Sinbad must deliver a prince transformed into a monkey to the lands of the Ademaspai to restore him to his human form in time for his coronation. On the way he must contend with the evil witch Zenobia, her son and their magic, and several nasty-looking Ray Harryhausen beasties.Written by
Martin H. Booda <firstname.lastname@example.org>
An uncredited Peter Mayhew is the live suit actor stand-in for the stop-motion Minaton (the bronze mechanical minotaur), whose name is a portmanteau of "minotaur" and "automaton". Before filming, Mayhew was working as a hospital attendant at King's College Hospital in London. Producer Charles H. Schneer saw Mayhew's photo, in which he was literally standing above the crowd around him. Filmed in 1975, this was Mayhew's very first role, right before playing his more famous role of Chewbacca in Star Wars: Episode IV - A New Hope (1977), filmed in 1976. Both films were released in 1977 (but ironically, "Star Wars" was released three months ahead of "Sinbad and the Eye of the Tiger"). See more »
The presence of the sabre toothed cat (Smilodon or Megantereon) altogether, because they went extinct at around 10,000 BC (12,000 years ago). See more »
Come on! Come on, come on, boys. Hey, captain, why the haste? The city will not vanish.
It's not the city of Charak he wishes to see, but someone who dwells within.
After a long voyage, it is good to stretch one's legs.
The only good thing about this port is the inn of Abu Jamil the Squint, who, for six months, I have been dreaming of his roasted sheep's eyes.
And I the eyes of his daughter.
You were dreaming of more than her eyes.
See more »
The end credits scroll over the crowning ceremony of Prince Kassim. After the credits have scrolled up, we see a shot of brazier of coals. Suddenly, two cat eyes belonging to Zenobia appear. See more »
Sinbad and the Eye of the Tiger is directed by Sam Wannamaker and is the third and final Sinbad film that Ray Harryhausen (and his stop-motion creations) made for Columbia after The 7th Voyage of Sinbad and The Golden Voyage of Sinbad. It stars Patrick Wayne (Sinbad), Jane Seymour (Princess Farah), Taryn Power (Dione), Patrick Troughton (Melanthius), Margaret Whiting (Zenobia) and Nadim Sawalha (Hassan). Studio work was done in England, with the exterior location work done in Spain, Malta and Jordan.
Evil sorceress Zenobia has designs on the throne and transforms the heir, Prince Kassim, into a Baboon. Kassim's sister calls on Captain Sinbad for help, who learns that a fabled man by the name of Melanthius may be their only hope. They face a perilous journey to the end of the World (a place called Hyperborea) with Zenobia and her black magic tricks in hot pursuit.
Depending on if you are a fantasy/adventure fan or not may determine how much, if at all, you get from Sinbad & The Eye Of The Tiger. For the film is chocked full of cheese and acting of the hammiest kind. The plot is your standard set up for the irrepressible Sinbad-he must travel to some remote destination to stave off evil and realign the World, and our faith, in the name of good. While it's safe to say that the film is about 15 minutes too long for a Sinbad adventure. On the other side of the coin, tho, fans of the genre and Harryhausen's work are in for a treat.
The cast have as much charisma than you can shake a stick at, perhaps not surprising when you have the offspring of John & Tyrone starring, and the adventure is colourful and dealing nicely in the realm of the fantastique. It also finds Harryhausen on super form as we are treated to skeletal demons, a bronze minotan, a big bad wasp, a gigantic walrus, a trog and a snarling sabre tooth tiger. But best of all is his baboon because the creature is part of the cast from practically start to finish, thus it interacts with the human actors and has a personality all of its own. With one particularly emotive scene a real standout in the Harryhausen/Sinbad trilogy. For the girls is the sight of Wayne in fine physical and swash buckling shape, and for the boys is the twin niceties of Power and Seymour who steadily get skimpier in their attire during the course of the story. Troughton has a good time as the mad/eccentric/genius alchemist, while Whiting owns the film with her delightfully over the top trip into evil villainy.
It's presumed that newcomers to the movie know what to expect going into this one, whilst old fans revisiting it should hopefully find that it's holding up rather well considering the genre it sits in. Good old family fun that may be weak on story but strong on popcorn entertainment value. 7/10
10 of 13 people found this review helpful.
Was this review helpful to you?
| Report this