Exclusive: Grasshopper Film and streaming platform Documentary+ have acquired North American rights to the Oscar-shortlisted feature Apolonia, Apolonia, a deal announced as the nomination voting window opens for the 96th Academy Awards.
Grasshopper will release the film theatrically Friday at Dctv’s Firehouse Cinema in New York, “with a launch on Documentary+ following all other traditional windows,” according to a release.
The film directed by Lea Glob documents the life of French painter Apolonia Sokol over a 13-year period, examining her attempt to maintain artistic integrity in an art world — and culture — where patriarchy privileges the male gaze over the female.
Apolonia Sokol
“The result is a moving meditation on friendship, personal and creative fulfillment, and both the liberation and limitations of the female body,” the release noted. “Over the years, both Sokol and Glob see again and again that the road to artistic achievement is not an easy or...
Grasshopper will release the film theatrically Friday at Dctv’s Firehouse Cinema in New York, “with a launch on Documentary+ following all other traditional windows,” according to a release.
The film directed by Lea Glob documents the life of French painter Apolonia Sokol over a 13-year period, examining her attempt to maintain artistic integrity in an art world — and culture — where patriarchy privileges the male gaze over the female.
Apolonia Sokol
“The result is a moving meditation on friendship, personal and creative fulfillment, and both the liberation and limitations of the female body,” the release noted. “Over the years, both Sokol and Glob see again and again that the road to artistic achievement is not an easy or...
- 1/11/2024
- by Matthew Carey
- Deadline Film + TV
Danish documentary production company’s slate include Sundance-selected ‘The Territory’ and Eva Weber’s ‘Merkel’.
European production group Newen Studios and Oscar-nominated Danish producer Sigrid Dyekjaer have launched a new Denmark-based documentary production company, Real Lava.
Real Lava is owned by France-based Newen Studios (part of the TF1 group) and Dyekjaer, and will work on both documentary films and series for an international audience, “with a cinematic execution and high artistic value”.
The company’s first production, The Territory, has been confirmed for the world cinema documentary competition at Sundance. Alex Pritz’s film explores the Indigenous Uru-eu-wau-wau community as...
European production group Newen Studios and Oscar-nominated Danish producer Sigrid Dyekjaer have launched a new Denmark-based documentary production company, Real Lava.
Real Lava is owned by France-based Newen Studios (part of the TF1 group) and Dyekjaer, and will work on both documentary films and series for an international audience, “with a cinematic execution and high artistic value”.
The company’s first production, The Territory, has been confirmed for the world cinema documentary competition at Sundance. Alex Pritz’s film explores the Indigenous Uru-eu-wau-wau community as...
- 12/10/2021
- by Wendy Mitchell
- ScreenDaily
The film also won the inaugural Danish:dox prize.
Marianne Hougen-Moraga and Estephan Wagner’s trauma exploration documentary Songs Of Repression led the winners at Cph:dox 2020, which presented its prizes via an online presentation this evening (March 27).
The Danish project took the Dox:Award in the international main competition, awarded by a jury of the Sundance Institute’s Brenda Coughlin; Dok Leipzig festival director Christoph Terhechte; Romanian director Alexander Nanau; and Danish director Pernille Rose Grønkjær.
See below for the full list of winners
The film explores the different strategies used to deal with trauma by residents of a Chilean town that has seen systemic child abuse,...
Marianne Hougen-Moraga and Estephan Wagner’s trauma exploration documentary Songs Of Repression led the winners at Cph:dox 2020, which presented its prizes via an online presentation this evening (March 27).
The Danish project took the Dox:Award in the international main competition, awarded by a jury of the Sundance Institute’s Brenda Coughlin; Dok Leipzig festival director Christoph Terhechte; Romanian director Alexander Nanau; and Danish director Pernille Rose Grønkjær.
See below for the full list of winners
The film explores the different strategies used to deal with trauma by residents of a Chilean town that has seen systemic child abuse,...
- 3/30/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
The Danish film has won the main prize at the online edition of Scandinavia's top documentary festival; other winners include We Hold the Line, Being Eriko, South, Mother’s Tongue and Mayor. The winners of the 17th edition of the Copenhagen International Documentary Film Festival - Cph:dox were announced on Friday evening. Originally set to unspool from 18-29 March in Copenhagen, in light of the global Covid-19 pandemic, the festival cancelled all on-site events and moved its activities online instead, including the awards ceremony. The Danish production Songs of Repression, co-directed by Marianne Hougen-Moraga and Estephan Wagner, picked up the festival’s main prize, the Dox:Award. The film explores a closed-off German community in Chile with a dark past. The jury consisted of Brenda Coughlin, of the Sundance Institute (USA); Dok Leipzig director Christoph Terhechte (Germany); and filmmakers Alexander Nanau (Romania) and Pernille Rose Grønkjær (Denmark). Songs of Repression also received the.
The film will world premiere in Toronto.
Dogwoof has swooped to take international sales rights and UK distribution to Oscar-nominated Feras Fayyad’s latest feature, The Cave.
The film will premiere as the opening night film of Tiff Docs next month, and as a Documentary Special Presentation at the London Film Festival.
The film tells the story of an underground Syrian hospital and the staff who work against enormous odds to keep it going despite the ongoing conflict.
Dogwoof will be beginning sales efforts in Toronto and is planning a UK theatrical release for December 6, placing it in good position for the 2020 awards season.
Dogwoof has swooped to take international sales rights and UK distribution to Oscar-nominated Feras Fayyad’s latest feature, The Cave.
The film will premiere as the opening night film of Tiff Docs next month, and as a Documentary Special Presentation at the London Film Festival.
The film tells the story of an underground Syrian hospital and the staff who work against enormous odds to keep it going despite the ongoing conflict.
Dogwoof will be beginning sales efforts in Toronto and is planning a UK theatrical release for December 6, placing it in good position for the 2020 awards season.
- 8/30/2019
- by Geoffrey Macnab
- ScreenDaily
New titles from Petra Costa, Guido Hendrikx and Mila Turajlic.
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 33 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 33 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
- 2/6/2019
- by Ben Dalton
- ScreenDaily
New titles from Petra Costa, Guido Hendrikx and Mila Turajlic.
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 32 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 32 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
- 2/6/2019
- by Ben Dalton
- ScreenDaily
Exclusive: Netflix to launch Us-Danish documentary Knox in autumn; Screen speaks to key doc companies about their lineups.
The Danish documentary world has been going from strength to strength – and not just Joshua Oppenheimer’s Danish productions The Act of Killing and The Look of Silence.
Screen spoke to three of Denmark’s most prominent documentary production companies last week in Copenhagen, to talk about their slates, which include a new Netflix title with exclusive access to Amanda Knox, two Syrian documentaries, and a Tribeca premiere about insects as a sustainable food source.
All the companies said Danish documentaries were booming thanks in part to generous support systems from the Danish Film Institute, which has specialist documentary funding consultants, to help them create such a range of work now.
As Signe Byrge Sorensen of Final Cut For Real says: “There is a long tradition here for documentary, and its also very diverse. People do all...
The Danish documentary world has been going from strength to strength – and not just Joshua Oppenheimer’s Danish productions The Act of Killing and The Look of Silence.
Screen spoke to three of Denmark’s most prominent documentary production companies last week in Copenhagen, to talk about their slates, which include a new Netflix title with exclusive access to Amanda Knox, two Syrian documentaries, and a Tribeca premiere about insects as a sustainable food source.
All the companies said Danish documentaries were booming thanks in part to generous support systems from the Danish Film Institute, which has specialist documentary funding consultants, to help them create such a range of work now.
As Signe Byrge Sorensen of Final Cut For Real says: “There is a long tradition here for documentary, and its also very diverse. People do all...
- 4/13/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Cph:dox has broken its own audience record for the 12th consecutive year.
This year’s tally was 83,900 visitors, up 20% from 70,100 last year. Of those, 3,586 were online views.
There were 1,356 delegate industry visitors.
Tine Fischer, festival director at Cph:dox, said: “Cph:dox has both audience- and industry-wise experienced an outstanding year. We are extremely happy, but hands down the most important thing that has happened this year without comparison, is that the festival has really taken the documentary into an active social and political space with its new project Megatrends. The project is not limited to journalistic criticism and analysis, but puts more focus on how we can get an active dialogue going on some of the most important global issues and challenges. The interaction, innovation and strengthening of an active democratic dialogue have been the objectives and we think it has had a flying start. The project is intended as a recurring initiative and we are looking forward...
This year’s tally was 83,900 visitors, up 20% from 70,100 last year. Of those, 3,586 were online views.
There were 1,356 delegate industry visitors.
Tine Fischer, festival director at Cph:dox, said: “Cph:dox has both audience- and industry-wise experienced an outstanding year. We are extremely happy, but hands down the most important thing that has happened this year without comparison, is that the festival has really taken the documentary into an active social and political space with its new project Megatrends. The project is not limited to journalistic criticism and analysis, but puts more focus on how we can get an active dialogue going on some of the most important global issues and challenges. The interaction, innovation and strengthening of an active democratic dialogue have been the objectives and we think it has had a flying start. The project is intended as a recurring initiative and we are looking forward...
- 11/25/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Catch up with the last seven days in the world of film
The big story
It perhaps doesn't rate up there with Disney buys Star Wars or Skyfall slays box office, but in these parts we're all big admirers of We Need to Talk About Kevin director Lynne Ramsay, whose career appeared to be on the up after Kevin's successful translation to the big screen following a long period – almost ten years in fact – of fallowness, since her previous film, 2002's Morvern Callar. Which is why it's set us, and the film world, in a spin to hear that Ramsay abruptly left the production of her new project, indie western Jane's Got a Gun, before a frame had been shot.
There's undoubtedly more to this than meets the eye, and we have to be careful what we say as this is a proper breaking news story, but Jane isn't some...
The big story
It perhaps doesn't rate up there with Disney buys Star Wars or Skyfall slays box office, but in these parts we're all big admirers of We Need to Talk About Kevin director Lynne Ramsay, whose career appeared to be on the up after Kevin's successful translation to the big screen following a long period – almost ten years in fact – of fallowness, since her previous film, 2002's Morvern Callar. Which is why it's set us, and the film world, in a spin to hear that Ramsay abruptly left the production of her new project, indie western Jane's Got a Gun, before a frame had been shot.
There's undoubtedly more to this than meets the eye, and we have to be careful what we say as this is a proper breaking news story, but Jane isn't some...
- 3/21/2013
- The Guardian - Film News
Catch up with the last seven days in the world of film
The big story
There's no denying it, things have got a bit quiet on the film front. So quiet that we have to give houseroom to film-not-happening stories
(24, if you're interested) or pointless propaganda (Iran to sue Argo - how does that work?) In fact, any crumb of comfort is gratefully appreciated, so when Slumdog Millionaire director and all-round national treasure Danny Boyle let slip there might be a Trainspotting sequel ready to go in the near future, everyone got very excited.
Now, the Iggy Pop-scored junkie comedy was a big hit back in 1996, and the follow up – adapted from writer Irvine Welsh's own novel-sequel, Porno – is taking aim at its 20th
anniversary, in 2016. It may be just a tiny conincidence that Boyle has got a new film out, the hypnotherapy art heist yarn Trance, but...
The big story
There's no denying it, things have got a bit quiet on the film front. So quiet that we have to give houseroom to film-not-happening stories
(24, if you're interested) or pointless propaganda (Iran to sue Argo - how does that work?) In fact, any crumb of comfort is gratefully appreciated, so when Slumdog Millionaire director and all-round national treasure Danny Boyle let slip there might be a Trainspotting sequel ready to go in the near future, everyone got very excited.
Now, the Iggy Pop-scored junkie comedy was a big hit back in 1996, and the follow up – adapted from writer Irvine Welsh's own novel-sequel, Porno – is taking aim at its 20th
anniversary, in 2016. It may be just a tiny conincidence that Boyle has got a new film out, the hypnotherapy art heist yarn Trance, but...
- 3/14/2013
- The Guardian - Film News
Catch up with the last seven days in the world of film
The big story
The Oscars have been handed out, the awards race is done, studios are dumping their flops and failures on the market: March is cinema's dead zone, so the thinking goes. Time to look ahead once more… and what's this? A superhero movie? Whatever will they think of next? Perhaps one where superheroes, like, team up? No? This could catch on!
And so we come to the Justice League film, which has been in the pipeline since, ooh, 2007; and will see Batman, Superman, Wonder Woman, and some other crimefighting nobodies, get together to smash evildoers (we assume).
Now, the Justice League movie was no one's idea of a priority until The Avengers came along last year and pretty much smashed all other superhero movies out of the park, a key plank of a brilliant wheeze by...
The big story
The Oscars have been handed out, the awards race is done, studios are dumping their flops and failures on the market: March is cinema's dead zone, so the thinking goes. Time to look ahead once more… and what's this? A superhero movie? Whatever will they think of next? Perhaps one where superheroes, like, team up? No? This could catch on!
And so we come to the Justice League film, which has been in the pipeline since, ooh, 2007; and will see Batman, Superman, Wonder Woman, and some other crimefighting nobodies, get together to smash evildoers (we assume).
Now, the Justice League movie was no one's idea of a priority until The Avengers came along last year and pretty much smashed all other superhero movies out of the park, a key plank of a brilliant wheeze by...
- 3/7/2013
- The Guardian - Film News
Catch up with the last seven days in the world of film
The big story
So that's the Oscars over and done with for another year, although the post-awards analysis is likely to carry on for a little while yet. Sunday night's biggest winner was Life of Pi, which scooped four awards including best director for Ang Lee. However, the film's triumph might have been slightly marred by protests from VFX workers facing job cuts, some of who were particularly affronted at being apparently overlooked in Lee's acceptance speech.
Other winners on the night included best actress-winner Jennifer Lawrence, who in recent days has managed to charm just about everybody, best actor Daniel Day Lewis, who's gravitas-laden performances are like catnip for Academy voters, and Argo, which beat Lincoln to the best picture prize despite Ben Affleck having been overlooked in the best director nominations.
Possibly the biggest post-awards talking...
The big story
So that's the Oscars over and done with for another year, although the post-awards analysis is likely to carry on for a little while yet. Sunday night's biggest winner was Life of Pi, which scooped four awards including best director for Ang Lee. However, the film's triumph might have been slightly marred by protests from VFX workers facing job cuts, some of who were particularly affronted at being apparently overlooked in Lee's acceptance speech.
Other winners on the night included best actress-winner Jennifer Lawrence, who in recent days has managed to charm just about everybody, best actor Daniel Day Lewis, who's gravitas-laden performances are like catnip for Academy voters, and Argo, which beat Lincoln to the best picture prize despite Ben Affleck having been overlooked in the best director nominations.
Possibly the biggest post-awards talking...
- 2/28/2013
- The Guardian - Film News
Catch up with the last seven days in the world of film
The big story
You may have noticed, something called the Oscars is happening this weekend. What a feast for the eyes and ears it will be; the diamonds, the tiaras, the screaming fits of hyperventilation. And that's just us doing the liveblog. Here at Guardian Towers we've been gearing up for the big night by going video crazy: each one of the best picture nominees has got its own booster in our Oscar hustings series, while our critics settled down with a glass of the amber nectar for a session of football style punditry: who will win the biggies, and why.
Meanwhile, every little detail of the Oscar race has been exhaustively covered: the "rebranding" of the ceremony; the fun that is the acceptance speech; how Argo looks like its regained the initiative; what will go down in the animation section.
The big story
You may have noticed, something called the Oscars is happening this weekend. What a feast for the eyes and ears it will be; the diamonds, the tiaras, the screaming fits of hyperventilation. And that's just us doing the liveblog. Here at Guardian Towers we've been gearing up for the big night by going video crazy: each one of the best picture nominees has got its own booster in our Oscar hustings series, while our critics settled down with a glass of the amber nectar for a session of football style punditry: who will win the biggies, and why.
Meanwhile, every little detail of the Oscar race has been exhaustively covered: the "rebranding" of the ceremony; the fun that is the acceptance speech; how Argo looks like its regained the initiative; what will go down in the animation section.
- 2/21/2013
- The Guardian - Film News
Catch up with the last seven days in the world of film
The big story
And so, the endgame approaches. Like a Bond villain armed with a circular saw, the denouement of the award season moves remorselessly ever closer, cackling as it nears the groin of the spreadeagled movie-going public.
Last weekend saw the slicing of the Baftas, the British rehearsal for the Academy awards in two weeks' time. In their best bibs and tuckers, Hollywood's finest lined up with Britain's luvvie elite to tussle over, to quote Billy Connolly, "a death mask on a stick".
The upshot of the Royal Opera House do was that Argo soundly battered Lincoln, taking best film and best director. Skyfall, against type, won a big award for 007, the best British film.
Here's what the fashion crew made of the pre-show frock parade and here's what the Guardian's film team think it says about the Oscars.
The big story
And so, the endgame approaches. Like a Bond villain armed with a circular saw, the denouement of the award season moves remorselessly ever closer, cackling as it nears the groin of the spreadeagled movie-going public.
Last weekend saw the slicing of the Baftas, the British rehearsal for the Academy awards in two weeks' time. In their best bibs and tuckers, Hollywood's finest lined up with Britain's luvvie elite to tussle over, to quote Billy Connolly, "a death mask on a stick".
The upshot of the Royal Opera House do was that Argo soundly battered Lincoln, taking best film and best director. Skyfall, against type, won a big award for 007, the best British film.
Here's what the fashion crew made of the pre-show frock parade and here's what the Guardian's film team think it says about the Oscars.
- 2/14/2013
- The Guardian - Film News
Love: it's not all a bed of roses. In this documentary, Danish director Pernille Rose Grønkjær follows a group of people hopelessly addicted to love. To find out if the course of true love does run smooth, you can watch the film on demand here from 14 February
Reading this on mobile? Click here to view video
And now, ladies and gentlemen, a treat for Valentine's Day. The Guardian Screening Room presents an exclusive first run of Love Addict, award-winning Danish director's Pernille Rose Grønkjær's documentary about people who are – literally – addicted to love.
So be warned: it's not all fluffy kittens and dreamy nights: love addiction can, as the director tells us, lead to "anxiety, despair and loneliness". Just like real life then …
DocumentaryWorld cinemaValentine's Day
guardian.co.uk © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our...
Reading this on mobile? Click here to view video
And now, ladies and gentlemen, a treat for Valentine's Day. The Guardian Screening Room presents an exclusive first run of Love Addict, award-winning Danish director's Pernille Rose Grønkjær's documentary about people who are – literally – addicted to love.
So be warned: it's not all fluffy kittens and dreamy nights: love addiction can, as the director tells us, lead to "anxiety, despair and loneliness". Just like real life then …
DocumentaryWorld cinemaValentine's Day
guardian.co.uk © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our...
- 2/14/2013
- The Guardian - Film News
The Danish have been making a significant mark in the world of international documentaries these past few years. Despite a population of just over five million people, their output has been astounding, with Anders Østergaard's "Burma VJ," Janus Metz Pedersen's "Armadillo," Mads Brügger's "The Red Chapel," and Pernille Rose Grønkjær's "The Monastery" just a few of the films that make that clear. Garnering major awards and playing at major film ...
- 11/16/2010
- indieWIRE - People
The Danish have been making a significant mark in the world of international documentaries these past few years. Despite a population of just over five million people, their output has been astounding, with Anders Østergaard's "Burma VJ," Janus Metz Pedersen's "Armadillo," Mads Brügger's "The Red Chapel," and Pernille Rose Grønkjær's "The Monastery" just a few of the films that make that clear. Garnering major awards and playing at major film ...
- 11/16/2010
- Indiewire
The Danish have been making a significant mark in the world of international documentaries these past few years. Despite a population of just over five million people, their output has been astounding, with Anders Østergaard's "Burma VJ," Janus Metz Pedersen's "Armadillo," Mads Brügger's "The Red Chapel," and Pernille Rose Grønkjær's "The Monastery" just a few of the films that make that clear. Garnering major awards and playing at major film ...
- 11/16/2010
- indieWIRE - People
- After making their short lists for best feature, best first film and short film, the European Film Academy how pronounced themselves on the nominations for the Documentary 2007 Prix Arte. Th heavy favorite of the category is Pernille Rose Grønkjær's doc that is far from a talking head type docu. Here are the 10 nominated docs up for the award.Am Limit (To the Limit)by Pepe Danquart, Germany/AustriaBELARUSIAN WALTZby Andrzej Fidyk, NorwayFOREVERby Heddy Honigmann, The NetherlandsHEIMATKLÄNGE (Echoes of Home)by Stefan Schwietert, Switzerland/ GermanyLE Papier Ne Peut Pas Envelopper La Braise(Paper cannot Wrap up Embers)by Rithy Panh, FranceMALON 9 Kohavim (9 Star Hotel)by Ido Haar, IsraelMERAGEL Hashampaniya (The Champagne Spy)by Nadav Schirman, Israel/GermanyOU Est L¹AMOUR Dans La Palmeraie? (Where is the Love in the Palmgrove?)by Jérôme Le Maire, BelgiumRAZVOD Po Albanski (Divorce Albanian Style)by Adela Peeva, BulgariaTHE MONASTERYby Pernille Rose Grønkjær, Denmark.
- 10/9/2007
- IONCINEMA.com
- Ioncinema.com presents: Best of FestsFULL Frame FESTIVALWhere: April 12 to 15, 2007 Counting Down: updateCountdownClock('April 12, 2007'); Location: Durham, North Carolina - United States Official Website: fullframefest.org/What: Founded in 1998 by Nancy Buirski, and now recognized as the premier documentary film festival in the United States by both The New York Times and indieWIRE, the Full Frame Documentary Film Festival celebrates the power and artistry of documentary film. The festival is an important arena for documentary filmmakers — a place where they can showcase their work theatrically in an environment that stimulates conversation and community between other filmmakers, industry executives and the general public. Sections: (Click for more info!) Full Schedule: Power of Ten: Special Programming: Panel & Workshops8 Bit - Marcin Ramocki, Justin Strawhand Alice Sees The Light - Ariana GersteinAngels in the Dust - Louise HogarthThe Ants - Kaoru IkeyaBanished - Marco WilliamsBeyond Selinunte - Salvo CucciaBlockade - Sergei Loznitsa
- 4/11/2007
- IONCINEMA.com
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