Every morning a man wearing a black suit and bowler hat leaves his suburban home. On his way to work, he passes a fancy-dress shop, where he is invited by a shopkeeper to try on an outfit. ... See full summary »
Two couples (played by Andrew Scott, Cillian Murphy, Eva Birthistle and Catherine Walker) appear to live in marital bliss until cracks begin to appear in both seemingly steady marriages. ... See full summary »
In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
The T-shirt Eloise is wearing in the final scene has a picture of the same painting from the movie "The Royal Tenenbaums". See more »
Are you going to marry her?
I don't know.
I don't know, love.
Because she'll leave us the way she left Mike. Like Mum left us. Like everyone does.
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So simple and yet so complicated, as often life can be. Normal houses and plain faces on your block often conceal mini dramas. A cul de sac, to be precise, symbolic perhaps of the impasse that certain characters in "Broken" have reached.
Hats off to the director (and editor?) for the way certain sequences were handled. You would see a scene - the conclusion of certain events - and at the right moment (when you'd start wondering "when and how did this happen?"), the action would rewind itself and everything would make sense. From effect to cause...
I guess this movie is not for the "Batman" crowd. No jumping off roofs, no wild chases, no gunshots, just bleeding. The real kind that could happen to your sister or brother or parent or child. Or to your neighbour. The kind that you might read about in the newspaper the next day. Bleeding external and bleeding internal. Of the lip and of the heart.
The acting was very convincing. Not the kind that sticks in your mind forever, but that's exactly what I consider to be one of the film's main assets: the lack of exaggeration in the delivery of the lines is what makes the story plausible, real, as if though you're witnessing events unfold outside your window.
And hats off to the new kid on the block. Eloise Laurence is a natural. I'd love to have her for my daughter too! Or sister. Or neighbour. I have a feeling we'll be hearing more from her. And from director Rufus Norris. The chain must not be broken.
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