Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isn't the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore.Written by
garykmcd
Thornhill appears on the left side of the screen for almost the entire movie. See more »
Goofs
When escaping on Mount Rushmore, Roger Thornhill says to Eve Kendall "When we get out of this we're taking the train back to New York". But in the famous tunnel shot at the end, they show a Southern Pacific passenger train, with the Pacific masked out or covered over. Neither Southern Pacific Railroad nor Southern Railway had routes from South Dakota or Chicago to New York. See more »
Quotes
[first lines]
Roger Thornhill:
[coming out of the crowded elevator, dictating to his secretary]
If you accept the belief that a high Trendex automatically means a rising sales curve...
Eddie:
Mr. Thornhill?
See more »
Crazy Credits
The Leo the Lion/MGM trademark preceding the credits is on a green field, to match the green field used in the credits proper. See more »
Alternate Versions
The print originally had an acknowledgement for the cooperation of the Department of the Interior and the National Park Service. But they requested it be removed after MGM violated the agreement that no violence would take place near the Mt. Rushmore monument. Some prints, however, were released with the acknowledgement still in. See more »
Hitchcock at his sharpest. Art and commerce in a delicious salad with all the right ingredients. A brisk screenplay by Ernest Lehman a Cary Grant that is just pure delight, Eva Marie Saint fresh out of her Oscar from "On the Waterfront" is an icy blonde with a brain. James Mason, the ultimate foreign sinister not to mention Jessie Royce Landis and Hitchcock brings Bernard Herrmann to wrap it all up in one of the most infectious scores imaginable. A real treat.
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Hitchcock at his sharpest. Art and commerce in a delicious salad with all the right ingredients. A brisk screenplay by Ernest Lehman a Cary Grant that is just pure delight, Eva Marie Saint fresh out of her Oscar from "On the Waterfront" is an icy blonde with a brain. James Mason, the ultimate foreign sinister not to mention Jessie Royce Landis and Hitchcock brings Bernard Herrmann to wrap it all up in one of the most infectious scores imaginable. A real treat.