Argo

Argo interested me not only because it was rather breathlessly discussed by critics when it came to "best film of 2012" time, but also because it was a true story that I knew nothing about – from detail to the ending it was all news to me. Watching it I still took it with a pinch of salt simply because I think it is wrong to approach any fictionalized version of a true story and assume that it is entirely gospel. The film walks a fine line between the dramatic and the absurd, almost to the point where if you left the cinema during one scene and then returned during another, you would be forgiven for thinking you'd come back into the wrong screen. It does this but yet it mostly pulls it off.

The film opens with an American embassy in Iran being stormed and the majority of people taken hostage, except a small group who flee to the home of the Canadian Ambassador and are hidden. The story is then about the extradition of this small group, before the Iranians work out that they are missing and hunt them down; with options limited, the plan is to send an agent into Iran posing as someone scouting for locations for a movie – and then leave the country with the small group acting as his colleagues and peers. This involves doing more than saying it out loud as it has to pass muster with the Iranians – so the CIA works with a Hollywood writer and a producer to greenlight a film, sell it to the press and take their small production into Iran. In telling the story the film pretty much plays it straight and allows the scenario to be whatever it is – so when it is a press junket then it is amusingly absurd but while it is in an Iranian airport it is really tense and the stakes are apparent. This approach works pretty well because it lets the film have these extremes alongside one another without one undercutting the other. The downside is that it does occasionally mean that the telling feels quite "ordinary" as it lacks an individual voice to the delivery – not boring by any means, but just surprisingly straight in the telling.

This can be seen in the cast because mostly there are not really characters here, since the film focuses on events and doesn't leave a lot of time for the people (understandably). Affleck doesn't really work in the lead and I'm not sure why he cast him; he is OK but his presence is not all it needed to be in such a straight film. The various hostages in Iran don't really make an impression beyond them being just that, but there is color provided by solid turns from Goodman, Cranston, Arkin and a few others. As director Affleck does a good job to make the mix of content work so well, but the real credit to the production is how of the period it feels – there is nothing that really seems out of place, from office to street it feels like it was filmed back in the late 70s.

Argo is an effective and engaging story that works partly because the telling is straight enough to let the events be however they are (absurd, tense, whatever). However this straight bat does also limit the film by making it feel a little ordinary in the delivery, without much flair or individual style to the telling, even if the attention to period is really well done.

An excellent movie, although I did not know the events of the storming of the American embassy in Iran, but the story of the film was very interesting and the level of representation in the film was excellent, the film made me on the edge of the chair of suspense I highly recommend watching it

This is a great movie. The story, acting, pacing, editing, etc. was just fantastic. Affleck's directing was solid, and the suspense will keep you entertained right through to the last seconds. I loved it.

It did have one irritating thing, though, kind of a big one. It pointed most of the accolades to Affleck's character and the CIA. This really was not true. It was Ken Taylor and the Canadians who really pulled 'the Canadian Caper' off so successfully.

"When Taylor heard a few years ago that Mendez had sold movie rights to his book (which, to be fair, is much more generous than the movie about Canada's role), "I said, 'Well, that's going to be interesting.'...."The movie's fun, it's thrilling, it's pertinent, it's timely," he said. "But look, Canada was not merely standing around watching events take place. The CIA was a junior partner."

"The old postscript sent the message that, for political reasons, Canada took the credit. A sarcastic kicker noted that Taylor received 112 citations. The clear implication was that he did not deserve them."(Sept/Oct., 2012, thestar.com)".

So the USA does another revision on history here. I believe 'Argo' goes this far. Yes, it's based on a true story - the movie does it's best to allude that it sticks to technical accuracy. And it really does, in some ways. Historical pictures of flag burners, rioters, gate climbers, etc.. up against Argo film stills run by during the credits make it seem that the facts were adhered to down to the tiniest detail. In reality, it wasn't Tony Mendez or the CIA who were responsible for the success of this operation; actually they were barely there.

Since the movie premiered, Ben Affleck has added emphasis on the movie postscripts since then that gives kudos to the Canadians' role. This was after Ken Taylor politely complained, as a Canadian would tactfully do. But Affleck did this only after pressure from Taylor himself.

I can understand the need to spice up events to make them as exciting and entertaining as possible, don't get me wrong. But this film needs to let the audience know that more explicitly than it does, even after the changed postscripts.

Still, a really entertaining and riveting film, very well done, and easily worth seeing. As a matter of fact, don't miss it.

'Argo' presents maybe the greatest, if not the most absurd, account of American foreign policy espionage widely unbeknownst to the greater majority. The story, which falls perfectly into the category of you-can't-make-this-kind-of-thing-up, is based upon Tony Mendez's rescue of six isolated US diplomats out of Iran, during the time of the Iranian hostage crisis of 1980, through the means of creating a fake film production as cover.

Director Ben Affleck proves here just how incredibly mature and restrained a filmmaker he's become, molding what is inherently a political story, yet wisely setting aside the politics. He masterfully handles the changes in tone very fluidly, from one moment being edge of your seat tension, to the next of inspired comic relief. It brings back memories of 70's thrillers, when craft and entertaining went together hand-in-hand.

The cast of veteran character-actors is worth the price of admission alone. Nearly every speaking role is occupied by a recognizable face, with the likes of Philip Baker Hall, Bob Gunton, Michael Parks, Kyle Chandler, John Goodman, Bryan Cranston, Alan Arkin, and more. This is easily the best cast of 2012 and, better yet, they all brought out there A game.

'Argo' is not a film to miss, its subject matter being more relevant than ever and will be a major contender come award season (and deservedly so.)

9/10 -Pycs

Ben Affleck continues hitting them out of the park. Based on a true story, Argo re-enacts the events that freed American foreign service employees from their hideout in the Canadian Embassy. The setup involves Affleck's character, Mendes, putting together the cover story of a Canadian film crew scouting locations in the Mideast for a sci-fi movie. Alan Arkin & John Goodman are hilarious as Hollywood hotshots producing this surefire scifi hit. The process follows Mendes as he enters Iran and has to BS his way to some skeptical and hostile Iranian theocrats who almost don't know how to respond to the possibility of a scifi movie set in Iran. Mendes must also deal with frightened and reluctant Americans who are being forced out in the open to pose as a movie crew. Affleck does a good job of injecting suspense and dread all through this section.

But the real nail biter is their exit from Iran. As in other movies of this ilk, the chase heats up with the Iranians on the heels of the Americans. Affleck throws into this chase a huge boulder of an obstacle when President Carter pulls the plug on the film crew ex-filtration & decides to go with Delta soldiers instead. If you want to know what happens, I advise you to see the movie or read the news accounts.

This just goes to show you that not all CIA covert actions are led by armed fighters like Jason Bourne and launched by the Treadstone department. Affleck's character doesn't even carry a gun--he carries a script instead.