Robot roll call! This also-ran robotic fantasy from the 1950s is precisely the kind of movie one would expect from Republic, a two-fisted anti-Commie tract for juveniles. The studio comes up with an impressive robo-hero, but short-changes us when it come time for action thrills. Still, as pointed out in Richard Harland Smith’s new commentary, Tobor filled the the kiddie hunger for sci-fi matinees, at least until Robby the Robot came along.
Tobor the Great
Blu-ray
Kl Studio Classics
1954 / B&W / 1:85 widescreen / 77 min. / Street Date September 12, 2017 / available through Kino Lorber / 29.95
Starring: Charles Drake, Karin Booth, Billy Chapin, Taylor Holmes, Steven Geray, Hal Baylor, Alan Reynolds, Peter Brocco, Robert Shayne, Lyle Talbot, William Schallert
Cinematography: John L. Russell
Production Design: Gabriel Scognamillo
Special Effects: Howard and Theodore Lydecker
Film Editor: Basil Wrangell
Original Music: Howard Jackson
Written by Philip MacDonald, Carl Dudley
Produced by Richard Goldstone
Directed by Lee Sholem...
Tobor the Great
Blu-ray
Kl Studio Classics
1954 / B&W / 1:85 widescreen / 77 min. / Street Date September 12, 2017 / available through Kino Lorber / 29.95
Starring: Charles Drake, Karin Booth, Billy Chapin, Taylor Holmes, Steven Geray, Hal Baylor, Alan Reynolds, Peter Brocco, Robert Shayne, Lyle Talbot, William Schallert
Cinematography: John L. Russell
Production Design: Gabriel Scognamillo
Special Effects: Howard and Theodore Lydecker
Film Editor: Basil Wrangell
Original Music: Howard Jackson
Written by Philip MacDonald, Carl Dudley
Produced by Richard Goldstone
Directed by Lee Sholem...
- 8/19/2017
- by Glenn Erickson
- Trailers from Hell
The first visitor from outer space in the ’50s sci-fi boom is one very curious guy, dropping to Earth in a ship like a diving bell and scaring the bejesus out of Sally Field’s mother. Micro-budgeted space invasion fantasy gets off to a great start, thanks to the filmmaking genius of our old pal Edgar G. Ulmer.
The Man from Planet X
Blu-ray
Scream Factory / Shout! Factory
1951 / B&W / 1:37 flat Academy / 71 min. / Street Date July 11, 2017 / 27.99
Starring: Robert Clarke, Margaret Field, Raymond Bond, William Schallert, Roy Engel, David Ormont.
Cinematography: John L. Russell
Film Editor: Fred R. Feitshans, Jr.
Original Music: Charles Koff
Written and Produced by Aubrey Wisberg, Jack Pollexfen
Directed by Edgar G. Ulmer
One of the first features of the 1950s Sci-Fi boom, 1951’s The Man from Planet X set a lot of precedents, cementing the public impression of ‘little green men from Mars’ and...
The Man from Planet X
Blu-ray
Scream Factory / Shout! Factory
1951 / B&W / 1:37 flat Academy / 71 min. / Street Date July 11, 2017 / 27.99
Starring: Robert Clarke, Margaret Field, Raymond Bond, William Schallert, Roy Engel, David Ormont.
Cinematography: John L. Russell
Film Editor: Fred R. Feitshans, Jr.
Original Music: Charles Koff
Written and Produced by Aubrey Wisberg, Jack Pollexfen
Directed by Edgar G. Ulmer
One of the first features of the 1950s Sci-Fi boom, 1951’s The Man from Planet X set a lot of precedents, cementing the public impression of ‘little green men from Mars’ and...
- 6/16/2017
- by Glenn Erickson
- Trailers from Hell
Plus: Jordan Peele makes history, a couple new trailers, and perfect shots.~
In 1970, renowned auteur and wine lover Orson Welles began production on a film entitled The Other Side of the Wind about a legendary director who’d been in European exile for a number of years but had at last returned stateside to make his masterpiece, which bears the same name as this film. John Huston was cast as the director alongside such talents as Peter Bogdonovich, Susan Strasberg, Lili Palmer, Cameron Crowe, Dennis Hopper, Natalie Wood, and Edmond O’Brien. It was, naturally, meant to be Welles’ own comeback film, a send up of Hollywood, art, and the myriad struggles to unite the two. Shot mockumentary style over a six-year period, the film became more famous for its struggles, and even though principal photography was completed, financial and legal issues resulted in the negatives being impounded; Welles wouldn’t live to get them back.
But...
In 1970, renowned auteur and wine lover Orson Welles began production on a film entitled The Other Side of the Wind about a legendary director who’d been in European exile for a number of years but had at last returned stateside to make his masterpiece, which bears the same name as this film. John Huston was cast as the director alongside such talents as Peter Bogdonovich, Susan Strasberg, Lili Palmer, Cameron Crowe, Dennis Hopper, Natalie Wood, and Edmond O’Brien. It was, naturally, meant to be Welles’ own comeback film, a send up of Hollywood, art, and the myriad struggles to unite the two. Shot mockumentary style over a six-year period, the film became more famous for its struggles, and even though principal photography was completed, financial and legal issues resulted in the negatives being impounded; Welles wouldn’t live to get them back.
But...
- 3/15/2017
- by H. Perry Horton
- FilmSchoolRejects.com
Filmmaker Geoff Todd's Twitter account, @OnePerfectShot, is our new No.1 destination for a daily fix of movie geekiness.
The account's mission is to "honour cinema's past and (hopefully) inspire a new generation of perfect shots" and features stunning stills from classic movies. And Pee-Wee's Big Adventure.
Here are our personal 14 favourite shots:
1. North by Northwest
Perfect shot from North By Northwest (1959) DoP: Robert Burks | Dir: Alfred Hitchcock pic.twitter.com/q67FGcM6m9
— Perfect Shots (@OnePerfectShot) May 5, 2014
2. Badlands
Perfect shot from Badlands (1973) Cinematography:Tak Fujimoto (et al) | Dir:Terrence Malick pic.twitter.com/ufNKGp9EU4
— Perfect Shots (@OnePerfectShot) May 4, 2014
3. Reservoir Dogs
Perfect shot from Reservoir Dogs (1992) DoP: Andrzej Sekula - Dir: Quentin Tarantino pic.twitter.com/Zhrq1QjMK4
— Perfect Shots (@OnePerfectShot) May 4, 2014
4. Psycho
Perfect shot from Psycho (1960) DoP: John L. Russell - Dir: Alfred Hitchcock pic.twitter.com/3XEtsmadki
— Perfect Shots (@OnePerfectShot) May 2, 2014
5. Indiana Jones and the Temple of Doom...
The account's mission is to "honour cinema's past and (hopefully) inspire a new generation of perfect shots" and features stunning stills from classic movies. And Pee-Wee's Big Adventure.
Here are our personal 14 favourite shots:
1. North by Northwest
Perfect shot from North By Northwest (1959) DoP: Robert Burks | Dir: Alfred Hitchcock pic.twitter.com/q67FGcM6m9
— Perfect Shots (@OnePerfectShot) May 5, 2014
2. Badlands
Perfect shot from Badlands (1973) Cinematography:Tak Fujimoto (et al) | Dir:Terrence Malick pic.twitter.com/ufNKGp9EU4
— Perfect Shots (@OnePerfectShot) May 4, 2014
3. Reservoir Dogs
Perfect shot from Reservoir Dogs (1992) DoP: Andrzej Sekula - Dir: Quentin Tarantino pic.twitter.com/Zhrq1QjMK4
— Perfect Shots (@OnePerfectShot) May 4, 2014
4. Psycho
Perfect shot from Psycho (1960) DoP: John L. Russell - Dir: Alfred Hitchcock pic.twitter.com/3XEtsmadki
— Perfect Shots (@OnePerfectShot) May 2, 2014
5. Indiana Jones and the Temple of Doom...
- 5/6/2014
- Digital Spy
Fox Searchlight has released the official trailer for Hitchcock, starring Academy Award winners Anthony Hopkins and Helen Mirren. Hopkins brings the Master of Suspense to life in a love story about Alfred Hitchcock and his wife and partner Alma Reville during the making of his groundbreaking film, Psycho. Hitchcock himself once said that his movies were created .slowly, from discussion, arguments, random suggestions, casual desultory talk and furious intellectual quarrels..
It’s blinding on how much Hopkins looks just like Hitchcock. Psycho was nominated for 4 Oscars at the 33rd Academy Awards in 1961 – Best Director: Alfred Hitchcock, Best Supporting Actress: Janet Leigh, Best Art Direction-Set Decoration, Black-and-White: Joseph Hurley, Robert Clatworthy, George Milo, and Best Cinematography, Black-and-White: John L. Russell. In 2008, the Academy of Motion Picture Arts and Sciences hosted an exhibition of the director’s movies called “Casting a Shadow: Creating the Alfred Hitchcock Film.”
In 1968, director Robert Wise presented Hitchcock the Irving G.
It’s blinding on how much Hopkins looks just like Hitchcock. Psycho was nominated for 4 Oscars at the 33rd Academy Awards in 1961 – Best Director: Alfred Hitchcock, Best Supporting Actress: Janet Leigh, Best Art Direction-Set Decoration, Black-and-White: Joseph Hurley, Robert Clatworthy, George Milo, and Best Cinematography, Black-and-White: John L. Russell. In 2008, the Academy of Motion Picture Arts and Sciences hosted an exhibition of the director’s movies called “Casting a Shadow: Creating the Alfred Hitchcock Film.”
In 1968, director Robert Wise presented Hitchcock the Irving G.
- 10/10/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Before the 1950s, film wasn't always black and white. The early Thomas Edison shorts of the late 1890s were occasionally in color, produced by having artists hand-paint individual film frames (and you thought your job was dull). In the early teens, monochromatic film tinting became used to differentiate day scenes from night (often tinted blue). The problem that early filmmakers had with color film was the technology; color film had to be produced bypassing multiple, color filtered, negatives through a camera and then compositing them. It was an expensive process, driving shooting costs up nearly three times of black and white photography. With the exception of a handful of films throughout the 1930s-1940s (The Adventures of Robin Hood, Becky Sharp, some Walt Disney shorts), actual color film was a rare treat for filmgoers.
This began to change in the 1950s when television, film's adversary for the domination of the...
This began to change in the 1950s when television, film's adversary for the domination of the...
- 3/31/2011
- by Drew Morton
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