Tenebras Lux (Carlos Reygadas, Mexico/France/Germany/Netherlands, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- VIolA (Matías Piñeiro, Argentina, 2012)
Best Director, Feature Film
- Sebastián Silva, Crystal Fairy (Chile, 2013)
- Pablo Larraín, No (Chile/USA/France/Mexico, 2012)
- Carlos Reygadas, Post Tenebras Lux (Mexico/ France/ Germany/ Netherlands, 2012)
-Ana Guevara and Leticia Jorge, Tanta Agua | So Much Water
(Uruguay/ Germany/ Mexico, 2013)
- Matías Piñeiro, Viola (Argentina, 2012)
Best Documentary Film
- El Alcalde | The Mayor (Emiliano Altuna, Carlos F. Rossini, Diego Osorno, Mexico, 2012)
- La Chica Del Sur | The Girl from the South (José Luis García, Argentina, 2012)
- La Gente Del RÍO | The River People (Martín Benchimol and Pablo Aparo, Argentina, 2012)
- El Huaso (Carlo Guillermo Proto, Chile/Canada, 2012)
- El Otro DÍA | The Other Day (Ignacio Agüero, Chile, 2012)
Best Director, Documentary Film
- José Luis García, La Chica Del Sur | The Girl from the South (Argentina, 2012)
- Priscilla Padilla, La Eterna Noche De Las Doce Lunas | The Eternal Night of the Twelve Moons (Colombia, 2013)
- Martín Benchimol, Pablo Aparo, La Gente Del RÍO | The River People (Argentina, 2012)
- Mercedes Moncada, Palabras MÁGICAS (Para Romper Un Encantamiento) | Magic Words (Breaking a Spell) (Mexico/Guatemala, 2012)
- Ignacio Agüero, El Otro DÍA | The Other Day (Chile, 2012)
Best First Film
- Carne De Perro | Dog Flesh (Fernando Guzzoni, Chile/France/Germany, 2012)
- El Limpiador | The Cleaner (Adrián Saba, Peru, 2012)
- Melaza | Molasses (Carlos Díaz Lechuga, Cuba/France/Panama, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- Los Salvajes | The Wild Ones (Alejandro Fadel, Argentina, 2012)
Best U.S. Latino Film
- American Promise (Joe Brewster and Michèle Stephenson, USA, 2013)
- Filly Brown (Youssef Delara and Michael D. Olmos, USA, 2012)
- Mosquita Y Mari (Aurora Guerrero, USA, 2012)
- Reportero (Bernardo Ruiz, USA, 2012)
- Wonder Women! The Untold Story Of American Superheroines (Kristy Guevara-Flanagan, USA, 2012)
2013 Jury:
Chris Allen, founder and director, UnionDocs; Melissa Anderson, film critic, Artforum; Beth Janson, executive director, Tribeca Film Institute; Daniel Loría, overseas editor, BoxOffice; Mike Maggiore, programmer, Film Forum; Paco de Onís, filmmaker; Anita Reher, executive director, Robert Flaherty Film Seminar; Julia Solomonoff, filmmaker; Maria-Christina Villaseñor, film curator and writer.
2013 Nominating Committee:
Cecilia Barrionuevo, programmer, Mar del Plata Film Festival, Argentina; Raúl Camargo, programmer, Valdivia Film Festival, Chile; John Campos Gómez, director, Transcinema Film Festival, Peru; Inti Cordera, director, DocsDF Film Festival, Mexico; Christine Davila, programmer, Sundance, Los Angeles Film Festival, Ambulante USA; Eugenio del Bosque, director, Cine Las Américas, USA; Raciel del Toro, Cinergia, Costa Rica; Vanessa Erazo, film programmer and journalist, indieWIRE/LatinoBuzz, Remezcla, USA; Lisa Franek, programmer, San Diego Latino Film Festival, USA; Robert A. Gomez, film journalist, Cinemathon, Venezuela; Jaie Laplante, director, Miami Film Festival, USA; Agustín Mango, film journalist, Hollywood Reporter, Argentina; Jim Mendiola, programmer, CineFestival, San Antonio, USA; Luis Ortiz, director, Latino Public Broadcasting, USA; Rafael Sampaio, programmer, Sao Paulo Latin American Film Festival, Brazil; Eva Sangiorgi, programmer, Ficunam, Mexico; Gerwin Tamsma, programmer, Rotterdam Film Festival, Netherlands.
- 1/8/2014
- by Sydney Levine
- Sydney's Buzz
Pacha, a Bolivian film by Héctor Ferreiro will open the first edition of the Kochi International Film Festival today. The festival that will run from December 16-23 will be inaugurated by Kerala Chief Minister Oomen Chandy.
The festival will screen films from Latin America, Europe, Asia and USA, apart from films on the 100 Years of Indian Cinema and Centenary of Masters.
A total of 50 international films and 24 Indian films will be screened. Five films from Thailand, eight from Poland six films from Iran will be a part of the international section. While 18 Malayalam, one Tulu film and three Hindi films are in the line-up.
Line up of films:
100 Years of Indian Cinema
Malayalam Golden 10:
Elippathayam (The Rat Trap) by Adoor Gopalakrishnan
Chidambaram by G. Aravindan
Danny by T. V. Chandran
Amma Ariyan by John Abraham
Oppol by K. S. Sethumadhavan
Nirmalyam by M. T. Vasudevan Nair
Uppu by Pavithran
Olavum Theeravum by P.
The festival will screen films from Latin America, Europe, Asia and USA, apart from films on the 100 Years of Indian Cinema and Centenary of Masters.
A total of 50 international films and 24 Indian films will be screened. Five films from Thailand, eight from Poland six films from Iran will be a part of the international section. While 18 Malayalam, one Tulu film and three Hindi films are in the line-up.
Line up of films:
100 Years of Indian Cinema
Malayalam Golden 10:
Elippathayam (The Rat Trap) by Adoor Gopalakrishnan
Chidambaram by G. Aravindan
Danny by T. V. Chandran
Amma Ariyan by John Abraham
Oppol by K. S. Sethumadhavan
Nirmalyam by M. T. Vasudevan Nair
Uppu by Pavithran
Olavum Theeravum by P.
- 12/16/2012
- by NewsDesk
- DearCinema.com
Montreal’s Festival Du Nouveau Cinema (10.10 – 10.21) announced their line-up today for their 41st edition and among the smorgasbord of subtitle offerings dating back to this year’s Rotterdam, Berlin, Cannes, Locarno, Venice and Tiff editions, we’re knee-deep in avant-garde world cinema from the established auteurs Assayas, Vinterberg, Ozon, Sang-Soo, Joao Pedro Rodriguez, Larrain, Loach, Reygadas, Ghobadi, Mungiu and Miguel Gomes. Heavy on offerings from Quebec and France, the fest also manages to offer a stellar snapshot of the up-and-comers from all corners of the globe. Among the notable titles in the (Competition category) International Selection we’ve got Pablo Berger’s Blancanieves, Ursula Meier’s Sister, Brian M. Cassidy and Melanie Shatzky’s Francine (which received its theatrical release earlier this month) and Rodrigo Plá’s La Demora. Loaded in Cannes items, the Special Presentations is the fest’s A-list selections (see filmmakers named above) and the one pic...
- 9/25/2012
- by Eric Lavallee
- IONCINEMA.com
It's all about R Patz today, as Cosmopolis takes a bow on the Croisette
9.22am: Bonjour! It's a lovely morning in London, but let's hot-tail it to the south of France, where the critics are streaming out of Cosmopolis, David Cronenberg's adaptation of the Don DeLillo novel. And I can see the smiles from here.
9.23am:
Blown away by Cosmopolis at Cannes. A film of cool, diamond brilliance. Perfectly fitted, a tale for the times. Note to jurors: this one
— Xan Brooks (@XanBrooks) May 25, 2012
Enjoyed Cosmopolis; odd and funny
— Damon Wise (@yo_damo) May 25, 2012
Cronenberg's Cosmopolis talky but terrific, with a steely, sinuous turn from Pattinson. Chillingly current too. #cannes
— Robbie Collin (@robbiereviews) May 25, 2012
Themes of Cannes 2012: white stretch limos, A-listers pissing, dead dogs, financial crisis, Twilight actors, Matthew McConaughey...
— Charles Gant (@charlesgant) May 25, 2012
Of Pattinson, Xan reckons:
@alexneedham74 Perfect as tragicomic billionaire vampire. Plus Mathieu Amalric as phantom pie-thrower,...
9.22am: Bonjour! It's a lovely morning in London, but let's hot-tail it to the south of France, where the critics are streaming out of Cosmopolis, David Cronenberg's adaptation of the Don DeLillo novel. And I can see the smiles from here.
9.23am:
Blown away by Cosmopolis at Cannes. A film of cool, diamond brilliance. Perfectly fitted, a tale for the times. Note to jurors: this one
— Xan Brooks (@XanBrooks) May 25, 2012
Enjoyed Cosmopolis; odd and funny
— Damon Wise (@yo_damo) May 25, 2012
Cronenberg's Cosmopolis talky but terrific, with a steely, sinuous turn from Pattinson. Chillingly current too. #cannes
— Robbie Collin (@robbiereviews) May 25, 2012
Themes of Cannes 2012: white stretch limos, A-listers pissing, dead dogs, financial crisis, Twilight actors, Matthew McConaughey...
— Charles Gant (@charlesgant) May 25, 2012
Of Pattinson, Xan reckons:
@alexneedham74 Perfect as tragicomic billionaire vampire. Plus Mathieu Amalric as phantom pie-thrower,...
- 5/25/2012
- by Catherine Shoard
- The Guardian - Film News
We Laurent Cantet’s Foxfire pegged for Tiff, Jim Mickle’s We Are What We Are slotted for Sundance 2013 and Under the Rainbow being an obvious choice for Cannes, one might overlook the fact that this year Emilie Georges’ Memento Films Int. are repping the Critics’ Week selected Los Salvajes and Un Certain Regard chosen The Pirogue. Breaking news for today is that the company will back Asghar Farhadi’s next project to star Marion Cotillard. Filming beings this fall in Paris.
Compliance by Craig Zobel
The Pirogue by Moussa TOURÉ
We Are What We Are by Jim Mickle
Bad Seeds (Comme Un Homme) by Safy Nebbou
For Ellen by So Yong Kim
Foxfire (Foxfire: Confessions D’Un Gang De Filles) by Laurent Cantet
Headshot (Fon Tok Kuen Fah) by Pen-Ek Ratanaruang
Kids Of Today (Des Jeunes Gens MÖDERNES 2.0) by Jérôme De Missolz
Lore by Cate Shortland
Los Salvajes...
Compliance by Craig Zobel
The Pirogue by Moussa TOURÉ
We Are What We Are by Jim Mickle
Bad Seeds (Comme Un Homme) by Safy Nebbou
For Ellen by So Yong Kim
Foxfire (Foxfire: Confessions D’Un Gang De Filles) by Laurent Cantet
Headshot (Fon Tok Kuen Fah) by Pen-Ek Ratanaruang
Kids Of Today (Des Jeunes Gens MÖDERNES 2.0) by Jérôme De Missolz
Lore by Cate Shortland
Los Salvajes...
- 5/17/2012
- by Eric Lavallee
- IONCINEMA.com
Ben Wheatley's Sightseers is selected for Directors' Fortnight special screening, while British theatre director Rufus Norris's debut Broken will open Critics' Week
The Cannes film festival's two major independent sidebars have announced their lineup for the forthcoming festival, providing UK and Us film-makers with a considerable boost to their presence on the Croisette.
Ben Wheatley, who has impressed critics and fans alike with his first two films, Down Terrace and Kill List, has seen his third, Sightseers, selected for a special screening in the Directors' Fortnight event, while British theatre director Rufus Norris's debut feature, Broken, has been given the opening slot for the Critics' Week section. Sightseers is described as a "pitch-black comedy" about a caravan trip around the north of England, while Broken is an adaptation of Daniel Clay's novel, and stars Cillian Murphy and Tim Roth.
Us film-makers have added to their total...
The Cannes film festival's two major independent sidebars have announced their lineup for the forthcoming festival, providing UK and Us film-makers with a considerable boost to their presence on the Croisette.
Ben Wheatley, who has impressed critics and fans alike with his first two films, Down Terrace and Kill List, has seen his third, Sightseers, selected for a special screening in the Directors' Fortnight event, while British theatre director Rufus Norris's debut feature, Broken, has been given the opening slot for the Critics' Week section. Sightseers is described as a "pitch-black comedy" about a caravan trip around the north of England, while Broken is an adaptation of Daniel Clay's novel, and stars Cillian Murphy and Tim Roth.
Us film-makers have added to their total...
- 4/24/2012
- by Andrew Pulver
- The Guardian - Film News
Variety's Boyd van Hoeij notes that Critics' Week has lined up first-time directors "almost exclusively" for its 2012 edition. Notes, links and so on will be added over the coming hours and days:
Competition
Features
Vasan Bala's Peddlers. The Critics' Week synopsis: "A ghost town, Mumbai, inhabited by millions. A lady on a mission, a man living a lie, an aimless drifter. They collide. Some collisions are of consequence, some not, either ways the city moves on."
Antonio Méndez Esparza's Aquí y Allá. CW: Pedro returns home to his small village in Guerrero, Mexico after having worked for several years in the Us. Even though the village is expecting a bountiful harvest, they're still preoccupied with opportunities north of the border.
Alejandro Fadel's Los Salvajes. CW: "Five teenagers violently escape a reformatory school in an Argentinean province.... They hunt to feed, rob houses they come across, do drugs, bathe in the river,...
Competition
Features
Vasan Bala's Peddlers. The Critics' Week synopsis: "A ghost town, Mumbai, inhabited by millions. A lady on a mission, a man living a lie, an aimless drifter. They collide. Some collisions are of consequence, some not, either ways the city moves on."
Antonio Méndez Esparza's Aquí y Allá. CW: Pedro returns home to his small village in Guerrero, Mexico after having worked for several years in the Us. Even though the village is expecting a bountiful harvest, they're still preoccupied with opportunities north of the border.
Alejandro Fadel's Los Salvajes. CW: "Five teenagers violently escape a reformatory school in an Argentinean province.... They hunt to feed, rob houses they come across, do drugs, bathe in the river,...
- 4/24/2012
- MUBI
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