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Exclusive: Indican Pictures has acquired North American rights for Australian filmmaker Alena Lodkina’s fantasy thriller Petrol about the unsettling friendship between a shy film student and an alluring performance artist with a troubled past.
The film originally world premiered at Locarno’s Filmmakers Of The Present competition in 2022, and then enjoyed a buzzy North American premiere at the Lincoln Centre and MoMA’s New Directors/ New Films Festival earlier this year.
Indican Pictures co-founder Randolph Kret negotiated the deal with UK-French film company Alief, with the latter reporting that the distribution company had beaten bids from two other key indie players on both price and its release plans which include a theatrical component.
“Indican Pictures has acquired Petrol, an intense and intoxicating performance piece that is set to be released in 2024,” said Kret.
One of the draws of the film for international buyers is co-star Nathalie Morris, lead of...
The film originally world premiered at Locarno’s Filmmakers Of The Present competition in 2022, and then enjoyed a buzzy North American premiere at the Lincoln Centre and MoMA’s New Directors/ New Films Festival earlier this year.
Indican Pictures co-founder Randolph Kret negotiated the deal with UK-French film company Alief, with the latter reporting that the distribution company had beaten bids from two other key indie players on both price and its release plans which include a theatrical component.
“Indican Pictures has acquired Petrol, an intense and intoxicating performance piece that is set to be released in 2024,” said Kret.
One of the draws of the film for international buyers is co-star Nathalie Morris, lead of...
- 11/6/2023
- by Melanie Goodfellow
- Deadline Film + TV
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Winnie Cheung’s “Residency,” which has its world premiere in the Bright Future section of Intl. Film Festival Rotterdam, has debuted its trailer (below). Alief is selling the film, which is a “haunting metafictional tale about female artists pushed beyond their limits at a cursed artist residency.”
The film, set at New York artists’ studio The Locker Room, is described by Alief’s Miguel Angel Govea as “an adventurous take on the final girl horror trope.” It is a “hybrid feature dancing between fiction and non-fiction norms that plays like a punk rock cover of Gaspar Noé’s ‘Climax.'”
Cheung commented: “Rather than representing women as sexualized victims through the traditional lens of male fantasies, I’m exploring the real horror behind the anxiety of being a female artist, which is often mixed in with pleasure, delirium and joy.”
Cheung was the editor and one of the producers of “Woodlands Dark and Days Bewitched,...
The film, set at New York artists’ studio The Locker Room, is described by Alief’s Miguel Angel Govea as “an adventurous take on the final girl horror trope.” It is a “hybrid feature dancing between fiction and non-fiction norms that plays like a punk rock cover of Gaspar Noé’s ‘Climax.'”
Cheung commented: “Rather than representing women as sexualized victims through the traditional lens of male fantasies, I’m exploring the real horror behind the anxiety of being a female artist, which is often mixed in with pleasure, delirium and joy.”
Cheung was the editor and one of the producers of “Woodlands Dark and Days Bewitched,...
- 1/27/2023
- by Leo Barraclough
- Variety Film + TV
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Cinema Plus has secured theatrical rights in Australia and New Zealand to Alena Lodkina’s drama “Petrol.” Scheduled for release in March 2023, it has just vowed in main competition at the Marrakech Film Festival following its Locarno world premiere in August.
“Petrol” is produced by Kate Laurie, who has already collaborated with Lodkina on her first feature “Strange Colours” and short “There Is No Such Thing as a Jellyfish.” It was funded by Screen Australia, VicScreen, the Melbourne International Film Festival Premiere Fund, Sbs and Orange Entertainment, with Alief on board as its international sales agent.
The film – set in Melbourne, where the helmer has lived for the last 10 years – mirrors Lodkina’s own story. Just like her protagonist, Eva, she was born to Russian parents. But it soon takes a detour into a more mysterious territory when Eva befriends Mia: a performance artist haunted by the ghosts of the past.
“Petrol” is produced by Kate Laurie, who has already collaborated with Lodkina on her first feature “Strange Colours” and short “There Is No Such Thing as a Jellyfish.” It was funded by Screen Australia, VicScreen, the Melbourne International Film Festival Premiere Fund, Sbs and Orange Entertainment, with Alief on board as its international sales agent.
The film – set in Melbourne, where the helmer has lived for the last 10 years – mirrors Lodkina’s own story. Just like her protagonist, Eva, she was born to Russian parents. But it soon takes a detour into a more mysterious territory when Eva befriends Mia: a performance artist haunted by the ghosts of the past.
- 11/16/2022
- by Marta Balaga
- Variety Film + TV
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Official competition includes Maryam Touzani’s The Blue Caftan and Cristèle Alves Meira’s Alma Viva.
The Marrakech International Film Festival (November 11-19) has announced the line-up for its 2022 edition, which returns as a physical edition following its cancellation in 2020 and 2021.
The official competition will see 14 first and second features vie for the Etoile d’Or (Gold Star) prize voted upon by a jury presided by Paolo Sorrentino. Among the selected titles, 10 are first features and six are from female directors.
The section includes two best international feature Oscar entries; Maryam Touzani’s The Blue Caftan (Morocco) and Cristèle Alves...
The Marrakech International Film Festival (November 11-19) has announced the line-up for its 2022 edition, which returns as a physical edition following its cancellation in 2020 and 2021.
The official competition will see 14 first and second features vie for the Etoile d’Or (Gold Star) prize voted upon by a jury presided by Paolo Sorrentino. Among the selected titles, 10 are first features and six are from female directors.
The section includes two best international feature Oscar entries; Maryam Touzani’s The Blue Caftan (Morocco) and Cristèle Alves...
- 10/14/2022
- by Rebecca Leffler
- ScreenDaily
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Exclusive: UK-French film company Alief has secured international sales rights to Australian filmmaker Alena Lodkina’s second feature Petrol, following its buzzy world premiere in Locarno’s Filmmakers Of The Present competition.
The Melbourne-set drama, co-stars Nathalie Morris as an impressionable film student of Russian origin who falls under the thrall of an enigmatic performance artist, played by big screen newcomer Hannah Lynch.
The pair move in together and their lives become more and more entwined, with Morris’s character embarking on a voyage of self-discovery played out between reality and her imagination.
Morris is best known internationally for her starring role in Stan’s Australian teen pregnancy series Bump, which premieres in North America on CW Network this month and was acquired for the U.K. by the BBC.
Petrol was the first Australian feature film to play in competition at Locarno since Clara Law’s Floating Life in...
The Melbourne-set drama, co-stars Nathalie Morris as an impressionable film student of Russian origin who falls under the thrall of an enigmatic performance artist, played by big screen newcomer Hannah Lynch.
The pair move in together and their lives become more and more entwined, with Morris’s character embarking on a voyage of self-discovery played out between reality and her imagination.
Morris is best known internationally for her starring role in Stan’s Australian teen pregnancy series Bump, which premieres in North America on CW Network this month and was acquired for the U.K. by the BBC.
Petrol was the first Australian feature film to play in competition at Locarno since Clara Law’s Floating Life in...
- 8/11/2022
- by Melanie Goodfellow
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BZGVlMjhiZDAtYmY0My00MmExLTlhYTUtMTM2YmUyZjNiOWE2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Alena Lodkina’s first feature, “Strange Colours” (2017) took her deep into the Australian outback, to the rough-as-guts opal-mining town of Lightning Ridge, before bringing her to the Venice Film Festival, where the film premiered. It augured a distinctive new mood in Australian cinema – understated but keenly observed; a little sinister – as represented in recent editions of Rotterdam (David Easteal’s “The Plains”; James Vaughan’s “Friends & Strangers”) and Cannes (Thom Wright’s “The Stranger”).
Her second feature, produced by Kate Laurie at Arenamedia and funded by Screen Australia, VicScreen, the Melbourne International Film Festival Premiere Fund, Sbs, and Orange Entertainment, takes its bow at the 75th Locarno Film Festival.
In the evasively-titled “Petrol,” the Russian-born filmmaker turns her gaze towards the city she calls home: the film ascribes a certain kind of decadent mystique to Melbourne, where Lodkina has lived for the last 10 years. “You don’t see cities portrayed in Australia that much,...
Her second feature, produced by Kate Laurie at Arenamedia and funded by Screen Australia, VicScreen, the Melbourne International Film Festival Premiere Fund, Sbs, and Orange Entertainment, takes its bow at the 75th Locarno Film Festival.
In the evasively-titled “Petrol,” the Russian-born filmmaker turns her gaze towards the city she calls home: the film ascribes a certain kind of decadent mystique to Melbourne, where Lodkina has lived for the last 10 years. “You don’t see cities portrayed in Australia that much,...
- 8/9/2022
- by Sona Karapoghosyan and Keva York
- Variety Film + TV
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Petrol Review — Petrol (2022) Film Review from the 75th Annual Locarno Film Festival, a movie written and directed by Alena Lodkina and starring Nathalie Morris, Hannah Lynch, Daniel Frederiksen, Natalia Novikova, Alex Menglet, Ganda Marpaung and Intan Kieflie. There’s not a lot that one can learn in film school if one doesn’t already have [...]
Continue reading: Film Review: Petrol: A Thought-Provoking and Ambiguous Tale of Imagination [Locarno 2022]...
Continue reading: Film Review: Petrol: A Thought-Provoking and Ambiguous Tale of Imagination [Locarno 2022]...
- 8/6/2022
- by Thomas Duffy
- Film-Book
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Medusa Deluxe (Thomas Hardiman).The lineup for the 75th-anniversary edition of the festival has been announced, including new films by Helena Wittmann, João Pedro Rodrígues, Aleksandr Sokurov and others, alongside retrospectives, tributes, and much more.Piazza GRANDEAlles über Martin Suter. Ausser die Wahrheit. (Everything About Martin Suter. Everything but the Truth.) (André Schäfer)Annie Colère (Blandine Lenoir)Bullet Train (David Leitch)Compartiment tueurs (The Sleeping Car Murder) (Costa-Gavras)Delta (Michele Vannucci)Home of the Brave (Laurie Anderson)Imitation of Life (Douglas Sirk)Last Dance (Delphine Lehericey)Medusa Deluxe (Thomas Hardiman)My Neighbor Adolf (Leon Prudovsky)Paradise Highway (Anna Gutto)Piano Piano (Nicola Prosatore)Printed Rainbow (Gitanjali Rao)Semret (Caterina Mona)Une femme de notre temps (Jean Paul Civeyrac)Vous n'aurez pas ma haine (You Will Not Have My Hate) (Kilian Riedhof)Where the Crawdads Sing (Olivia Newman)Human Flowers of Flesh (Helena Wittmann).Concorso INTERNAZIONALEAriyippu (Declaration) (Mahesh Narayanan)Balıqlara xütbə...
- 7/13/2022
- MUBI
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A total of 11 titles to compete at 70th anniversary edition of festival.
The 70th Melbourne International Film Festival (August 4-28) has unveiled the 11 titles set to compete in its first ever international competition.
The Miff Bright Horizons competition has a focus on first and second features, and a prize of A140,000 – the biggest film prize in Australia.
Scroll down for full list of titles
Miff artistic director Al Cossar’s line-up includes several debut features from female directors including Aftersun from UK director Charlotte Wells and magical realist eco drama The Cow Who Sang A Song Into The Future from Chilean filmmaker Francisca Alegría.
The 70th Melbourne International Film Festival (August 4-28) has unveiled the 11 titles set to compete in its first ever international competition.
The Miff Bright Horizons competition has a focus on first and second features, and a prize of A140,000 – the biggest film prize in Australia.
Scroll down for full list of titles
Miff artistic director Al Cossar’s line-up includes several debut features from female directors including Aftersun from UK director Charlotte Wells and magical realist eco drama The Cow Who Sang A Song Into The Future from Chilean filmmaker Francisca Alegría.
- 7/12/2022
- by Sandy George
- ScreenDaily
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For its 70th edition, the Melbourne International Film Festival has announced its most ambitious ever program. After multiple Covid-19 lockdowns, it will be the festival’s first in-cinema Melbourne schedule since 2019, and run Aug. 4-21, 2022.
The 2022 line up will showcase 257 feature films, 177 Australian premiers, 18 world premieres including opening night film “Of an Age,” from Macedonian born, Melbourne-based writer-director, Goran Stolevski (“Won’t Be Alone”), as well as a record 61 titles fresh from Cannes.
“This is our first full-scale in-cinema return,” Miff artistic director, Al Cossar told Variety. The festival is expanding its footprint with a concurrent regional program and an online streaming platform through Miff Play, which will digitally screen 105 shorts and features that will be available Australia wide from 11- 28 August.
“This is a wonderful way to keep outreaching and meeting audiences where they are and is an opportunity for us to expand nationally,” said Cossar.
Also new to...
The 2022 line up will showcase 257 feature films, 177 Australian premiers, 18 world premieres including opening night film “Of an Age,” from Macedonian born, Melbourne-based writer-director, Goran Stolevski (“Won’t Be Alone”), as well as a record 61 titles fresh from Cannes.
“This is our first full-scale in-cinema return,” Miff artistic director, Al Cossar told Variety. The festival is expanding its footprint with a concurrent regional program and an online streaming platform through Miff Play, which will digitally screen 105 shorts and features that will be available Australia wide from 11- 28 August.
“This is a wonderful way to keep outreaching and meeting audiences where they are and is an opportunity for us to expand nationally,” said Cossar.
Also new to...
- 7/12/2022
- by Katherine Tulich
- Variety Film + TV
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Ten world premieres among 17 international competition titles.
The Locarno Film Festival (August 3-13) has revealed the line-up for its 75th edition, which includes the world premiere of Russian filmmaker Aleksandr Sokurov’s Fairytale.
The international competition will comprise 17 films, including 10 world premieres, which will vie for the coveted Golden Leopard awards.
Scroll down for full line-up
These titles include Fairytale, a Belgium-Russia co-production written and directed by Sokurov, whose films have played in Competition at Cannes five times with features including Russian Ark in 2002. His debut The Lonely Voice Of a Man received the Bronze Leopard in Locarno in 1987.
The...
The Locarno Film Festival (August 3-13) has revealed the line-up for its 75th edition, which includes the world premiere of Russian filmmaker Aleksandr Sokurov’s Fairytale.
The international competition will comprise 17 films, including 10 world premieres, which will vie for the coveted Golden Leopard awards.
Scroll down for full line-up
These titles include Fairytale, a Belgium-Russia co-production written and directed by Sokurov, whose films have played in Competition at Cannes five times with features including Russian Ark in 2002. His debut The Lonely Voice Of a Man received the Bronze Leopard in Locarno in 1987.
The...
- 7/6/2022
- by Michael Rosser
- ScreenDaily
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![Jean-Paul Civeyrac at an event for Toutes ces belles promesses (2003)](https://m.media-amazon.com/images/M/MV5BMTg4NjU3ODcxNl5BMl5BanBnXkFtZTYwNjQ5MTk1._V1_QL75_UX140_CR0,4,140,207_.jpg)
Returning for its milestone 75th edition, Locarno Film Festival has now unveiled its full lineup. Taking place from August 3 through 13th, the selection includes Helena Wittmann’s Human Flowers of Flesh, Jean-Paul Civeyrac’s Une femme de notre temps, Aleksandr Sokurov’s Fairytale, Patricia Mazuy’s Bowling Saturne, Abbas Fahdel’s Tales of the Purple House, Ana Vaz’s It Is Night In America, Leon Prudovsky’s My Neighbor Adolf, a massive Douglas Sirk retrospective, and much more.
“The selection of films that we have put together, after watching and appraising over 3,000 titles (of every length and format), is intended to be the mark of a time and of a cinema in motion,” Artistic Director Giona A. Nazzaro said. “A historic time that is moving in multiple directions simultaneously, and a cinema that is probing the issues facing the world, and how to live in it re- sponsibly, sustainably. The...
“The selection of films that we have put together, after watching and appraising over 3,000 titles (of every length and format), is intended to be the mark of a time and of a cinema in motion,” Artistic Director Giona A. Nazzaro said. “A historic time that is moving in multiple directions simultaneously, and a cinema that is probing the issues facing the world, and how to live in it re- sponsibly, sustainably. The...
- 7/6/2022
- by Jordan Raup
- The Film Stage
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The Locarno Film Festival has announced the full line-up and juries for its 75th edition, which is due to unfold August 3-13.
The festival will get a starry kick-off on August 3 with the international festival premiere of David Leitch’s action-comedy Bullet Train, starring Brad Pitt alongside an ensemble cast featuring Joey King, Michael Shannon, Aaron Taylor-Johnson, Brian Tyree Henry, Sandra Bullock, Hiroyuki Sanada, Andrew Koji and Benito A Martínez Ocasio.
The film will be given a gala screening in the festival’s trademark 8,000-seat, open-air Piazza Grande arena.
Other titles due to get a splash on the Piazza Grande include Laurie Anderson’s Home Of The Brave, U.K. director Thomas Hardiman’s Medusa Deluxe and German director Kilian Riedhof’s French-language drama You Will Not Have My Hate, based on the memoir of a man on how he and his son coped following the death of his wife in the 2015 Bataclan terror attack.
The festival will get a starry kick-off on August 3 with the international festival premiere of David Leitch’s action-comedy Bullet Train, starring Brad Pitt alongside an ensemble cast featuring Joey King, Michael Shannon, Aaron Taylor-Johnson, Brian Tyree Henry, Sandra Bullock, Hiroyuki Sanada, Andrew Koji and Benito A Martínez Ocasio.
The film will be given a gala screening in the festival’s trademark 8,000-seat, open-air Piazza Grande arena.
Other titles due to get a splash on the Piazza Grande include Laurie Anderson’s Home Of The Brave, U.K. director Thomas Hardiman’s Medusa Deluxe and German director Kilian Riedhof’s French-language drama You Will Not Have My Hate, based on the memoir of a man on how he and his son coped following the death of his wife in the 2015 Bataclan terror attack.
- 7/6/2022
- by Melanie Goodfellow
- Deadline Film + TV
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A range of digital, documentary, and feature productions are among the beneficiaries of a new funding round from Film Victoria, which will see $3.9 million go towards 12 productions.
The projects are expected to inject $39.8 million into the Victorian economy and generate 1,749 job opportunities.
Among the projects announced are documentaries such as Danny Ben-Moshe’s Revenge: My Dad The Nazi Killer; Lachlan Mcleod’s After Trauma, and Duy Huynh’s How To Thrive, and previously announced features such as Paul Goldman’s Kid Snow, Alena Lodkina’s Petrol, and Adam Elliot’s Memoir of a Snail.
The investment extends to the third season of Lilydale Films’ popular Lgbtiqa+ YouTube series Flunk, which is currently filming in Melbourne.
Flunk follows 16-year-old Ingrid, as she starts to explore her sexuality while dealing with the pressures of a country high school and conservative Chinese-Australian family.
The series has amassed 50 million views and 200,000 subscribers since its...
The projects are expected to inject $39.8 million into the Victorian economy and generate 1,749 job opportunities.
Among the projects announced are documentaries such as Danny Ben-Moshe’s Revenge: My Dad The Nazi Killer; Lachlan Mcleod’s After Trauma, and Duy Huynh’s How To Thrive, and previously announced features such as Paul Goldman’s Kid Snow, Alena Lodkina’s Petrol, and Adam Elliot’s Memoir of a Snail.
The investment extends to the third season of Lilydale Films’ popular Lgbtiqa+ YouTube series Flunk, which is currently filming in Melbourne.
Flunk follows 16-year-old Ingrid, as she starts to explore her sexuality while dealing with the pressures of a country high school and conservative Chinese-Australian family.
The series has amassed 50 million views and 200,000 subscribers since its...
- 6/16/2021
- by Sean Slatter
- IF.com.au
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Federal funding body Screen Australia confirmed its backing for a trio of Australian film projects that will now move forward into production. Director Robert Connolly (“The Dry”) is behind two of them as producer.
The funding decisions ensure that a steady stream of local films move into production, alongside the large volume of international films and TV series that are currently in Australia, taking advantage of generous incentives and good coronavirus control conditions.
Set in 1970’s Western Australia, “Kid Snow” is a drama about a washed-up Irish boxer who is offered a rematch against a man he fought 10 years ago, on a night that changed his life forever. He is faced with a chance to redeem himself when he meets a single mother and is forced to contemplate a future beyond boxing.
The film is directed by Paul Goldman (“Suburban Mayhem”) and written by John Brumpton (“Life”), Phillip Gwynne (“Australian Rules...
The funding decisions ensure that a steady stream of local films move into production, alongside the large volume of international films and TV series that are currently in Australia, taking advantage of generous incentives and good coronavirus control conditions.
Set in 1970’s Western Australia, “Kid Snow” is a drama about a washed-up Irish boxer who is offered a rematch against a man he fought 10 years ago, on a night that changed his life forever. He is faced with a chance to redeem himself when he meets a single mother and is forced to contemplate a future beyond boxing.
The film is directed by Paul Goldman (“Suburban Mayhem”) and written by John Brumpton (“Life”), Phillip Gwynne (“Australian Rules...
- 5/17/2021
- by Patrick Frater
- Variety Film + TV
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Screen Australia has announced $5.6 million of production funding for three feature films and returning seasons of Stan’s Bump and 10’s The Secret She Keeps.
The films include two Arenamedia projects: an new animation from the Oscar-winning Adam Elliot and a second feature from writer/director Alena Lodkina (Strange Colours), titled Petrol. The other film is Paul Goldman’s Western Australian feature film Kid Snow, produced by Unicorn Films.
Screen Australia CEO Graeme Mason said: “We have been blown away by the volume of applications for production funding and are heartened at the breadth of distinct Australian stories that continue to come through.
“Adam Elliot is set to delight audiences around the world with a remarkable new drama in his signature claymation style; and we’re thrilled to support writer/director Alena Lodkina whose 2017 feature Strange Colours premiered at the Venice Film Festival, as she expands on her unique voice with striking follow up Petrol.
The films include two Arenamedia projects: an new animation from the Oscar-winning Adam Elliot and a second feature from writer/director Alena Lodkina (Strange Colours), titled Petrol. The other film is Paul Goldman’s Western Australian feature film Kid Snow, produced by Unicorn Films.
Screen Australia CEO Graeme Mason said: “We have been blown away by the volume of applications for production funding and are heartened at the breadth of distinct Australian stories that continue to come through.
“Adam Elliot is set to delight audiences around the world with a remarkable new drama in his signature claymation style; and we’re thrilled to support writer/director Alena Lodkina whose 2017 feature Strange Colours premiered at the Venice Film Festival, as she expands on her unique voice with striking follow up Petrol.
- 5/16/2021
- by Staff Writer
- IF.com.au
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Exclusive: This year’s Oxbelly Labs has set creative advisors including directors Maren Ade (Toni Erdmann), Mati Diop (Atlantics), Ulrich Köhler (In My Room) and Lulu Wang (The Farewell), as well as producer-seller Michael Weber, founder of The Match Factory.
The Lab is designer to offer promising international filmmakers the opportunity to work on their first or second feature script, as well as workshop and direct one scene from it, with guidance from industry mentors.
Led by Oxbelly’s artistic director and Greek filmmaker Athina Rachel Tsangari (Attenberg), the Lab is being hosted online this year.
Returning creative advisors include Paul Thomas Anderson (Phantom Thread), Michael Almereyda (Tesla), Ritesh Batra (Photograph), Lisa Cholodenko (Olive Kitteridge), Willem Dafoe (Tommaso), Naomi Foner (Running On Empty), Nick Kroll (Big Mouth), Jeff Nichols (Loving), Olivier Père and Eva Stefani (Manuscript).
The Labs were established...
The Lab is designer to offer promising international filmmakers the opportunity to work on their first or second feature script, as well as workshop and direct one scene from it, with guidance from industry mentors.
Led by Oxbelly’s artistic director and Greek filmmaker Athina Rachel Tsangari (Attenberg), the Lab is being hosted online this year.
Returning creative advisors include Paul Thomas Anderson (Phantom Thread), Michael Almereyda (Tesla), Ritesh Batra (Photograph), Lisa Cholodenko (Olive Kitteridge), Willem Dafoe (Tommaso), Naomi Foner (Running On Empty), Nick Kroll (Big Mouth), Jeff Nichols (Loving), Olivier Père and Eva Stefani (Manuscript).
The Labs were established...
- 11/12/2020
- by Andreas Wiseman
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BODI4ZTkxY2QtYzQ4MS00ZDQ2LWEwNmItZmRjZTdkYTJmYzQ2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BODI4ZTkxY2QtYzQ4MS00ZDQ2LWEwNmItZmRjZTdkYTJmYzQ2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Robert Connolly.
In the 25 years since he graduated from the Australian Film Television and Radio School Robert Connolly has never been more excited about the future of the film industry.
Reflecting his boundless optimism, his company Arenamedia’s production and development slate is the biggest and most ambitious in its 15-year history.
“The future path for us is having many and varied collaborations and partnerships and not trying to be proprietorial,” Connolly tells If.
“Our creative team are backing our love and passion for cinema, without disparaging in any way this amazing era we’re in with television.
“We’re excited by the future of cinema. We think there will be innovation and new ways of watching cinema.”
The company is collaborating with an unprecedented number of established and emerging writers and directors. The latter cohort includes the Strange Colours creative team of Alena Lodkina and Kate Laurie, Zambian-Australian writer...
In the 25 years since he graduated from the Australian Film Television and Radio School Robert Connolly has never been more excited about the future of the film industry.
Reflecting his boundless optimism, his company Arenamedia’s production and development slate is the biggest and most ambitious in its 15-year history.
“The future path for us is having many and varied collaborations and partnerships and not trying to be proprietorial,” Connolly tells If.
“Our creative team are backing our love and passion for cinema, without disparaging in any way this amazing era we’re in with television.
“We’re excited by the future of cinema. We think there will be innovation and new ways of watching cinema.”
The company is collaborating with an unprecedented number of established and emerging writers and directors. The latter cohort includes the Strange Colours creative team of Alena Lodkina and Kate Laurie, Zambian-Australian writer...
- 5/31/2020
- by The IF Team
- IF.com.au
![Sigmund Freud](https://m.media-amazon.com/images/M/MV5BOThiNzEyOTAtMzE5Ni00Zjg4LThhMGMtOGQ5OGY3ODI1OTI3XkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UY207_CR6,0,140,207_.jpg)
![Sigmund Freud](https://m.media-amazon.com/images/M/MV5BOThiNzEyOTAtMzE5Ni00Zjg4LThhMGMtOGQ5OGY3ODI1OTI3XkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UY207_CR6,0,140,207_.jpg)
Robert Nugent’s ‘Roadside Picnic’.
From this Friday, Prototype, the experimental film and video art e-newsletter curated by writer and critic Lauren Carroll Harris, will deliver a series of projects in response to the Covid-19 lockdown.
Supported by Arcadia Films, the Institute of Modern Art and FBi Radio, the ‘Prototype Care Package’ aims to keep both audiences connected with art and artists in paid work during this time.
It will include a new commission from Robert Nugent, and premiere new projects from both Australian and international artists, in addition to re-edited versions of existing works.
Each project will be screened online for one week until it is replaced by the next. Following this, the whole season will be collected and archived on the Prototype website as soon as the project has wrapped.
“Audiences need ways to see new art, safely, at home, now,” said Carroll Harris.“Prototype Care Package is...
From this Friday, Prototype, the experimental film and video art e-newsletter curated by writer and critic Lauren Carroll Harris, will deliver a series of projects in response to the Covid-19 lockdown.
Supported by Arcadia Films, the Institute of Modern Art and FBi Radio, the ‘Prototype Care Package’ aims to keep both audiences connected with art and artists in paid work during this time.
It will include a new commission from Robert Nugent, and premiere new projects from both Australian and international artists, in addition to re-edited versions of existing works.
Each project will be screened online for one week until it is replaced by the next. Following this, the whole season will be collected and archived on the Prototype website as soon as the project has wrapped.
“Audiences need ways to see new art, safely, at home, now,” said Carroll Harris.“Prototype Care Package is...
- 4/14/2020
- by jkeast
- IF.com.au
(L-r): Melissa Lee Speyer, Gemma Bird Matheson, Lynette Wallworth.
Screen Australia has put almost $900,000 towards the story development of seven TV dramas, nine online projects, nine features and in an agency first – a podcast.
Podcast Engineering Consciousness, helmed by Emmy Award winner Lynette Wallworth, explores what happens to someone’s consciousness during a near-death experience. The idea is that the podcast will be used as a proof-of-concept for a television drama on the same topic. It will be produced by Bunya Productions’ Sophia Zachariou and Greer Simpkin.
Also on the slate is a live-action feature film from Ludo Studio (Bluey), written and directed by Daley Pearson, and a 10-part fictional TV series about what went on behind the scenes of the iconic Leyland Brothers’ adventures across Australia, created by Daina Reid and produced by Joanna Werner.
This is the first story development round of the year. Screen Australia runs...
Screen Australia has put almost $900,000 towards the story development of seven TV dramas, nine online projects, nine features and in an agency first – a podcast.
Podcast Engineering Consciousness, helmed by Emmy Award winner Lynette Wallworth, explores what happens to someone’s consciousness during a near-death experience. The idea is that the podcast will be used as a proof-of-concept for a television drama on the same topic. It will be produced by Bunya Productions’ Sophia Zachariou and Greer Simpkin.
Also on the slate is a live-action feature film from Ludo Studio (Bluey), written and directed by Daley Pearson, and a 10-part fictional TV series about what went on behind the scenes of the iconic Leyland Brothers’ adventures across Australia, created by Daina Reid and produced by Joanna Werner.
This is the first story development round of the year. Screen Australia runs...
- 11/11/2019
- by jkeast
- IF.com.au
Alena Lodkina’s ‘Mercury’.
Those who have enjoyed getting video art and experimental short films delivered weekly to their inbox via Lauren Carroll Harris’ e-newsletter Prototype will be pleased to know the critic and curator plans a second iteration.
The pilot season, launched back in July with the support of Arcadia Films, The Australia Council and City of Sydney, saw Carroll Harris – a writer and regular critic for ABC Rn’s The Screen Show – commission works from 12 different artists and filmmakers.
Her brief to the creatives had no thematic limitations, rather she simply funded them to create something short and designed to be viewed on a small screen.
The motivations behind the idea were twofold. One, Carroll Harris wanted to support creatives whose work she found interesting. Two, she was keen to shake up how experimental screen art was commissioned and distributed. That is, to take it outside of traditional...
Those who have enjoyed getting video art and experimental short films delivered weekly to their inbox via Lauren Carroll Harris’ e-newsletter Prototype will be pleased to know the critic and curator plans a second iteration.
The pilot season, launched back in July with the support of Arcadia Films, The Australia Council and City of Sydney, saw Carroll Harris – a writer and regular critic for ABC Rn’s The Screen Show – commission works from 12 different artists and filmmakers.
Her brief to the creatives had no thematic limitations, rather she simply funded them to create something short and designed to be viewed on a small screen.
The motivations behind the idea were twofold. One, Carroll Harris wanted to support creatives whose work she found interesting. Two, she was keen to shake up how experimental screen art was commissioned and distributed. That is, to take it outside of traditional...
- 9/17/2019
- by jkeast
- IF.com.au
In 2018 we've published 70 interviews whose subjects have ranged from old masters to emerging new voices, and including some unexpected conversations, including those with curators (Dave Kehr of the Museum of Modern Art), as well as archival finds (a 1971 talk with Jerry Lewis).Below you will find an index of our conversations throughout the year, listed in order of publication date.Blake Williams (Prototype)Samira Elagoz (Craigslist Allstars)F.J. Ossang (9 Fingers)Jerry LewisAndré Gil Mata (The Tree)Christian Petzold (Transit)Raoul Peck (Young Karl Marx)Ashley McKenzie (Werewolf)Penelope SpheerisTed Fendt (Classical Period)Dominik Graf (The Red Shadow)Blake Williams ("Stereo Visions")Arnaud Desplechin (Ismael's Ghosts)Ruth Beckermann (The Waldheim Waltz)Nelson Carlos de los Santos Arias (Cocote)Esther GarrelPhilippe Garrel (Lover for a Day)Jonas MekasJohann Lurf (★)Karim Aïnouz (Central Airport Thf)Juliana Antunes (Baronesa)Cristina Gallego and Ciro Guerra (Birds of Passage)Wang Bing (Dead Souls)Donal Foreman...
- 12/27/2018
- MUBI
‘Strange Colours’
Alena Lodkina’s Strange Colours and Jessica Leski’s documentary I Used to be Normal: A Boyband Fangirl Story opened on limited screens last weekend.
Not much store should be placed on ticket sales because both titles have already had a significant impact at Australian and international festivals and both have the upside of ancillary revenues and and foreign sales.
Indeed both have been very effective launching pads for their directors, fulfilling one of Screen Australia’s remits of funding films as a talent escalator, particularly for first-time filmmakers.
“It’s been a life-changing period for me,” Lodkina tells If. “Strange Colours has given me a lot of hope and energy and enabled me to form a lot of relationships during the production and distribution.
Co-written by Lodkina and producer Isaac Wall, who produced with Kate Laurie, the evocative drama follows Kate Cheel as Milena, who travels to...
Alena Lodkina’s Strange Colours and Jessica Leski’s documentary I Used to be Normal: A Boyband Fangirl Story opened on limited screens last weekend.
Not much store should be placed on ticket sales because both titles have already had a significant impact at Australian and international festivals and both have the upside of ancillary revenues and and foreign sales.
Indeed both have been very effective launching pads for their directors, fulfilling one of Screen Australia’s remits of funding films as a talent escalator, particularly for first-time filmmakers.
“It’s been a life-changing period for me,” Lodkina tells If. “Strange Colours has given me a lot of hope and energy and enabled me to form a lot of relationships during the production and distribution.
Co-written by Lodkina and producer Isaac Wall, who produced with Kate Laurie, the evocative drama follows Kate Cheel as Milena, who travels to...
- 11/26/2018
- by The IF Team
- IF.com.au
‘Strange Colours’.
Festival For Film’s Sake (Ffs) has expanded its focus to include the theatrical distribution of films from female filmmakers.
In partnership with Bonsai Films, Ffs will release Alena Lodkina’s Strange Colours in cinemas next week and Gabrielle Brady’s doco Island of the Hungry Ghosts in the first quarter of next year.
Of the decision to move into distribution, Ffs director Sophie Mathisen tells If that many of the films she had worked with through the female-focused festival were made independently and were yet to find a distributor. Often the filmmakers were unsure what to do with their films after their festival run was over. She believed with strategic investment, these films could find broader audiences.
“When you can see that most of the films that are in cinemas are directed and written by men, it creates this cultural vacuum where it makes female filmmakers feel more risky,...
Festival For Film’s Sake (Ffs) has expanded its focus to include the theatrical distribution of films from female filmmakers.
In partnership with Bonsai Films, Ffs will release Alena Lodkina’s Strange Colours in cinemas next week and Gabrielle Brady’s doco Island of the Hungry Ghosts in the first quarter of next year.
Of the decision to move into distribution, Ffs director Sophie Mathisen tells If that many of the films she had worked with through the female-focused festival were made independently and were yet to find a distributor. Often the filmmakers were unsure what to do with their films after their festival run was over. She believed with strategic investment, these films could find broader audiences.
“When you can see that most of the films that are in cinemas are directed and written by men, it creates this cultural vacuum where it makes female filmmakers feel more risky,...
- 11/14/2018
- by jkeast
- IF.com.au
‘Ladies in Black.’
As the Australian feature films and feature docs released in cinemas this year have surpassed the calendar 2017 total exhibitors generally are happy with the diversity of product and the number of titles that have resonated with mainstream audiences.
While some say there have been too many niche and small-scale films, the consensus is that local films overall have held their own in a fragmented theatrical market and in the face of competition for eyeballs from the burgeoning Netflix and Stan.
Their outlook for 2019 is even more optimistic – if distributors and exhibitors are smart with their dating.
Through Wednesday, Oz films and feature docs including holdovers have racked up $54.2 million, according to the Motion Picture Distributors Association of Australia (Mpdaa), beating last year’s $49.4 million, which was a market share of 4.1 per cent.
So the industry will finish the year ahead of the 2009 total of $54.8 million. The stand-out...
As the Australian feature films and feature docs released in cinemas this year have surpassed the calendar 2017 total exhibitors generally are happy with the diversity of product and the number of titles that have resonated with mainstream audiences.
While some say there have been too many niche and small-scale films, the consensus is that local films overall have held their own in a fragmented theatrical market and in the face of competition for eyeballs from the burgeoning Netflix and Stan.
Their outlook for 2019 is even more optimistic – if distributors and exhibitors are smart with their dating.
Through Wednesday, Oz films and feature docs including holdovers have racked up $54.2 million, according to the Motion Picture Distributors Association of Australia (Mpdaa), beating last year’s $49.4 million, which was a market share of 4.1 per cent.
So the industry will finish the year ahead of the 2009 total of $54.8 million. The stand-out...
- 11/2/2018
- by The IF Team
- IF.com.au
Nicole Kidman and Joel Edgerton on the set of ‘Boy Erased.’
Joel Edgerton and Simon Baker have scored nominations in the feature film direction and acting categories for Boy Erased and Breath, the first time that’s happened in the same year in AFI | Aacta history.
Edgerton and Baker will compete for four prizes at this year’s awards which will be handed out at an industry luncheon on December 3 and at the ceremony on December 5. Both titles have been nominated for best film and Edgerton and Baker are also in the running for best supporting actor and adapted screenplay.
In total 19 features received nominations, with five vying for best film: Boy Erased, Breath, Yolanda Ramke and Ben Howling’s Cargo, Bruce Beresford’s Ladies in Black and Warwick Thornton’s Sweet Country.
The five titles competing for the new category of best indie film budgeted under $2 million are the Jacobson brothers’ Sibling Rivalry,...
Joel Edgerton and Simon Baker have scored nominations in the feature film direction and acting categories for Boy Erased and Breath, the first time that’s happened in the same year in AFI | Aacta history.
Edgerton and Baker will compete for four prizes at this year’s awards which will be handed out at an industry luncheon on December 3 and at the ceremony on December 5. Both titles have been nominated for best film and Edgerton and Baker are also in the running for best supporting actor and adapted screenplay.
In total 19 features received nominations, with five vying for best film: Boy Erased, Breath, Yolanda Ramke and Ben Howling’s Cargo, Bruce Beresford’s Ladies in Black and Warwick Thornton’s Sweet Country.
The five titles competing for the new category of best indie film budgeted under $2 million are the Jacobson brothers’ Sibling Rivalry,...
- 10/29/2018
- by The IF Team
- IF.com.au
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSWe are deeply saddened by the news that Village Voice, home to an abundance of film criticism over the past six decades, "is suspending all editorial content and will lay off half its staff effective immediately." For the Criterion Collection, David Hudson has provided a spotlight of the Voice's foremost critical voices, including Bilge Ebiri, whose last review for the publication is on the "communal consciousness" of Robert Greene's Bisbee '17. Recommended Viewinga gorgeous trailer for photographer RaMell Ross's directorial debut Hale County This Morning, This Evening, the tale of "two young African American men from rural Hale County, Alabama, over the course of five years."The official trailer for Yorgos Lanthimos's The Favourite, currently in competition at the 75th Venice International Film Festival, provides a closer look into its evidently wicked sense of humor,...
- 9/6/2018
- MUBI
I met Alena Lodkina two years ago, when she bounded up to a stall I was staffing at a book fair in Melbourne. She’d heard the film magazine I publish would be dedicating an issue to Pedro Costa, and so we got to chatting—about Costa, and particularly about Casa de Lava (1995), a film which famously birthed Costa’s Fontainhas trilogy, after he was asked to pass on gifts from people in Cape Verde to their families and friends in Lisbon. She ended up penning an essay for that issue of Fireflies, kicking off a friendship anchored upon a reciprocal love of cinema that comes full circle now with the release of her debut feature, Strange Colours. Developing from her earlier documentary Lightning Ridge: The Land of Black Opals (2016), Strange Colours is, like Casa de Lava, a melancholic fiction rooted firmly in a study of place. Apart from the three leads,...
- 9/2/2018
- MUBI
The Russian-born director captures dreamers, drinkers and drifters in a place where ‘nothing much happens’
“As an outsider, I could see that Lightning Ridge is a refuge for misfits,” says Russian-born Australian film-maker Alena Lodkina. “What that meant, of course, was leaving things behind. Lots of people in Lightning Ridge have stories of broken relationships and criminal pasts, or all kinds of paths that have led to that place.”
As a film about outsiders, it’s fitting that Strange Colours is enjoying a deeply unconventional path to success. The movie announces its writer and director as an audacious new voice in Australian cinema, but it was made with support from beyond our shores. It doesn’t begin with the logo of the federal film-funding agency Screen Australia – and it was viewers and critics overseas who saw and loved it first.
“As an outsider, I could see that Lightning Ridge is a refuge for misfits,” says Russian-born Australian film-maker Alena Lodkina. “What that meant, of course, was leaving things behind. Lots of people in Lightning Ridge have stories of broken relationships and criminal pasts, or all kinds of paths that have led to that place.”
As a film about outsiders, it’s fitting that Strange Colours is enjoying a deeply unconventional path to success. The movie announces its writer and director as an audacious new voice in Australian cinema, but it was made with support from beyond our shores. It doesn’t begin with the logo of the federal film-funding agency Screen Australia – and it was viewers and critics overseas who saw and loved it first.
- 6/5/2018
- by Lauren Carroll Harris
- The Guardian - Film News
Alena Lodkina: 'I think the night scenes are important because they evoke this hidden, half-sense of being lost' Alena Lodkina: 'I think the eastern European sensibility is probably ingrained in me, because I grew up with Russian cinema' Alena Lodkina’s Strange Colours is one of the three films to emerge from Venice Film Festival’s Biennale College this year, an initiative that helps filmmakers fund and develop their work. Set in an opal mining community in the Australian Outback, it tells the story of young woman Milena (Kate Cheel) and her attempts to reconnect with her estranged father (Daniel P Jones), while also striking up a friendship with younger miner Frank (Justin Courtin).
Although scripted – Lodkina wrote the story with Isaac Wall – the film has a strong documentary flavour, with the supporting cast made up by members of the Lightning Ridge community in New South Wales and...
Although scripted – Lodkina wrote the story with Isaac Wall – the film has a strong documentary flavour, with the supporting cast made up by members of the Lightning Ridge community in New South Wales and...
- 9/5/2017
- by Amber Wilkinson
- eyeforfilm.co.uk
![Endangered Species (1982)](https://m.media-amazon.com/images/M/MV5BYTQ3MzkwNWUtN2U0NS00YjQ5LWJiMjctNjQzYjQ5ZTM5YzI5XkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Endangered Species (1982)](https://m.media-amazon.com/images/M/MV5BYTQ3MzkwNWUtN2U0NS00YjQ5LWJiMjctNjQzYjQ5ZTM5YzI5XkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_QL75_UX140_CR0,2,140,207_.jpg)
The 2017 Venice Film Festival kicked off on August 30, and for anyone who can’t make it all the way to Italy this year, IndieWire has a solution for you. Between now and Thursday, September 7 at noon Et, IndieWire readers can register using this form to win one of 5 online festival passes, which will give you the opportunity to stream five Venice titles for free online. All of the streaming titles will be from this year’s Orizzonti competition (Horizons), Biennale College and a few other sections. The movies include the following titles:
Endangered Species, by Gilles Bourdos – Online on August 31
Under The Tree, by Hafsteinn Gunnar Sigurðsson – Online on August 31
Strange Colours, by Alena Lodkina – Online on August 31
West Of Sunshine, by Jason Raftopoulos – Online on September 1
Martyr, by Mazen Khaled – Online on September 1
Nato A Casal Di Principe, by Bruno Oliviero – Online on September 1
Beautiful Things, by Giorgio Ferrero – Online on September 2
No Date,...
Endangered Species, by Gilles Bourdos – Online on August 31
Under The Tree, by Hafsteinn Gunnar Sigurðsson – Online on August 31
Strange Colours, by Alena Lodkina – Online on August 31
West Of Sunshine, by Jason Raftopoulos – Online on September 1
Martyr, by Mazen Khaled – Online on September 1
Nato A Casal Di Principe, by Bruno Oliviero – Online on September 1
Beautiful Things, by Giorgio Ferrero – Online on September 2
No Date,...
- 8/31/2017
- by Jamie Righetti
- Indiewire
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