After being exiled from the most advanced town in post apocalyptic Australia, a drifter travels with a group of abandoned children to rebel against the town's queen.
In a post-apocalyptic wasteland, a woman rebels against a tyrannical ruler in search for her homeland with the aid of a group of female prisoners, a psychotic worshiper, and a drifter named Max.
Martin Riggs and Roger Murtaugh pursue a former LAPD officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
After a successful heist, Porter is shot by his wife and his best friend. They leave him there to die but when he recovers, he seeks revenge and wants his share of the money.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
Taking place in a dystopian Australia in the near future, Mad Max tells the story of a highway patrolman cruising the squalid back roads that have become the breeding ground of criminals foraging for gasoline and scraps. When his wife and child meet a grisly end at the hands of a motorcycle gang, Max sets out across the barren wastelands in search of revenge.Written by
Cole Matthews
No stunt doubles were used for the hand-to-hand fighting. See more »
Goofs
The opening chase takes place around "Anarchy Road." In one of the film's first shots, we are shown a sign that says "Anarchie Road" is 3 km. away. However, once they arrive there the road sign the car crashes into is spelled "Anarchy." See more »
Quotes
Goose:
[via radio]
Max.
Max:
[via radio]
Go ahead.
Goose:
We are 100% SNAFU.
Max:
You ok?
Goose:
Nothin' a year in the tropics wouldn't fix.
Max:
Much damage?
Nightrider:
[via radio]
You should see the damage, bronze. Huh? metal damage, brain damage. Heheheh. Are you listening, bronze? I am the Nightrider. I'm a fuel injected suicide machine. I am a rocker, I am a roller, I am a out-of-controller! I'm the Nightrider, baby!
[unintelligible]
Nightrider:
... and we ain't never comin' back!
See more »
Alternate Versions
The version released in the U.S. was re-dubbed with American accents. It has been widely claimed that the distributor, American International Pictures (AIP), feared that American audiences would have had problems understanding the thick Australian accents spoken by the actors. However, now that the original track has surfaced Stateside, it is revealed to be poorly mixed, with the music score often overwhelming dialogue (the very important conversation between two doctors that Max overhears is almost entirely drowned out). AIP's releases were predominantly seen in drive-in theaters (where in fact most of this picture's US box office revenue was earned) and where at this time the audio came through little speakers hanging on the car windows. This would definitely have made the audio problems worse and is the probable motivation for the alternate audio track (AIP having mostly American voice actors available to them). See more »
It was the very rawness and budgetary constraints of this little flick that made it what it was. A new kind of action hero in a new kind of world! Gibson's laughably underpaid (though unavoidably so) contribution cannot be underestimated. He imbued Max with more than the script actually merited. An attitude perhaps that struck a chord with many office-desk (wannabe) vigilantes. After all, Max takes control of his own life - is not cowed by authority. Max is everyman, the one inside us that few get the chance to let loose. He is part Jesus, part Che, part James Dean, all Australian yobbo! But this guy gets the job done - drop Max into Iraq next month and see how far Saddam Hussein gets trying to stock up on sarin!
Raw energy is what MAD MAX was all about! Distilled, tempered and inflamed by the time THE ROAD WARRIOR came around but at this juncture. a man on a mission and with the best tricked-up car since....well, THE CAR ! For those of you incidentally, totally mortified that his glorious black-hearted Interceptor was rendered dead-meat in MAD MAX 2, be comforted by the fact that it DOES in fact reside still in a museum in London (Why there and not Sydney I know not...perhaps for the same reason Australia still is not host to the cricket-ashes urn!) What chance of either's return when Greece can't even get the Elgin Marbles back?
Much has been made (and remembered) of the high-power car chases in this film, held by many in absolute reverence. In fact after the main cops vs The Nightrider work-out in the first few minutes of the flick, its pretty much all downhill in the action stakes - nothing subsequently in MAD MAX (1) comes near this brief sequence. This situation (with a way bigger budget) was inarguably reversed by the time THE ROAD WARRIOR came along. The stunts in THAT film have never been surpassed and remember this was without CGI fx.
MAD MAX has that indefinable 'something" the sequels didn't...perhaps just a raw innovation couldn't be duplicated - rather like ur first kiss. It might not have been the best, but it sure IS fondly remembered.
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It was the very rawness and budgetary constraints of this little flick that made it what it was. A new kind of action hero in a new kind of world! Gibson's laughably underpaid (though unavoidably so) contribution cannot be underestimated. He imbued Max with more than the script actually merited. An attitude perhaps that struck a chord with many office-desk (wannabe) vigilantes. After all, Max takes control of his own life - is not cowed by authority. Max is everyman, the one inside us that few get the chance to let loose. He is part Jesus, part Che, part James Dean, all Australian yobbo! But this guy gets the job done - drop Max into Iraq next month and see how far Saddam Hussein gets trying to stock up on sarin!
Raw energy is what MAD MAX was all about! Distilled, tempered and inflamed by the time THE ROAD WARRIOR came around but at this juncture. a man on a mission and with the best tricked-up car since....well, THE CAR ! For those of you incidentally, totally mortified that his glorious black-hearted Interceptor was rendered dead-meat in MAD MAX 2, be comforted by the fact that it DOES in fact reside still in a museum in London (Why there and not Sydney I know not...perhaps for the same reason Australia still is not host to the cricket-ashes urn!) What chance of either's return when Greece can't even get the Elgin Marbles back?
Much has been made (and remembered) of the high-power car chases in this film, held by many in absolute reverence. In fact after the main cops vs The Nightrider work-out in the first few minutes of the flick, its pretty much all downhill in the action stakes - nothing subsequently in MAD MAX (1) comes near this brief sequence. This situation (with a way bigger budget) was inarguably reversed by the time THE ROAD WARRIOR came along. The stunts in THAT film have never been surpassed and remember this was without CGI fx.
MAD MAX has that indefinable 'something" the sequels didn't...perhaps just a raw innovation couldn't be duplicated - rather like ur first kiss. It might not have been the best, but it sure IS fondly remembered.