We still remember the scary Am radio ads from back in the 6th grade: They Eat Human Flesh! Mainstream ‘nabe theaters that wouldn’t show Herschell Gordon Lewis movies played this proto-gore horror show, an ingeniously crafted thriller that captures the horror comic vibe with clever, gruesome special effects. The flesh eaters are glittering bits of organic matter that can skeletonize a human in fifteen seconds! Martin Kosleck’s mad doctor is happy to welcome tasty human morsels for his ravenous home-grown microbes. An alternate version slides into sleaze territory with a tasteless flashback to a Nazi ‘medical experiment.’ The best extra is a long-awaited audio commentary, recorded for an earlier disc that was never released.
The Flesh Eaters
Blu-ray
1964 / B&w / 1:85 widescreen / 87 min. / Street Date June 28, 2022
Starring: Martin Kosleck, Byron Sanders, Barbara Wilkin, Rita Morley, Ray Tudor, Barbara Wilson.
Cinematography: Jack Curtis
Film Editor: Radley Metzger
Special Effects:...
The Flesh Eaters
Blu-ray
1964 / B&w / 1:85 widescreen / 87 min. / Street Date June 28, 2022
Starring: Martin Kosleck, Byron Sanders, Barbara Wilkin, Rita Morley, Ray Tudor, Barbara Wilson.
Cinematography: Jack Curtis
Film Editor: Radley Metzger
Special Effects:...
- 7/5/2022
- by Glenn Erickson
- Trailers from Hell
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“
By Hank Reineke
It reaches from the grave to re-live the horror, the terror! More destructive! More terrifying!” (1958 ad campaign for Frankenstein’s Daughter.)-
Promises, promises. Even the most forgiving fans of low-budget 1950s horror concede Richard E. Cunha’s Frankenstein’s Daughter is a mess. It’s the sort of film where everything seems off-kilter: the script, the acting, the monster, the directing and flat lighting… well, everything, really. Ironically, this reality is also, perversely, the film’s single saving grace. If you go into Frankenstein’s Daughter with such knowledge aforethought and low-expectations, the resulting film – brought in on a budget of 60,000 - is actually pretty entertaining, if only in a manner of speaking.
In 1958 one New York tabloid chastised Manhattan’s Mayfair Theater for plummeting “to an all-time low in booking not one, but two, of the year’s worst films.
“
By Hank Reineke
It reaches from the grave to re-live the horror, the terror! More destructive! More terrifying!” (1958 ad campaign for Frankenstein’s Daughter.)-
Promises, promises. Even the most forgiving fans of low-budget 1950s horror concede Richard E. Cunha’s Frankenstein’s Daughter is a mess. It’s the sort of film where everything seems off-kilter: the script, the acting, the monster, the directing and flat lighting… well, everything, really. Ironically, this reality is also, perversely, the film’s single saving grace. If you go into Frankenstein’s Daughter with such knowledge aforethought and low-expectations, the resulting film – brought in on a budget of 60,000 - is actually pretty entertaining, if only in a manner of speaking.
In 1958 one New York tabloid chastised Manhattan’s Mayfair Theater for plummeting “to an all-time low in booking not one, but two, of the year’s worst films.
- 4/3/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
One of Daily Dead’s favorite horror events, Drive-In Super Monster-Rama returns to the Riverside Drive-In this September to celebrate its 11th anniversary with screenings of nine horror movies over two nights, including one film featuring everyone's favorite frightening (and fun) family from 1313 Mockingbird Lane.
Drive-In Super Monster-Rama 2017 takes place Friday, September 8th and Saturday, September 9th at the Riverside Drive-In Theatre in Vandergrift, Pa. The celluloid celebration kicks off on Friday with screenings of The Tingler (1959), Munster, Go Home (1966), a surprise 1960s monster movie, and Atom Age Vampire (1960).
The fright-filled fun continues on Saturday with screenings of five horror films: Attack of the 50 Ft. Woman (1958), Creature from the Black Lagoon (1954), It! The Terror from Beyond Space (1958), She Demons (1958), and Half Human (1958).
The reels begin rolling at dusk each evening and continue deep into the night. Admission is $10.00 per person and free for children 12 and under (with a parental...
Drive-In Super Monster-Rama 2017 takes place Friday, September 8th and Saturday, September 9th at the Riverside Drive-In Theatre in Vandergrift, Pa. The celluloid celebration kicks off on Friday with screenings of The Tingler (1959), Munster, Go Home (1966), a surprise 1960s monster movie, and Atom Age Vampire (1960).
The fright-filled fun continues on Saturday with screenings of five horror films: Attack of the 50 Ft. Woman (1958), Creature from the Black Lagoon (1954), It! The Terror from Beyond Space (1958), She Demons (1958), and Half Human (1958).
The reels begin rolling at dusk each evening and continue deep into the night. Admission is $10.00 per person and free for children 12 and under (with a parental...
- 7/26/2017
- by Derek Anderson
- DailyDead
Sometimes a movie is simply too good for just one special edition… Savant reached out to nab a British Region B import of Georges Franju’s horror masterpiece, to sample its enticing extras. And this also gives me the chance to ramble on with more thoughts about this 1959 show that inspired a score of copycats.
Eyes Without a Face (Bfi — U.K.)
Region B Blu-ray + Pal DVD
Bfi
1959 / B&W / 1:66 widescreen / 90 min. / The Horror Chamber of
Dr. Faustus, House of Dr. Rasanoff, Occhi senza volto / Street Date August 24, 2015 / presently £10.99
Starring: Pierre Brasseur, Edith Scob, Alida Valli, Francois Guérin,
Béatrice Altariba, Juliette Mayniel
Cinematography: Eugen Schüfftan
Production Designer: Auguste Capelier
Special Effects: Charles-Henri Assola
Film Editor: Gilbert Natot
Original Music: Maurice Jarre
Written by Pierre Boileau, Thomas Narcejac, Pierre Gascar, Claude Sautet from a novel by Jean Redon
Produced by Jules Borkon
Directed by Georges Franju
Savant has reviewed Eyes Without a Face twice,...
Eyes Without a Face (Bfi — U.K.)
Region B Blu-ray + Pal DVD
Bfi
1959 / B&W / 1:66 widescreen / 90 min. / The Horror Chamber of
Dr. Faustus, House of Dr. Rasanoff, Occhi senza volto / Street Date August 24, 2015 / presently £10.99
Starring: Pierre Brasseur, Edith Scob, Alida Valli, Francois Guérin,
Béatrice Altariba, Juliette Mayniel
Cinematography: Eugen Schüfftan
Production Designer: Auguste Capelier
Special Effects: Charles-Henri Assola
Film Editor: Gilbert Natot
Original Music: Maurice Jarre
Written by Pierre Boileau, Thomas Narcejac, Pierre Gascar, Claude Sautet from a novel by Jean Redon
Produced by Jules Borkon
Directed by Georges Franju
Savant has reviewed Eyes Without a Face twice,...
- 4/11/2017
- by Glenn Erickson
- Trailers from Hell
Mad doctors! Mortiferous maidens! Horrifying hallucinations! A key early Euro-horror and one of the very first in color, this French-Italian production is a medical horrorshow crossed with a folk tale -- its centerpiece is a vintage carillon attraction in an old mill; creepy Scilla Gabel is the minatory seducer who bridges the gap between life and death. Mill of the Stone Women Region A+B Blu-ray Subkultur / Media Target Distribution GmbH 1960 / Color / 1:66 widescreen / 90, 95, 96 min. / Die Mühle der versteinerten Frauen / Street Date June 30, 2016 / Amazon.de Eur 24,99 Starring Pierre Brice, Scilla Gabel, Wolfgang Preiss, Robert Boehme, Dany Carrel Cinematography Pier Ludovico Pavoni Production Designer Arrigo Equini Film Editor Antonietta Zita Original Music Carlo Innocenzi Written by Remigio Del Grosso, Giorgio Ferroni, Ugo Liberatore, Giorgio Stegani from Flemish Stories by Peter Van Weigen (possibly apocryphal) Produced by Giampaolo Bigazzi Directed by Giorgio Ferroni
Reviewed by Glenn Erickson
2016 is shaping up as a...
Reviewed by Glenn Erickson
2016 is shaping up as a...
- 7/23/2016
- by Glenn Erickson
- Trailers from Hell
By Darren Allison, Cinema Retro Soundtrack Editor
From its heavy percussion based main title, She Demons (1958) (Mmm-1971) opens with a sense of heart pounding excitement and sets the tone for what is to follow. Nicholas Carras’s jungle-based score is threaded with dramatic cues of which the composer makes impressive use of his 22 piece orchestra. Whist She Demons (as a movie) was never going to attain the title of ‘classic’, Carras’s music, as is often the case, promotes the film to a higher level. Cues such as Escape and Nazis in Pursuit make excellent use of the orchestra’s brass and string section. Carras provides a hopeful, triumphant end title that runs concurrent with a few lonesome drum beats which provides continuity with the film’s central themes. For an isolated island movie (occupied by scantily clad girls, caged mutant women and Nazis) they probably don’t come any better than this.
From its heavy percussion based main title, She Demons (1958) (Mmm-1971) opens with a sense of heart pounding excitement and sets the tone for what is to follow. Nicholas Carras’s jungle-based score is threaded with dramatic cues of which the composer makes impressive use of his 22 piece orchestra. Whist She Demons (as a movie) was never going to attain the title of ‘classic’, Carras’s music, as is often the case, promotes the film to a higher level. Cues such as Escape and Nazis in Pursuit make excellent use of the orchestra’s brass and string section. Carras provides a hopeful, triumphant end title that runs concurrent with a few lonesome drum beats which provides continuity with the film’s central themes. For an isolated island movie (occupied by scantily clad girls, caged mutant women and Nazis) they probably don’t come any better than this.
- 5/20/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Salvaged from the unpublished Starlog #375. Posted here for the record. The science fiction universe sadly salutes these fantastic talents who died earlier this year.
Bob May (January) The beloved man inside Lost In Space’s irrepressible Robot. (interviewed in Starlog #57, #201)
Charles H. Schneer (January) The veteran producer who shepherded all of Ray Harryhausen’s movies from It Came From Beneath The Sea (1955) to Clash Of The Titans (1981). Those classic genre films included Earth Vs. The Flying Saucers, 20 Million Miles To Earth, The 7th Voyage Of Sinbad, The Three Worlds Of Gulliver, Mysterious Island (1961), Jason And The Argonauts, First Men In The Moon, The Valley Of Gwangi, The Golden Voyage Of Sinbad and Sinbad And The Eye Of The Tiger. Sans Harryhausen, he also produced I Aim At The Stars (a.k.a. Wernher Von Braun), Hellcats Of The Navy and Half A Sixpence. (Starlog #151, #152, #153)
Arthur A. Jacobs (January) In 1958, producer...
Bob May (January) The beloved man inside Lost In Space’s irrepressible Robot. (interviewed in Starlog #57, #201)
Charles H. Schneer (January) The veteran producer who shepherded all of Ray Harryhausen’s movies from It Came From Beneath The Sea (1955) to Clash Of The Titans (1981). Those classic genre films included Earth Vs. The Flying Saucers, 20 Million Miles To Earth, The 7th Voyage Of Sinbad, The Three Worlds Of Gulliver, Mysterious Island (1961), Jason And The Argonauts, First Men In The Moon, The Valley Of Gwangi, The Golden Voyage Of Sinbad and Sinbad And The Eye Of The Tiger. Sans Harryhausen, he also produced I Aim At The Stars (a.k.a. Wernher Von Braun), Hellcats Of The Navy and Half A Sixpence. (Starlog #151, #152, #153)
Arthur A. Jacobs (January) In 1958, producer...
- 9/30/2009
- by no-reply@starlog.com (David McDonnell)
- Starlog
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