A scientific expedition searching for fossils along the Amazon River discovers a prehistoric Gill-Man in the legendary Black Lagoon. The explorers capture the mysterious creature, but it breaks free. The Gill-Man returns to kidnap the lovely Kay, fiancée of one in the expedition, with whom it has fallen in love.Written by
Marty McKee <email@example.com>
The first design for the creature costume was modeled after the Oscar statuette given by The Academy of Motion Picture Arts and Sciences. The design was quickly scrapped, however, and the final foam rubber and latex creature costume bears little resemblance to the award. See more »
When David is revealing the Gill-Man photo, Dr. Thompson holds the pipe near his waist. The next shot shows him closer, holding the pipe near his mouth. See more »
In the beginning, God created the heaven and the earth. And the Earth was without form and void. This the planet Earth, newly born and and cooling rapidly from a temperature 6,000 degrees to a few hundred in less than 5 billion years. Heat rises, meets the atmosphere, the clouds form, and rain pours down upon the hardening surface for countless centuries. The restless seas rise, find boundaries, are contained. Now, in their warm depths, the miracle of life begins. In infinite ...
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As many times as this movie has been copied, filmmakers still can't seem to get it right. Considering that this film is considered a trend-setter, it's amazing how many rules this film BREAKS by today's standards. It breaks the notion that full shots of the creature and lots of blood and violence are needed to create a scare. In this film, all you need is a shot of the creature's hand and that piercing three-note musical motive played by brass instruments, and let the imagination fill in the blanks. It shatters the notion that monsters MUST be computer-generated--a guy in a suit CAN be scary. And it proves that black-and-white photography can be just as rich as color photography. The underwater sequences especially are both beautiful (almost surreal) and eerie at the same time.
And then there is the Gill Man himself. It's as if the writers took the best qualities of his predecessors and combined them into the last and best (IMHO) of the Universal monsters. Like The Mummy, he has lived long after he technically should have died; like Frankenstein's monster, he appears to be savage, yet shows intelligence and appreciates beauty; like Dracula, he is seductive. Just check out the scene where he swims with Julie Adams (unbeknownst to her, of course). I believe this is why he has achieved the status of a genuine icon, and deservedly so. Here's hoping he swims the waters for a long time.
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