Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer.
Director:
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Stars:
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Geoffrey Rush,
Helena Bonham Carter
During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.
Director:
Kathryn Bigelow
Stars:
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The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.
Director:
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In 1979, the American embassy in Iran was invaded by Iranian revolutionaries and several Americans were taken hostage. However, six managed to escape to the official residence of the Canadian Ambassador and the CIA was ordered to get them out of the country. With few options, exfiltration expert Tony Mendez devised a daring plan: create a phony Canadian film project looking to shoot in Iran and smuggle the Americans out as its production crew. With the help of some trusted Hollywood contacts, Mendez created the ruse and proceeded to Iran as its associate producer. However, time was running out with the Iranian security forces closing in on the truth while both his charges and the White House had grave doubts about the operation themselves.Written by
Kenneth Chisholm (kchishol@rogers.com)
Victor Garber is the second cast member from Toronto's legendary 1972 stage production of "Godspell" to portray Ken Taylor on-screen. Martin Short played Taylor in a 1982 skit on SCTV (1976). See more »
Goofs
When Tony Mendez is issued his airline ticket he's given seat 1C. This is first class aisle bulkhead seat. When he boards the plane he's in a coach window seat. See more »
Quotes
[first lines]
Sahar:
[narration]
This is the Persian Empire known today as Iran. For 2,500 years, this land was ruled by a series of kings, known as shahs. In 1950, the people of Iran elected Mohammad Mossadeqh, a secular democrat, as Prime Minister. He nationalized British and U.S. petroleum holdings, returning Iran's oil to it's people. But in 1953, the U.S. and Great Britain engineered a coup d'etat that deposed Mossadeqh and installed Reza Pahlavi as shah. The young Shah was known for opulence and ...
See more »
Crazy Credits
As the end credits begin, a picture of the actual passport of each fake film crew member is displayed next to picture of the actor in the film, showing the similarities between the two faces. Then archive photos from the period are displayed next to pictures shot for the film. See more »
Alternate Versions
An extended version of the film was released on Blu-Ray in 2013 with 9 minutes worth of alternate or extended footage. Many of the new scenes explored Tony Mendez's family background. See more »
As the Iranian revolution nears a climax, a CIA specialist comes up with a risky plan to rescue six Americans who are hiding at the home of the Canadian Ambassador. The plan? A fake movie.
With two good films under his belt Ben Affleck has already solidified himself as a competent director. With Argo he ventures into the must see category. Argo is easily one of the best films of the year and reminds us of the films we use to love back in the 70's. Not only does the film look like it takes place in the 70's, but it feels like it too. Blowing the picture up to give it the grainy feel, greatly adds to the overall experience.
Multiple times I got the feeling that Affleck was trying to pull off an All The Presidents Men vibe, especially in the CIA offices and it works. While I'm sure Affleck took some liberties with the events, it never feels like any of this couldn't have happened. Affleck is a CIA operative and not once does he fire a gun, fight the bad guys or be 007. This film is 100% talking, yet is one of the most suspenseful films of the year. Where does the suspense come from? If their cover is blown, they are all dead. Can these people fake being a film crew? Does everyone make it out alive? Even if you know how the real story turns out, Affleck manages to keep the tension throughout the entire third act intact.
I do wish that Affleck would have given Canadians more credit though. They did most of the work, took most of the risk and in the film it feels as if they were babysitters while Mendez comes up with this Hollywood Option and does everything to get them out. So it does feel like Hollywood trying to take credit for something they were let in on, but that's a small gripe in a fantastic film.
Boasting an impressive cast: Ben Affleck, John Goodman, Alan Arkin, Bryan Cranston, Tate Donovan, Victor Garber, Clea DuVall, Rory Cochrane, Kyle Chandler and Ben Affleck staple Titus Welliver, everyone brings their A-game, no matter how small the role. Of course Affleck has to have his obligatory shirt off shot.
Argo is everything a movie should be, a great story, compelling drama and light hearted humour. Like I said earlier, it brings back the days of 70's cinema, complete with thick glasses, dorky haircuts and goofy moustaches. The film's credits put up the actors with their real person counterparts. Plus images from the film are literally taken from pictures taken during the events. It's a scary situation to be in and Affleck puts that front and centre.
Go see Argo
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As the Iranian revolution nears a climax, a CIA specialist comes up with a risky plan to rescue six Americans who are hiding at the home of the Canadian Ambassador. The plan? A fake movie.
With two good films under his belt Ben Affleck has already solidified himself as a competent director. With Argo he ventures into the must see category. Argo is easily one of the best films of the year and reminds us of the films we use to love back in the 70's. Not only does the film look like it takes place in the 70's, but it feels like it too. Blowing the picture up to give it the grainy feel, greatly adds to the overall experience.
Multiple times I got the feeling that Affleck was trying to pull off an All The Presidents Men vibe, especially in the CIA offices and it works. While I'm sure Affleck took some liberties with the events, it never feels like any of this couldn't have happened. Affleck is a CIA operative and not once does he fire a gun, fight the bad guys or be 007. This film is 100% talking, yet is one of the most suspenseful films of the year. Where does the suspense come from? If their cover is blown, they are all dead. Can these people fake being a film crew? Does everyone make it out alive? Even if you know how the real story turns out, Affleck manages to keep the tension throughout the entire third act intact.
I do wish that Affleck would have given Canadians more credit though. They did most of the work, took most of the risk and in the film it feels as if they were babysitters while Mendez comes up with this Hollywood Option and does everything to get them out. So it does feel like Hollywood trying to take credit for something they were let in on, but that's a small gripe in a fantastic film.
Boasting an impressive cast: Ben Affleck, John Goodman, Alan Arkin, Bryan Cranston, Tate Donovan, Victor Garber, Clea DuVall, Rory Cochrane, Kyle Chandler and Ben Affleck staple Titus Welliver, everyone brings their A-game, no matter how small the role. Of course Affleck has to have his obligatory shirt off shot.
Argo is everything a movie should be, a great story, compelling drama and light hearted humour. Like I said earlier, it brings back the days of 70's cinema, complete with thick glasses, dorky haircuts and goofy moustaches. The film's credits put up the actors with their real person counterparts. Plus images from the film are literally taken from pictures taken during the events. It's a scary situation to be in and Affleck puts that front and centre.
Go see Argo