The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
It's all about the sound! The Motion Picture Sound Editors unveiled the winners of the 2016 Golden Reel Awards and "Mad Max: Fury Road" and "The Revenant" tied for the Best Sound Editing: Feature English Language . FX/Foley. For my Oscar predictions, I chose "Mad Max" for both Sound Editing and Mixing! See my full Oscar predictions here.
Here's the full list of winners of the Golden Reel Awards:
Feature Film
Best Sound Editing in Feature Film: Music Score
Star Wars: The Force Awakens (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren
Best Sound Editing in Feature Film: Music in a Musical
Love & Mercy (Roadside Attractions)
Music Editor: Nicholas Renbeck
Best Sound Editing: Feature English Language . Dialogue/Adr
Bridge Of Spies (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising Adr Editor: Steve Slanec
Best Sound...
Here's the full list of winners of the Golden Reel Awards:
Feature Film
Best Sound Editing in Feature Film: Music Score
Star Wars: The Force Awakens (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren
Best Sound Editing in Feature Film: Music in a Musical
Love & Mercy (Roadside Attractions)
Music Editor: Nicholas Renbeck
Best Sound Editing: Feature English Language . Dialogue/Adr
Bridge Of Spies (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising Adr Editor: Steve Slanec
Best Sound...
- 2/28/2016
- by Manny
- Manny the Movie Guy
The Great Gatsby dominated. Aacta.s technical and short films awards today, collecting gongs in all six craft categories for which it was nominated, plus the Aacta award for outstanding achievement in visual effects.
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
- 1/28/2014
- by Don Groves
- IF.com.au
Roger Savage; photo by Zorro Gamarnik
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
- 11/26/2012
- by Colin Delaney
- Encore Magazine
The Australian Sound Guild has announced the winners of.the 2012 Assg Awards.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
- 11/25/2012
- by Emily Blatchford
- IF.com.au
Tomorrow, When the War Began took the Soundtrack of the Year and Best Film Sound Recording trophies at the Australian Screen Sound Guild (Assg) Sound Awards
Beneath Hill 60 won the Sound Design Category, while the Sound Mixing prize went to Daybreakers.
The ceremony took place last Friday in North Sydney.
These are the 2010 winners:
Feature Film Soundtrack of the Year.
Tomorrow When The War Began
Best Achievement in Sound for Film Sound Recording.
Tomorrow When The War Began
David Lee, Gerry Nucifora, Emma Barham.
Best Achievement in Sound for Film Sound Design.
Beneath Hill 60
Liam Egan, Tony Murtagh, Alicia Slusarski,
Leah Katz, Blair Slater, Mario Vaccaro,
Liesl Pieterse, Andy Wright, Jennifer Sochackyj,
Ruth Vance, Michelle Child, Cara Harvey.
Best Achievement in Sound for Film Sound Mixing.
Daybreakers
Phil Heywood, Wayne Pashley.
Best Achievement in Sound for a Television Commercial or Program.
Centrebet “Don’t Just Watch itâ€.
Scott Collins...
Beneath Hill 60 won the Sound Design Category, while the Sound Mixing prize went to Daybreakers.
The ceremony took place last Friday in North Sydney.
These are the 2010 winners:
Feature Film Soundtrack of the Year.
Tomorrow When The War Began
Best Achievement in Sound for Film Sound Recording.
Tomorrow When The War Began
David Lee, Gerry Nucifora, Emma Barham.
Best Achievement in Sound for Film Sound Design.
Beneath Hill 60
Liam Egan, Tony Murtagh, Alicia Slusarski,
Leah Katz, Blair Slater, Mario Vaccaro,
Liesl Pieterse, Andy Wright, Jennifer Sochackyj,
Ruth Vance, Michelle Child, Cara Harvey.
Best Achievement in Sound for Film Sound Mixing.
Daybreakers
Phil Heywood, Wayne Pashley.
Best Achievement in Sound for a Television Commercial or Program.
Centrebet “Don’t Just Watch itâ€.
Scott Collins...
- 10/31/2010
- by Miguel Gonzalez
- Encore Magazine
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