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Jason and the Argonauts (1963)

The legendary Greek hero leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece.

Director:

Don Chaffey

Writers:

Jan Read (screenplay), Beverley Cross (screenplay)
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Popularity
3,575 ( 2,658)

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Cast

Complete credited cast:
Todd Armstrong ... Jason
Nancy Kovack ... Medea
Gary Raymond ... Acastus
Laurence Naismith ... Argos
Niall MacGinnis ... Zeus
Michael Gwynn ... Hermes / Priest
Douglas Wilmer ... Pelias
Jack Gwillim ... King Aeetes
Honor Blackman ... Hera
John Cairney ... Hylas
Patrick Troughton ... Phineas
Andrew Faulds ... Phalerus
Nigel Green ... Hercules
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Storyline

Jason has been prophesied to take the throne of Thessaly. When he saves Pelias from drowning, but does not recognize him as the man who had earlier killed his father, Pelias tells Jason to travel to Colchis to find the Golden Fleece. Jason follows his advice and assembles a sailing crew of the finest men in Greece, including Hercules. They are under the protection of Hera, queen of the gods. Their voyage is replete with battles against harpies, a giant bronze Talos, a hydra, and an animated skeleton army, all brought to life by the special effects wizardry of Ray Harryhausen. Written by Rick Gregory <rag.apa@email.apa.org>

Plot Summary | Plot Synopsis

Taglines:

The epic story that was destined to stand as a colossus of adventure! See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

19 June 1963 (USA) See more »

Also Known As:

Jason and the Golden Fleece See more »

Filming Locations:

Campania, Italy See more »

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Box Office

Budget:

$1,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The skeletons' shields are adorned with designs of other Ray Harryhausen creatures, including an octopus and the head of the Ymir from 20 Million Miles to Earth (1957). See more »

Goofs

As the first harpy appears to torment Phineas, the wire holding it up is visible. See more »

Quotes

[first lines]
Pelias: Well?
Priest: Zeus, king of the gods of the Greeks, brighten the ashes that I may read the future. I see... a great tree at the end of the world. And in its branches there hang the skull and skin of a ram. They gleam and shine for it is a prize of the gods, a Golden Fleece.
See more »

Alternate Versions

A brief scene was cut from the skeleton fight where the decapitated skeleton is seen feeling around for its head. In addition the UK cinema version was cut by the BBFC to remove the shrieking made by the skeletons from a face-on shot during the initial charge, and video versions featured the same print. DVD versions are uncut. See more »

Connections

Referenced in The Elder Scrolls V: Skyrim (2011) See more »

Frequently Asked Questions

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User Reviews

 
Lots of Stop-Motion Fun!
30 July 2005 | by gftbiloxiSee all my reviews

Fans of Ray Harryhausen's stop motion animation process will have a field day with JASON AND THE ARGONAUTS, which Harryhausen considered his best work. And certainly Harryhausen's special effects are the highlight of this film, which is generally based on the ancient Greek myth of Jason's search for the golden fleece.

The film as a whole is very much like a superior sword-and-sandal epic of the 1950s and 1960s, very colorful and over-run with manly men and beautiful dancing girls. A bit slow to start, once the story line is established the pace leaps forward--and we are treated to some of Harryhausen's most enjoyable creations, including Talos, the bronze statue; two of the most evil looking harpies you can imagine; a really nasty hydra; and Harryhausen's most famous (and his own personal favorite) bit of work: an attack by skeleton warriors.

In the wake of computer generated graphics, Harryhausen's work may strike some as dated, but this is actually part of its charm, for we will never see its like on screen again; it has a certain visual appeal not found in contemporary films, and Harryhausen's creations always have remarkable personality. On the downside, however, some of the film's other techniques have not aged as well, and the use of rearview projection is extremely noticeable (and often annoying) to the modern eye. Still, even those who aren't overly enthusiastic about these types of special effects will find the film an excellent choice as a "family night" film. As for Harryhausen fans--the film is a must-see, must-own, and must-watch as often as possible! Gary F. Taylor, aka GFT, Amazon Reviewer


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