Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
Vicenarian Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss. Excited and intrigued, he sets out to find it.
A fine art auctioneer mixed up with a gang joins forces with a hypnotherapist to recover a lost painting. As boundaries between desire, reality and hypnotic suggestion begin to blur the stakes rise faster than anyone could have anticipated.Written by
When Simon goes to a hypnotherapy session to combat his amnesia, he is given a mobile phone with a ring-tone sounding suspiciously similar to Moby - Extreme Ways, a song made famous by the Bourne films, movies also centred around a brainwashed amnesiac. See more »
When Franck steals the painting from Simon in the beginning, he is not wearing gloves. He continues not wearing gloves until he jumps into the yellow plastic tube from the roof. Suddenly he emerges in the dumpster wearing gloves. See more »
[auctioneer is barking prices]
There is a painting, it's by Rembrandt. 'Storm On The Sea Of Galilee', it's called, and he's in it. Old Rembrandt, he's in the painting. He's in there, right in the middle of the storm, looking straight at you. But... you can't see him. And the reason you can't see him is because the painting has been stolen.
See more »
After the closing credits have rolled, the audience hears the familiar five taps on the glass window that was an iconic audible signature throughout the film. See more »
From directing Bollywood, Sci-fi and Zombie flicks, to action thrillers to the London 2012 Olympics, Danny Boyle is the most versatile director in the industry. Currently at the top of his game, Boyle directed Trance parallel to the Olympics on the same shooting schedule in the same weeks (literally!). In interviews he said relative to the Olympics that Trance is the 'dark cousin of the Olympics'. Boyle brings us a character-based, twisty thriller, just like the ones from the 1990's that launched his career.
Trance is introduced with a Scorsese sprint-heist, where Simon (James McAvoy) is an inside man on stealing a £27,000,000 Goya painting from his job at an auction. When Simon double crosses his partner Franck (Vincent Cassell) he suffers a strike to the head, leaving him with amnesia. In order to find out where he hide the painting he must take hypnosis sessions to revive his memory. But as lines blur and hypnotic suggestion takes over, the situation gets darkly complex.
Keeping you indulged for its entire one-hundred and seventeen minutes running time the film is imperatively based on narrative. Forget CGI and the rest. To make a good film use the three things that Hitchcock says is essential in film-making, 'the script, the script and the script'. Boyle does this wondrously.
While Boyle assembled his old gang behind the camera, in front of it, they're all new faces for the film-maker, and they all rise to the occasion. Vincent Cassel at first seems to have the least interesting part of the film. The same sort of character he has played in the Ocean movies. Meanwhile other cast members such as James McAvoy and Rosie Dawson give the best performances of their careers. McAvoy in fact has never been so good. Appearing in two films on this months release (also Welcome To The Punch). He breaks his character type and shows his malevolence.
The film is a trippy heist thriller. Think Fight Club, Inception, Memento and The Sixth Sense and the style of story and endings. Trance is no exception. Even as we left the cinema other audience members where throwing around the Nolan word. But this film does seem like it has earnt the comparison. Compiled with complex script flips and twists the film is all solved in the final act, much like Nolan's films.
Having earnt its deserved rating of 15 the violence and excessive swearing are throughout. And all of the three of the main cast are seen at one point of the film both naked and abused. Interesting, eh? This is one film that should not be missed. Released tomorrow (March 26th 2013) this film is highly recommended.
Read this review and many more at our website - Gone With The Movies