A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them...Written by
Michael Brooke <email@example.com>
The Doctor slapping Renton's face has no rings on her hand initially, then she has rings on both hands. See more »
Mark "Rent-boy" Renton:
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck ...
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Profile pictures of the cast are shown during the beginning of the end credits. See more »
Criterion laserdisc version and the canadian DVD release adds nine new scenes that were originally deleted from the film before release, showing:
additional dialogue between Sick Boy and Renton about Sean Connery and James Bond movies;
Spud talking about his friendship with Begbie;
Renton's job interview (originally intercut with Spud's interview)
Diane catching Renton, Spud, and Sick Boy while shoplifting
Renton meeting Swanney in the hospital after he's lost his leg
Sick Boy and Renton talking about Swanney in the park
Tommy discussing the virtues of Australia with Spud
Diane dumping Renton for a healthier guy
Sick Boy, Begbie, Spud, and Renton at the bus station before leaving for London.
One Of THE Defining Movies Of The 90s And A Milestone For British Cinema
I remember what a raw shock of creative energy this film was when it came out, and I still marvel at what an imaginative way the director found to tell this crazy, immoral tale. The superb cinematography; the amazing cast of young actors (who have all gone on to become hugely successful in film and tv since); the iconic soundtrack: it all just fits together perfectly. 'Trainspotting' is as hilarious as it is deeply disturbing, but most importantly (and unlike many other films concerned with addiction) it's one hell of an entertaining flick and doesn't drag for a second.
We all know drugs are bad. The problem is, they can also be fun - at least at the beginning, which is one of the reasons people are drawn to them. 'Trainspotting' is the first movie I remember watching that actually conveyed that seductive quality of drugs and managed to honestly portray the reckless, hedonistic lifestyle a part of my generation - the so called "Generation X" - fell victim to. It's an amazing achievement, in every regard; not only does it manage to be true to its serious subject matter without resorting to moralizing, it's also masterclass filmmaking and a milestone of British Cinema. 10 stars out of 10.