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Moulin Rouge! (2001)

PG-13 | | Drama, Musical, Romance | 1 June 2001 (USA)
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2:34 | Trailer

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A poet falls for a beautiful courtesan whom a jealous duke covets.

Director:

Baz Luhrmann
Popularity
1,352 ( 112)
Won 2 Oscars. Another 84 wins & 130 nominations. See more awards »

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Cast

Cast overview, first billed only:
Nicole Kidman ... Satine
Ewan McGregor ... Christian
John Leguizamo ... Toulouse-Lautrec
Jim Broadbent ... Harold Zidler
Richard Roxburgh ... The Duke
Garry McDonald Garry McDonald ... The Doctor
Jacek Koman ... The Unconscious Argentinean
Matthew Whittet ... Satie
Kerry Walker Kerry Walker ... Marie
Caroline O'Connor Caroline O'Connor ... Nini Legs In The Air
Christine Anu Christine Anu ... Arabia
Natalie Mendoza ... China Doll
Lara Mulcahy ... Môme Fromage
David Wenham ... Audrey
Kylie Minogue ... The Green Fairy
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Storyline

The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine... Written by O.G.

Plot Summary | Plot Synopsis

Taglines:

This Story Is About Beauty See more »

Genres:

Drama | Musical | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

Australia | USA

Language:

English | French | Spanish

Release Date:

1 June 2001 (USA) See more »

Also Known As:

Moulin Rouge See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$167,540, 20 May 2001, Limited Release

Gross USA:

$57,386,607

Cumulative Worldwide Gross:

$179,213,434
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Elijah Wood auditioned by doing a song-and-dance number but he failed to land a part. See more »

Goofs

When Satine gets on top of Christian when they're in the elephant for the first time, his bowtie is sometimes on and sometimes off. See more »

Quotes

[first lines]
Toulouse-Lautrec: [singing] There was a boy, a very strange enchanted boy...
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Crazy Credits

The orchestra conductor conducts the 20th Century Fox music before the actual movie begins. See more »

Connections

Referenced in The Book of Orgazmo (2003) See more »

Soundtracks

Like a Virgin
Written by Billy Steinberg and Tom Kelly
Performed by Jim Broadbent, Richard Roxburgh and Anthony Weigh
Produced by Blam, Josh G. Abrahams and Marius De Vries (as Marius Devries)
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Frequently Asked Questions

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User Reviews

Stunning Bag Of Wind
23 May 2005 | by ptmcq05See all my reviews

I wonder if that line from the Duke "I don't care about your ridiculous dogma" was directed to Lars Von Triar. It could be, the film is full of knowing lines "He could make you a star and you're dallying with the writer!" or "They dressed me with the Argentinean's best clothes and passed me for a famous English writer" There is something of Ken Russell's second period in "Moulin Rouge" Everything is emphasized, underlined and repeated at least three times for safety. Excess seem a rather feeble term to describe it and yet, it works. The film, for the most part, is a delight. Nicole Kidman, ravishing and spectacular, spectacular. Ewan McGregor, superb, and so charismatic that no one would blame me if I confess I had a had crush on him as soon as he broke into "The Hills are alive with the sound of music..." Kidman and McGregor, this film proves it, are the closest thing we've had in years to the big stars of yesteryear. They could make anything shine and they have. Another detail that shouldn't go amiss, "Moulin Rouge" opened the door again for musicals and that's always a good thing even if we're bound to be bombarded by some terrible stuff. I say it doesn't matter as long as it allows glorious film talents of the caliber of Kidman and McGregor to give us the pleasures they have even in a bag of wind such as "Moulin Rouge"


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