Phoenix office worker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks, and they cannot get married because Sam has to give most of his money away in alimony. One Friday, Marion is trusted to bank forty thousand dollars by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into the Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.Written by
Col Needham <email@example.com>
Alfred Hitchcock even had a canvas chair with "Mrs. Bates" written on the back prominently placed and displayed on the set throughout shooting. This further added to the enigma surrounding who was the actress playing Mrs. Bates. See more »
When Marion is driving on the 4 lane highway in the rain, when the mirror view is shown she's in the right lane with cars in the left about to pass. She looks forward and she's in the left lane. The next rear window scene shows her in the right of the FOUR lane highway, but the front view shows a TWO lane. See more »
You never did eat your lunch, did you?
[on the bed in her underwear]
I better get back to the office. These extended lunch hours give my boss excess acid.
Why don't you call your boss and tell him you're taking the rest of the afternoon off? It's Friday anyway - and hot.
What do I do with my free afternoon? Walk you to the airport?
Well, we could laze around here a while longer.
Checking out time is 3 P.M. Hotels of this sort are interested in you when you come in, but when your time is ...
[...] See more »
The version previously on home video is an edited version of the movie. It is missing a shot from the shower undressing scene, a lingering close up of bloody hands, and additional thrusts of the knife for the killing of Arbogast inside the house. The movie was edited for content in 1968 when the ratings system was first established (the movie initially went in without a rating in 1960 due to no such system existing yet) to obtain an R rating. This version for the past several decades has been the only one available on home video up until the recent 4K release from Universal which will for the first time ever include the original uncut version as seen in 1960 and the previously available edited version. See more »
No matter how many times one sits through this Hitchcock classic, Anthony Perkins always manages to surprise you. It is a sensational performance - for which he didn't even get an Oscar nomination - I have no way of knowing how much preparation he dedicated to the creation of Norman Bates, maybe no more than usual, but the details of his performance are astonishing. Never a false move and if you follow the film looking into his eyes, you'll be amazed as I was. The madness and the tenderness, the danger and the cravings. A mamma's boy with hellish implications and yet we see, we feel connected to the human being, we are not horrified by him but of his circumstances. In short, we kind of understand him. That alone puts him miles and miles away from other cinematic monsters. From Richard Attenborough as the real life Christie in "10 Rillington Place" to the hideous, unredeemable Christian Bale in "American Psycho". Here Hitchcock and Herrman create an universe that Anthony Perkins inhabits with the same kind of electricity, nerve and shyness that Norman Bates projects throughout the film. Janet Leigh falls for it if not him. She, like us, sees the boy trying to escape his dutiful son's trap. He is in my list of the 10 most riveting characters ever to be captured on film.
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