A scientist is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea'.Written by
Stewart M. Clamen <email@example.com>
Although produced by different studios, it is obvious that the exterior design of the "Nautilus" submarine as seen in the film was heavily influenced by Harper Goff's "half crocodile/half shark" Nautilus design in Disney's 20,000 Leagues Under the Sea (1954), especially with respect to the sub's top spar and rounded "eye" windows. In the original Jules Verne novels of "20,000 Leagues Under the Sea" and "Mysterious Island", the Nautilus is described as being rather plain, basically a cigar-shaped steel tube with very little outside detailing. See more »
When Herbert is fighting the giant bird, we see the bird from a distance and it has very colorful feathers. When a closeup is shown of Herbert stabbing the bird in the neck, the feathers are white. See more »
All right, now get down.
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Opening credits prologue: THE SIEGE OF RICHMOND, VIRGINIA 1865 See more »
This is a nice, satisfying telling of the Verne story, with special effects by Ray Harryhausen and a good score by Bernard Herrman. Escapees from a Civil War prison camp are blown way off course in a balloon they stole. They find themselves on an apparently deserted island somewhere in the Pacific, are joined by two women who were shipwrecked, and eventually come face-to-face with Captain Nemo and the wrecked Nautilus.
They have to deal with pirates, an erupting volcano and Harryhausen's creature threats. These include very large versions of a hungry red crab, an aggressive chicken (or dodo), a bee and an unhappy squid. Some of the creatures turn out to be very good boiled or roasted.
The movie holds up well because of a strong story, good action, and fairly well-defined characters. It features Herbert Lom, in my view an under-rated actor, and Joan Greenwood. By this time Greenwood was taking character parts and doing a lot of stage work. But from the mid-Forties to the mid-Fifties she was, I think, one of the sexiest, smartest actors Britain has ever produced. Her plummy, smoky voice is inimitable.
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