While sailing with Princess Parisa to Baghdad to their wedding, Sinbad finds the Colossa Island and anchors his vessel to get supplies for the starving crew. Sinbad and his men help the magician Sokurah to escape from a Cyclops that attacks them, and Sokurah uses a magic lamp with a boy jinni to help them; however, their boat sinks and he loses the lamp. Sokurah offers a small fortune to Sinbad to return to Colossa, but he does not accept and heads to Baghdad. The citizens and the Caliph of Baghdad are celebrating the peace with Chandra, and they offer a feast to the Sultan of Chandra. Sakurah requests a ship and crew to return to Colossa but the Caliph refuses to jeopardize his countrymen. However, the treacherous magician shrinks the princess and when the desperate Sinbad seeks him out, he tells that he needs to return to Colossa to get the ingredient necessary for the magic potion. But Sinbad has only his friend Harufa to travel with him, and he decides to enlist a doubtful crew in...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the opening scene, Ali defends Sinbad's courage against the Gaunt Sailor's accusation that no man would set foot upon any land they might come across. In the original script, however, their roles were reversed. This was likely changed because it made more sense for Ali, who returns with Sinbad on his later voyage and mans the giant crossbow, to defend the captain over a sailor who would later decline to return for the dangerous mission to Colossa. See more »
The princess wears a dress, during the magic show ceremony, that has an obvious long zipper in the back. Clothing zippers did not appear until the 20th century. See more »
There were, in fact, actually four 8mm reels released (which could be purchased in color or black & white, sound or silent), serializing the feature. This digest, when the reels were combined, runs about 36-40 minutes, depending on whether you were using the silent or sound versions. A well-edited condensation of the feature film. (The four reels were 1. "The Cyclops," 2. "The Strange Voyage," 3. "The Evil Magician" and 4. "The Dragon's Lair.") See more »
When I was a kid, the experience of watching "The 7th Voyage of Sinbad" started my admiration for the music of Bernard Herrmann, and confirmed my love for fantasy cinema (and stop-motion animation), in an unconscious way. Before this, I had seen "It Came from Beneath the Sea" (1955), a B&W movie in which an octopus created by Ray Harryhausen climbed the Golden Gate Bridge... But this time Harryhausen's creatures were in full color, the exotic story was inspired by tales from the "Arabian Nights", and the magic was enhanced by Herrmann's score. The film had princess Parisa reduced to less than four inches, cyclops running crazy, a dragon, a bird with two heads, an evil magician called Sokura, a boy genie, and the celebrated skeleton duel, but I was mainly impressed by Sokura's act of magic during the Sultan's ball, crossing a snake with Parisa's aide (actress Nana de Herrera, who looked weird even before the transformation.) The Harryhausen-Herrmann collaboration originated two more Sinbad movies, and other favorites, as "Mysterious Island", "Jason and the Argonauts" and "The 3 Worlds of Gulliver", but "The 7th Voyage of Sinbad" is number one in my list of the collaborators' films. There is a moment in "Star Wars", which is a direct quotation of the movie: when Luke Skywalker and princess Leia cross above an abyss, as when Sinbad and Parisa escape from Sokura's lair.
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