The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.
Director:
Writer:
Stars:
Photos and Videos
Cast
Directed by
| Amir Amirani | ||
Written by
| Amir Amirani | ... | (writer) |
Produced by
| Sara Ahmed | ... | executive producer |
| Rima Alsafadi | ... | executive producer |
| Amir Amirani | ... | producer |
| Taghi Amirani | ... | executive producer |
| Jody Bromley | ... | assistant producer |
| Deborah Burton | ... | executive producer |
| Isabelle Chaize | ... | associate producer |
| Omid Djalili | ... | executive producer |
| Andrei Enoiu | ... | executive producer |
| Pippa Harris | ... | executive producer |
| Amanda Hickey | ... | co-producer |
| Immy Humes | ... | co-producer |
| Alexander Hyde | ... | assistant producer |
| Wael Kabbani | ... | executive producer (as Waël Kabbani) |
| Iara Lee | ... | co-producer |
| Ho Chih Lin | ... | associate producer |
| Gina Marsh | ... | line producer |
| Callum McDougall | ... | executive producer |
| Jahlia Osha | ... | assistant producer |
| Samar Pollitt | ... | associate producer |
| Jens Eilstrup Rasmussen | ... | co-producer |
| Frances Stonor Saunders | ... | associate producer |
| Signe Byrge Sørensen | ... | executive producer |
| Faisal Tamer | ... | executive producer |
| Paul Zaentz | ... | co-producer |
Music by
| Alex Baranowski | ||
| Simon Russell | ... | (original music) |
Cinematography by
| Amir Amirani | ||
| Chris Morphet | ||
Editing by
| Ivan Barretta | ||
| Adelina Bichis | ||
| Martin Cooper | ||
Editorial Department
| Dan Ablett | ... | additional editor |
| Allen Charlton | ... | additional editor |
| David Chisholm | ... | on-line editor |
| Harry Conquest | ... | assistant coloring |
| Nigel Gourley | ... | post-production producer |
| Edward Harber | ... | assistant editor |
| Sky Helwig | ... | dcp mastering & quality assurance |
| Sarah Irvine | ... | post-production supervisor |
| Sze-Wun Li | ... | assistant editor |
| Rebecca Lloyd | ... | assistant editor / editor: official trailer |
| Adam Moss | ... | assistant editor |
| Heidi Mount | ... | post-production supervisor |
| Walter Murch | ... | consulting editor |
| Vincent Narduzzo | ... | colorist |
| Ronnie Newman | ... | on-line editor |
| Thy Quach | ... | assistant editor |
| Paschalla Sharpe | ... | assistant editor |
Production Management
| Erica Banks | ... | production manager |
| Gisela Evert | ... | post-production supervisor |
| Linda Stradling | ... | production manager |
Sound Department
| Keith Branch | ... | sound recordist |
| Rory de Carteret | ... | assistant re-recording mixer / music editor |
| Graham Headicar | ... | supervising sound editor |
| Martin Jensen | ... | re-recording mixer |
| Ella Rothero | ... | dialogue editor |
| David Spinner | ... | sound recordist |
| Merce Williams | ... | sound recordist |
| Nikola Zivojinovic | ... | assistant sound editor |
Visual Effects by
| Loki English | ... | graphic design |
| Bence Varga | ... | graphic design |
Camera and Electrical Department
| Diego Barraza | ... | camera operator |
| Philippe Charluet | ... | photography |
| Andrew David Clark | ... | camera operator |
| Austin De Besche | ... | photography (as Austin de Besche) |
| Simon Fanthorpe | ... | photography |
| Katy-Robin Garton | ... | photography |
| Tom Kaufman | ... | photography |
| Ross Keith | ... | photography |
| Chris Morphet | ... | photography |
| David Niblock | ... | photography |
| Simon Poulter | ... | photography |
| Paul Reuter | ... | photography |
| Ben Richards | ... | photography |
| Mark Rodgers | ... | camera operator |
| Marc Rovira | ... | photography |
| Anthony Savini | ... | photography |
| Tom Tremayne | ... | camera operator |
Music Department
| Barry Adamson | ... | original music |
| Alex Baranowski | ... | original music |
| David Barbenel | ... | musician |
| Brian Eno | ... | musician |
| Ebe Oke | ... | musician |
| Simon Russell | ... | original music |
| Enrica Sciandrone | ... | original music |
| Christian Siddell | ... | music supervisor |
| Chantelle Woodnutt | ... | music supervisor |
Additional Crew
| Sophie Gore Browne | ... | research intern |
| Lamia Chraibi | ... | research intern |
| C.J. Clark | ... | archive footage |
| Melanie Conners | ... | photographic archive |
| Jordan Cope | ... | research intern |
| Ben Cowling | ... | archive footage |
| Darian Schwarzenberger Davis | ... | transcriber |
| Linda Dwyer | ... | assistant to producer |
| Azu Ekwukoma | ... | transcriber |
| Wenona Sara Fargher | ... | archive footage |
| Tim Goodrich | ... | photographic archive |
| Louise Goulding | ... | accountancy services |
| Paul Hanes | ... | archive footage |
| Beverly Henry | ... | production accountant |
| Rosemary Hugill | ... | research intern |
| Deedee Iwaegbe | ... | research intern |
| Rosalind Jelman | ... | archive footage |
| Eva Krysiak | ... | research intern |
| Alex Lisman | ... | archive footage |
| Amy McDonnell | ... | research intern |
| Dan Noall | ... | transcriber |
| Geoffrey O'Connor | ... | archive footage |
| Emmanuel Onen | ... | transcriber |
| Keti Papadema | ... | research intern |
| Judy Patterson | ... | archive research |
| Olivia Pavone | ... | research intern |
| Isabella Ritchie | ... | research intern |
| Jack Rubenstein | ... | research intern |
| Carolina Saludes | ... | transcriber |
| Travis Schoff | ... | archive footage |
| Angela Scurrah | ... | legal services: c/o Lee & Thompson |
| Victoria Segovia | ... | research intern |
| Ku Sharma | ... | transcriber |
| Rob Sharp | ... | archive footage |
| Dana Smillie | ... | photographic archive |
| Julie Talen | ... | archive footage |
| Tom Termayne | ... | archive footage |
| Chiara Toscano | ... | transcriber |
| Holly Troy | ... | archive footage |
| Pearu Unga | ... | transcriber |
| Natalie Usher | ... | legal services: c/o Lee & Thompson |
| Alexandra Whittall | ... | assistant to producer |
| Anthony Wiegold | ... | archive footage |
| Jonny Wrate | ... | research intern |
Thanks
| Ghassan Alireza | ... | with thanks to |
| Hamida Alireza | ... | with thanks to |
| Shoku Amirani | ... | with thanks to |
| Andrea Armeni | ... | with thanks to |
| Tim Arrowsmith | ... | with thanks to |
| Chad Bolton | ... | with thanks to: Film Forum |
| Sonia Brimble | ... | with thanks to: Ace Post Production |
| Sabina Broadhead | ... | special thanks |
| David Charap | ... | with thanks to |
| Steve Cobble | ... | with thanks to |
| Katy Cronin | ... | special thanks |
| Eva Dadrian | ... | special thanks |
| Hilary Davis | ... | special thanks |
| Hilary Petal Davis | ... | special thanks |
| John Dinwoody | ... | with thanks to |
| Dina Makram Ebeid | ... | with thanks to |
| Bob Elfstrom | ... | with thanks to |
| Francis Freisinger | ... | special thanks |
| Eric Galatas | ... | with thanks to |
| Joseph Gerson | ... | with thanks to |
| Jenny Hammerton | ... | with thanks to |
| Edward Harber | ... | with thanks to |
| Ralph Kaechele | ... | with thanks to |
| Melody Kennett | ... | with thanks to |
| Sarah Kuehne | ... | special thanks |
| Judith Leblanc | ... | with thanks to |
| John Leverence | ... | special thanks |
| Jake Lynch | ... | with thanks to |
| Antoinette Mazzaglia | ... | with thanks to |
| Kate McArdle | ... | with thanks to |
| Chris Morphet | ... | special thanks |
| Katya Nasim | ... | with thanks to |
| Dylan Penner | ... | with thanks to |
| Roger Phenix | ... | with thanks to |
| Carleen Pickard | ... | with thanks to |
| Lily Piel | ... | with thanks to |
| Eric Plue | ... | with thanks to |
| Sabine Pusch | ... | with thanks to |
| Anda Rowland | ... | with thanks to |
| Onnesha Roychoudhuri | ... | with thanks to |
| Jay Scholssberg | ... | with thanks to: Media Central |
| Anne Schultess | ... | with thanks to |
| David Sington | ... | with thanks to: DOX Productions |
| Giti Sorrayapour | ... | with thanks to |
| Linda Stradling | ... | special thanks |
| Peter Symes | ... | special thanks |
| Julie Talen | ... | with thanks to: Multi Screen Artist |
| Georgie Weedon | ... | with thanks to |
| Steve Whiting | ... | with thanks to: Friends Meeting House |
| Scott Woolston | ... | with thanks to |
Production Companies
Distributors
- Universal Pictures Home Entertainment (2016) (Germany) (DVD) (and Blu-ray)
Special Effects
Other Companies
- AP Archive, Associated Press (AP) Television News (APTN) (archive footage)
- AP Archive, Associated Press (AP) Television News (APTN) (photographic archive)
- Air-Edel Associates (music services)
- Amiel & Melburn Trust (made with the support of)
- Archivio Audiovisivo del Movimento Operaio e Democratico (AAMOD) (archive footage)
- BBC Motion Gallery (archive footage)
- Britdoc Foundation (with thanks to)
- C-SPAN Archives (archive footage)
- Casting Collective (special thanks)
- DOX Productions (archive footage)
- Democracy Now (archive footage)
- Getty Images (archive footage)
- Getty Images (photographic archive)
- Guardian News & Media (newspaper archives)
- Harburg Foundation (made with the support of)
- Hotcam NY (with thanks to)
- ITN Source/Reuters (archive footage)
- John Frost Newspapers (newspaper archives)
- Joseph Clark Charitable Trust (made with the support of)
- Kickstarter (made with the support of)
- Media Insurance Brokers (MIB) (insurance)
- Mirror Syndication International (newspaper archives)
- Multitude Media (Publicity)
- National Science Foundation (NSF) (archive footage)
- New York Times Company (newspaper archives)
- Simple DCP (digital cinema package)
- Solo Syndication (newspaper archives)
- T3Media (archive footage)
- The Daily Telegraph (newspaper archives)
- The Evening Standard (newspaper archives)
- The Independent on Sunday (newspaper archives)
- The Nation Institute (made with the support of)
- Time Inc. (with thanks to)
- Time Magazine (newspaper archives)
- Tipping Point Film Fund (made with the support of)
- i am OTHER (archive footage)
Storyline
| Plot Summary |
The global protest against the Iraq War on 15 February 2003 was a pivotal moment in recent history, the consequences of which have gone unreported. We Are Many chronicles the struggle to shift power from the old establishment to the new superpower that is global public opinion, through the prism of one historic day. Written by Anonymous |
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