Everything Is Copy (2015)
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- TV-14
- 1h 29min
- Documentary, Biography
- 21 Mar 2016 (USA)
- Movie
A look at the life and work of writer/filmmaker Nora Ephron.
Directors:
Writer:
Stars:
Awards:
- Nominated for 2 Primetime Emmys. Another 3 wins & 2 nominations.
- See more »
Photos and Videos
Cast
Rest of cast listed alphabetically: | |||
Tom Hanks | ... |
Self
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Steven Spielberg | ... |
Self
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Amy Adams | ... |
Julie Powell (archiveFootage)
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Reese Witherspoon | ... |
Self
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Meryl Streep | ... |
Self
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Stanley Tucci | ... |
Paul Child (archiveFootage)
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Meg Ryan | ... |
Self
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Steve Martin | ... |
Philip (archiveFootage)
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Diane Keaton | ... |
Georgia (archiveFootage)
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Liev Schreiber | ... |
Chris (archiveFootage)
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Gaby Hoffmann | ... |
Self
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Chris Messina | ... |
Eric Powell / Self (archiveFootage)
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Rob Reiner | ... |
Self
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Samantha Mathis | ... |
Erica Ingels (archiveFootage)
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Kate Capshaw | ... |
Self
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Lisa Kudrow | ... |
Crystal / Maddy Mozell (archiveFootage)
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Walter Matthau | ... |
Lou (archiveFootage)
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Billy Crystal | ... |
Harry Burns (archiveFootage)
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Jane Lynch | ... |
Dorothy McWilliams (archiveFootage)
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Lena Dunham | ... |
Self
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Rita Wilson | ... |
Self
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Mike Nichols | ... |
Self
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Joel Schumacher | ... |
Self
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Julie Kavner | ... |
Dottie Ingels (archiveFootage)
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Rosie O'Donnell | ... |
Self
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Bob Balaban | ... |
Self
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Nora Ephron | ... |
Self (archiveFootage)
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George C. Wolfe | ... |
Self
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Amy Pascal | ... |
Self
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Bryan Lourd | ... |
Self
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Lynda Obst | ... |
Self
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David Geffen | ... |
Self
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Barbara Walters | ... |
Self
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Carl Bernstein | ... |
Self
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Laurence Mark | ... |
Self
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Delia Ephron | ... |
Self
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Gay Talese | ... |
Self
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Barry Diller | ... |
Self
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Liz Smith | ... |
Self
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Colin Callender | ... |
Self
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Jacob Bernstein | ... |
Self
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Dan Greenburg | ... |
Self
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Marie Brenner | ... |
Self
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Donald J. Lee Jr. | ... |
Self
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Amy Ephron | ... |
Self
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Diane Sokolow | ... |
Self
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Lynn Grossman | ... |
Self
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Wendy Goldberg | ... |
Self
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David Remnick | ... |
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Victor Navasky | ... |
Self
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Ken Auletta | ... |
Self
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Hallie Ephron | ... |
Self
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Bob Gottlieb | ... |
Self
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J.J. Sacha | ... |
Self
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Richard Cohen | ... |
Self
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Nadine Korman | ... |
Self
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Joy Behar | ... |
Self (uncredited) (archiveFootage)
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Leslie Caron | ... |
Julie Andre (uncredited) (archiveFootage)
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Dick Cavett | ... |
Self (uncredited) (archiveFootage)
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Joan Didion | ... |
Self (uncredited) (archiveFootage)
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Roger Ebert | ... |
Self (uncredited) (archiveFootage)
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Henry Ephron | ... |
Self (uncredited) (archiveFootage)
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Phoebe Ephron | ... |
Self (uncredited) (archiveFootage)
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Kathie Lee Gifford | ... |
Self (uncredited) (archiveFootage)
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Buck Henry | ... |
Self (uncredited) (archiveFootage)
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Deborah Kerr | ... |
Terry McKay (uncredited) (archiveFootage)
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Hoda Kotb | ... |
Self (uncredited) (archiveFootage)
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David Letterman | ... |
Self (uncredited) (archiveFootage)
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Ross Malinger | ... |
Jonah Baldwin (uncredited) (archiveFootage)
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Richard Masur | ... |
Arthur (uncredited) (archiveFootage)
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Mike McAlary | ... |
Self (uncredited) (archiveFootage)
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Jane Pauley | ... |
Self (uncredited) (archiveFootage)
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Scott Pelley | ... |
Self (uncredited) (archiveFootage)
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Nicholas Pileggi | ... |
Self (uncredited) (archiveFootage)
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Estelle Reiner | ... |
Older Woman Customer (uncredited) (archiveFootage)
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Charlie Rose | ... |
Self (uncredited) (archiveFootage)
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Gene Siskel | ... |
Self (uncredited) (archiveFootage)
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Spencer Tracy | ... |
Richard Sumner (uncredited) (archiveFootage)
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Meredith Vieira | ... |
Self (uncredited) (archiveFootage)
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Oprah Winfrey | ... |
Self (uncredited) (archiveFootage)
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Bob Woodward | ... |
Self (uncredited) (archiveFootage)
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Directed by
Jacob Bernstein | ||
Nick Hooker | ... | (co-director) |
Written by
Jacob Bernstein | ... | (written by) |
Produced by
Jacob Bernstein | ... | producer |
Graydon Carter | ... | executive producer |
Annabelle Dunne | ... | executive producer |
Lisa Heller | ... | supervising producer |
Carly Hugo | ... | producer |
Sheila Nevins | ... | executive producer |
Matthew Parker | ... | producer |
Alexandra Pitz | ... | associate producer |
Music by
Joel Goodman |
Cinematography by
Christine Ng | ||
Bradford Young |
Editing by
Bob Eisenhardt |
Editorial Department
David Derwin | ... | feature finishing producer |
Giovanni DiGiorgio | ... | digital intermediate assistant |
Jon Fordham | ... | on-line editor |
Angela Gandini | ... | associate editor |
Yoko Lytle | ... | graphics producer |
Susan Motamed | ... | graphics producer |
Tim Stipan | ... | digital intermediate colorist |
Alex Pirrone | ... | additional editorial support (uncredited) |
Makeup Department
Victor Lomeli | ... | makeup artist: personal makeup artist |
Production Management
Rob Forlenza | ... | post-production manager |
Jeremy Newmark | ... | post-production supervisor |
Sound Department
Josh Berger | ... | assistant re-recording mixer |
Eric Branting | ... | sound mixer |
Ian Cymore | ... | assistant sound editor / assistant re-recording mixer (as Ian Gaffney-Rosenfeld) |
Lee Dichter | ... | re-recording mixer |
Gabriela Elder | ... | coordinator: sound post - harbor picture company (as Gaby Celi) |
Tony Martinez | ... | supervising dialogue editor |
Wil Masisak | ... | sound mixer |
Austin Plocher | ... | sound mixer |
Daniel Powell | ... | additional sound mixer |
Jason Todd | ... | additional sound mixer |
Damian Volpe | ... | re-recording mixer / supervising sound editor |
Camera and Electrical Department
Mitch Blummer | ... | camera operator |
Thomas W. Cameron III | ... | film loader |
Jeff Griecci | ... | additional assistant camera |
Justin Hartough | ... | digital imaging technician |
Julie Kirkwood | ... | additional cinematographer |
Jake Lane | ... | film loader |
Rachel Morrison | ... | additional cinematographer |
Christine Ng | ... | additional cinematographer |
Davis Northern | ... | digital imaging technician |
Case Norton | ... | additional first assistant camera |
Topher Osborn | ... | additional cinematographer |
Animation Department
Chris Bialkowski | ... | graphics creative designer |
Eric Dalimarta | ... | graphics animator |
Seokjun Lee | ... | graphics designer |
Jun Sik Na | ... | graphics animator |
Music Department
Benjamin Krause | ... | composer: additional music / orchestrator |
Kyle McKeveny | ... | music supervisor |
Jenni Muldaur | ... | music consultant |
Additional Crew
Elizabeth Ryan Cowell | ... | production assistant |
John 'JR' Craigmile | ... | production accountant |
Jerry Heer | ... | media manager |
Matt Kapp | ... | additional research |
Steph Kelly | ... | production assistant (as Stephanie Kelly) |
Vanessa Maruskin | ... | archival consultant |
Michael Mecionis | ... | production assistant |
Jamie Gore Pawlik | ... | production assistant |
Karen Shatzkin | ... | legal services |
Michael Rodriguez | ... | logger (uncredited) |
Thanks
Delia Ephron | ... | very special thanks |
Jeff Greenberg | ... | special thanks |
Gaby Hoffmann | ... | special thanks |
Arianna Huffington | ... | special thanks |
Natasha Lyonne | ... | special thanks |
Mary Ellen Mark | ... | special thanks |
Richard Marks | ... | special thanks |
Steve Martin | ... | special thanks |
Nicholas Pileggi | ... | very special thanks (as Nick Pileggi) |
Charlie Rose | ... | special thanks |
J.J. Sacha | ... | very special thanks |
Diane Sawyer | ... | special thanks |
Martin Short | ... | special thanks |
Nan Talese | ... | special thanks |
Production Companies
- HBO Documentary Films
- Home Box Office (HBO)
- Loveless (in association with)
Distributors
- Home Box Office (HBO) (2016) (United States) (tv)
- HBO Max (2020) (United States) (video) (VOD)
- Home Box Office (HBO) (2016) (Netherlands) (video) (online) (HBO On Demand and HBO GO) (limited)
Special Effects
Other Companies
- 92nd Street Y (archive material courtesy of)
- American Film Institute (AFI) (courtesy of: "AFI's Life Achievement Award: A Tribute to Meryl Streep" video footage)
- Associated Press (archive material courtesy of)
- Baltimore Sun (copyright owner: from The Baltimore Sun, December 20, 1979)
- Barnes & Noble (archive material courtesy of)
- CBS News (archive material courtesy of)
- CUNY TV (archive material courtesy of)
- Cable News Network (CNN) (archive material courtesy of)
- Charlie Rose (archive material courtesy of)
- Columbia Pictures (courtesy of: "Hanging Up" and "Julie and Julia")
- Condé Nast Publications (courtesy of: Vogue cover originally published by Vogue, October 2010/Photography by Peter Lindbergh)
- Daphne Productions Inc. (courtesy of: "The Dick Cavett Show")
- Disney-ABC Home Entertainment & Television Distribution (archive material courtesy of)
- Disney-ABC Home Entertainment & Television Distribution (courtesy of: "Silkwood")
- Efootage (archive material courtesy of)
- Estate of Nora Ephron (used with the permission of: "The Story of My Life in 3,500 Words or Less", "A Few Words About Breasts", "Journalism: A Love Story", "Dorothy Schiff and the New York Post", "Fantasies", "The Mink Coat", "Moving On", "Considering The Alternative", "What I Will Miss", "When Harry Met Sally", "Heartburn" and other proprietary materials)
- F.I.L.M. Archive (archive material courtesy of)
- Getty Images (archive material courtesy of)
- Getty Images (archive material courtesy of)
- Global Imageworks (courtesy of: "The Dick Cavett Show")
- Grubman Shire Meiselas & Sacks (production legal services)
- HBO Archives (archive material courtesy of)
- Harpo Productions (archive material courtesy of)
- Historic Films (archive material courtesy of)
- IBT Media Group (copyright owner: from Newsweek, March 23, 1970)
- ITN Source / ITV Studios (archive material courtesy of)
- NBCUniversal Archives (archive material courtesy of)
- Paramount Pictures (courtesy of: "Heartburn" and "Lucky Numbers")
- Penguin Random House (excerpted by permission of: audio excerpted from "I Feel Bad About My Neck" and "I Remember Nothing" by Nora Ephron. Copyright 2006 and 2010 by Nora Ephron. Audio production copyright 2006 and 2010 by Penguin Random House LLC.)
- Producer's Library Service (archive material courtesy of)
- Shutterstock (archive material courtesy of)
- South Carolina ETV (archive material courtesy of)
- StudioCanal (courtesy of: "Lucky Numbers" additional rights)
- The Chicago Tribune (copyright owner: from Chicago Tribune, December 18, 1998)
- The Imageworks (archive material courtesy of)
- The New York Times (copyright owner: from The New York Times, July 12, 1989)
- The New York Times (copyright owner: from The New York Times, June 27, 2013)
- The New York Times (copyright owner: from The New York Times, March 10, 2013)
- TriStar Pictures (courtesy of: "Sleepless in Seattle" and "Mixed Nuts")
- Twentieth Century Fox (courtesy of: "Daddy Long Legs", "Desk Set", "The Jackpot", "Carousel", "Irving Berlin's There's No Business Like Show Business", "An Affair to Remember" and "This Is My Life")
- UCLA Film and Television Archive (archive material courtesy of)
- Union Editorial (titles and opticals)
- Universal Television (archive material courtesy of)
- WTTW (archive material courtesy of)
- Warner Bros. Entertainment (licensed by: "When Harry Met Sally" and "You've Got Mail")
- Washington Post (copyright owner: from The Washington Post, August 9, 1974)
- Wazee Digital (archive material courtesy of)
Storyline
Plot Keywords | |
Taglines | She entertained us with laughter and tears. See more » |
Genres | |
Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
Trivia | In a March 2016 interview in Collider, Jacob Bernstein said that the most challenging aspect of this movie's production was the protracted negotiation with his own father, Carl Bernstein, about his appearance in the film. In the movie itself, Jacob Bernstein also says that his parents' divorce stretched on for years and was a great deal more complicated than most divorces in part because of his father's insistence on negotiating on the content of another movie, the film adaptation of Nora Ephron's roman a clef account of their breakup, Heartburn. See more » |
Soundtracks | Pretty Little Horses Lullabye See more » |
Quotes |
Nora Ephron:
I now believe that what my mother meant was this: When you slip on a banana peel, people laugh at you. But when you tell people you slipped on a banana peel, it's you're a laugh, so you become a hero rather than the victim of the joke. I think that's what she meant. On the other hand, she may merely have meant everything is copy. See more » |