During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
As the American Civil War continues to rage, America's president struggles with continuing carnage on the battlefield as he fights with many inside his own cabinet on the decision to emancipate the slaves.
A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
In the cold war, a lawyer, James B. Donovan is recruited by the CIA and involved in an intense negotiation mission to release and exchange a CIA U-2 spy-plane pilot, Francis G. Powers. The pilot was arrested alive after his plane was shot down by the Soviet Union during a mission and stays in the company of a KGB intelligence officer, Rudolf Abel, who was arrested for espionage in the US.Written by
The Berlin Wall was in the midst of construction when James B. Donovan's story took place, and Steven Spielberg wanted the audience to see it being built on-screen as well. The first version that went up was a makeshift wall made from concrete blocks and barbed wire, which was quickly replaced with the version most recognize today with reinforced concrete slabs and an enormous pipe on top, making it much more sturdy and more difficult to scale. See more »
In the 1960s the East Germany government called the Glienicke Bridge the "Bridge of Unity" or "Brücke Der Einheit." In 1980 the West Berlin government repaired its half of the bridge, and in 1985 the West Berlin government paid two million West German Marks for repairs to the East German half of the bridge in exchange for formally renaming the bridge "Glienicke Bridge" from "Bridge of Unity." See more »
We are engaged in a war. This war does not for the moment involve men at arms; it involves information. You will be collecting information. You will be gathering intelligence about the enemy. The intelligence you gather could give us the upper hand in a full thermonuclear exchange with the Soviet Union, or it could prevent one. For public purposes, as far as your wife or mother or sweetheart or the good lord above, your mission does not exist. if it does not exist, you do not exist. You cannot ...
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An unshowy Steven Spielberg does a master's job with Cold War tensions, honoring a real-life attorney's victory over fear.
A feel-good Cold War melodrama, Bridge of Spies is an absorbing true-life espionage tale very smoothly handled by old pros who know what they're doing. In its grown-up seriousness and basis in historical conflict, Steven Spielberg's first feature since Lincoln three years ago joins the list of the director's half-dozen previous "war" films, but in its honoring of an American civilian who pulled off a smooth prisoner exchange between the East and West during a very tense period, the film generates an unmistakable nostalgia for a time when global conflict seemed more clear-cut and manageable than it does now. Spielberg's fourth collaboration with Tom Hanks, which world- premiered at the New York Film Festival and opens commercially on October 16, looks to generate stout box-office returns for Disney through the autumn season. For people of Spielberg's generation, the early years of the nuclear era and the stand-off between the United States and the Soviet Union represents a significant part of the fabric of childhood. With the passage of time, it's possible to tell stories of the time without furnishing them with overt propagandistic overlays, and for Westerners there is the added built-in appeal of the "we won" factor and the perception that dealing with adversaries was so much simpler then than it is now. As their focus in this impeccably rendered recreation of a moment in history, most palpably represented by the building of the Berlin Wall, Spielberg and screenwriters Matt Charman and Ethan and Joel Coen have chosen a sort-of Atticus Finch of the north, a principled, American Everyman insurance attorney unexpectedly paged to represent a high-level Soviet spy caught in New York. There is no question that Rudolf Abel (Mark Rylance) is guilty, but James B. Donovan (Hanks), a proper and decent family man with a professional dedication to his client and an abiding loyalty to the principles of the U.S. Constitution, has a quick and intuitive read of any legal situation and shrewdly stays at least one step ahead of the game in almost any situation.
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